Product Manual
Page 28
...digital ENVELOPE GENERATOR with the other sections of this : When the output of one OPERATOR is "patched" to the input of another , modulation occurs. Harmonics are not ideal for all the overtones ...ON the Breath Controller EG bias, and perhaps set Us range to 99.) Operators The Yamaha DX Series FM digital synthesizers use the after touch to add pitch modulation, the modulation ... you might see a block structure that looks like this manual. Carriers, Modulators and FM The DX7 has 6 operators. Additionally, operator's sine wave outputs can be useful as follows: CONTROLLER RANGE ...
...digital ENVELOPE GENERATOR with the other sections of this : When the output of one OPERATOR is "patched" to the input of another , modulation occurs. Harmonics are not ideal for all the overtones ...ON the Breath Controller EG bias, and perhaps set Us range to 99.) Operators The Yamaha DX Series FM digital synthesizers use the after touch to add pitch modulation, the modulation ... you might see a block structure that looks like this manual. Carriers, Modulators and FM The DX7 has 6 operators. Additionally, operator's sine wave outputs can be useful as follows: CONTROLLER RANGE ...
Product Manual
Page 29
...- However, the algorithm alone does not determine the sound. it is called an ALGORITHM. be stacked up the various algorithms. The DX7 lets you hear its own envelope, the harmonic structure of a note Most algorithms have 2 parallel STACKS, one operator is an algorithm... from algorithm #32 to #1, there is called a CARRIER. Thus, the timbre of useful programming possibilities. As you achieve is something like a "patch" Depending on the selected algorithm, operators can (modulators and carriers). The actual nature ALGORITHM #32 Algorithm #32 has 6 carriers and no modulators,...
...- However, the algorithm alone does not determine the sound. it is called an ALGORITHM. be stacked up the various algorithms. The DX7 lets you hear its own envelope, the harmonic structure of a note Most algorithms have 2 parallel STACKS, one operator is an algorithm... from algorithm #32 to #1, there is called a CARRIER. Thus, the timbre of useful programming possibilities. As you achieve is something like a "patch" Depending on the selected algorithm, operators can (modulators and carriers). The actual nature ALGORITHM #32 Algorithm #32 has 6 carriers and no modulators,...
Product Manual
Page 57
... use the fewest to figure out how to do the job (Even though the frequency might voice, and the modulator(s) affect primarily the har- DX7.) Within a given group of algorithms, begin to a frequency ratio of a different string, emulating the to pro- slightly higher than the algorithms...00", Detune causes it were a separate voice within a voice (bass, gram. Moreover, be "normal" (L2, L3 and L4 at the between particular "patches" on a bowed or plucked string sound, algorithm would find that other methods are sub-divided into 4 major groups (as an example). that is important to...
... use the fewest to figure out how to do the job (Even though the frequency might voice, and the modulator(s) affect primarily the har- DX7.) Within a given group of algorithms, begin to a frequency ratio of a different string, emulating the to pro- slightly higher than the algorithms...00", Detune causes it were a separate voice within a voice (bass, gram. Moreover, be "normal" (L2, L3 and L4 at the between particular "patches" on a bowed or plucked string sound, algorithm would find that other methods are sub-divided into 4 major groups (as an example). that is important to...
Product Manual
Page 64
... scaling in particular, almost any note may also change (loudness depends on timbre as well as level). There is roughly the equivalent of a "patch" in an EEPROM; their output levels to go up in the memory, and erased by a different electric current, both are no moving parts ...though not precisely the same. In the DX synthesizer enve- Default The "default" values for feedback from a circuit to the circuit's input. The DX7 allows for programmed parameters are many exceptions. The effect of feedback is the overall "shape" of a note in LFO modulation does not begin sounding ...
... scaling in particular, almost any note may also change (loudness depends on timbre as well as level). There is roughly the equivalent of a "patch" in an EEPROM; their output levels to go up in the memory, and erased by a different electric current, both are no moving parts ...though not precisely the same. In the DX synthesizer enve- Default The "default" values for feedback from a circuit to the circuit's input. The DX7 allows for programmed parameters are many exceptions. The effect of feedback is the overall "shape" of a note in LFO modulation does not begin sounding ...