Instructions for Use
Page 19
... versatile studio condenser microphone with five different pick-up patterns. no masking effects; Trebles are undesirably attenuated. 13 Brief description The MKH 80 is to be put between the power supply unit and the mixing console. The inherent noise of space and depth • ...Excellent sensitivity for 48 V phantom powering as per DIN 45596. Connecting facilities/power supply The MKH 80 is negligible. • The mic´s frequency-independent directivity prevents coloration both in the near field and in the diffuse field. • No negative ...
... versatile studio condenser microphone with five different pick-up patterns. no masking effects; Trebles are undesirably attenuated. 13 Brief description The MKH 80 is to be put between the power supply unit and the mixing console. The inherent noise of space and depth • ...Excellent sensitivity for 48 V phantom powering as per DIN 45596. Connecting facilities/power supply The MKH 80 is negligible. • The mic´s frequency-independent directivity prevents coloration both in the near field and in the diffuse field. • No negative ...
Instructions for Use
Page 21
... condenser microphone which is particularly well suited to prevent feedback. • The MZW 80-1 pop shield effectively suppresses pop noise during close miking. It also works exceptionally well as a supporting mic. • Its low inherent noise makes the MKH 80 the ideal principal microphone. • If the microphone is in the studio recording environment...
... condenser microphone which is particularly well suited to prevent feedback. • The MZW 80-1 pop shield effectively suppresses pop noise during close miking. It also works exceptionally well as a supporting mic. • Its low inherent noise makes the MKH 80 the ideal principal microphone. • If the microphone is in the studio recording environment...
Instructions for Use
Page 22
...the rear and thus a good reverberation balance for high frequencies. For close -miking, the mic´s bass emphasis is less high than with the cardioid pick-up pattern. 16 The mic has a neutral response to be miked. Like the omnidirectional pickup pattern, the wide-angle ...sources. No proximity effect. Selection of pick-up patterns Switch C serves to set the mic to five different pick-up patterns: Omnidirectional The push-pull transducer incorporated into the MKH 80 reduces the mic´s directivity to a minimum for longer distances to the sound source, even in rooms...
...the rear and thus a good reverberation balance for high frequencies. For close -miking, the mic´s bass emphasis is less high than with the cardioid pick-up pattern. 16 The mic has a neutral response to be miked. Like the omnidirectional pickup pattern, the wide-angle ...sources. No proximity effect. Selection of pick-up patterns Switch C serves to set the mic to five different pick-up patterns: Omnidirectional The push-pull transducer incorporated into the MKH 80 reduces the mic´s directivity to a minimum for longer distances to the sound source, even in rooms...
Instructions for Use
Page 25
MZW 80-1 Foam wind-shield functions as a connecting cable or an extension cable.Preattenuation/tone control Accessories 19 Length: 7.5 m. Usable as a close-miking and pop shield. Effectively suppresses structure-borne noise. Required mains voltage: 95 - 265 V/50 - 60 Hz KA 7 U XLR connecting cable Three-core cable with XLR/XLR connector. MZS 80 Shock mount for 48 V phantom powering. Allows two mics to be connected. MZN 16 P 48 U Power supply unit for the elastic suspension of the stand mounted mic.
MZW 80-1 Foam wind-shield functions as a connecting cable or an extension cable.Preattenuation/tone control Accessories 19 Length: 7.5 m. Usable as a close-miking and pop shield. Effectively suppresses structure-borne noise. Required mains voltage: 95 - 265 V/50 - 60 Hz KA 7 U XLR connecting cable Three-core cable with XLR/XLR connector. MZS 80 Shock mount for 48 V phantom powering. Allows two mics to be connected. MZN 16 P 48 U Power supply unit for the elastic suspension of the stand mounted mic.