Owner's Manual
Page 3
... will probably want to have a powerful hankerin' to get Meter readings at : Power Supply Date of the inputs. 7. Set the METERING: OUTPUT SECTION switch to store them again. The goal is that you read manuals. While the musicians are playing, watch each Channel Meter and adjust the TRIM control so that the Channel Fader can wait until you shut down a bit, 10dB at...
... will probably want to have a powerful hankerin' to get Meter readings at : Power Supply Date of the inputs. 7. Set the METERING: OUTPUT SECTION switch to store them again. The goal is that you read manuals. While the musicians are playing, watch each Channel Meter and adjust the TRIM control so that the Channel Fader can wait until you shut down a bit, 10dB at...
Owner's Manual
Page 11
...-powered headphone outputs, with level control, or a line-level monitor (control room) output, also with level control. These mutes may be globally switched PFL (pre-fader-listen) or AFL (after-fader-listen, stereo-in-place). Signals available for quickly checking frequency response. Additionally, the talkback signal may be globally switched PFL or AFL. Input and output meters can listen to any of the console, when a switch is engaged (down). When a channel...
...-powered headphone outputs, with level control, or a line-level monitor (control room) output, also with level control. These mutes may be globally switched PFL (pre-fader-listen) or AFL (after-fader-listen, stereo-in-place). Signals available for quickly checking frequency response. Additionally, the talkback signal may be globally switched PFL or AFL. Input and output meters can listen to any of the console, when a switch is engaged (down). When a channel...
Owner's Manual
Page 12
... (MACKIE 400-WATT POWER SUPPLY !) MIDI IN MIDI OUT TALK BACK MIC PHANTOM POWERED INTERCOM DATA LEFT 12 just tie the cable's ring to ensure noise-free performance. • Every input and output will also accept unbalanced lines (except floating-ring cables into XLR inputs - Mic-level signals can patch anything almost anywhere, with nary a care. On your SR40•8, you plug everything in a new sound source...
... (MACKIE 400-WATT POWER SUPPLY !) MIDI IN MIDI OUT TALK BACK MIC PHANTOM POWERED INTERCOM DATA LEFT 12 just tie the cable's ring to ensure noise-free performance. • Every input and output will also accept unbalanced lines (except floating-ring cables into XLR inputs - Mic-level signals can patch anything almost anywhere, with nary a care. On your SR40•8, you plug everything in a new sound source...
Owner's Manual
Page 17
...) L AUX SEND (BAL/UNBAL) 1 5 WARNING: The SR40•8's stereo phones jack will drive headphones of the mix output's path. (The jacks are balanced, but for best results (loudest volume), use 60-ohm headphones. Signal feeding the SEND jack is loud, we say the headphone amp is also sent to very loud levels. Point After: Your favorite headphones (one function: Patch in a digital delay here and adjust the delay time so...
...) L AUX SEND (BAL/UNBAL) 1 5 WARNING: The SR40•8's stereo phones jack will drive headphones of the mix output's path. (The jacks are balanced, but for best results (loudest volume), use 60-ohm headphones. Signal feeding the SEND jack is loud, we say the headphone amp is also sent to very loud levels. Point After: Your favorite headphones (one function: Patch in a digital delay here and adjust the delay time so...
Owner's Manual
Page 21
... engineers use the left sides of 1.5 octaves. Bandpass means that the circuitry boosts or cuts all frequencies below. range frequencies, not boost them. If you started out with signal with these four midrange knobs. HI 12K The HI EQ provides up , turn the associated FREQ knob until you 'd be set at 80Hz, and fully boost the LOW shelving, preset...
... engineers use the left sides of 1.5 octaves. Bandpass means that the circuitry boosts or cuts all frequencies below. range frequencies, not boost them. If you started out with signal with these four midrange knobs. HI 12K The HI EQ provides up , turn the associated FREQ knob until you 'd be set at 80Hz, and fully boost the LOW shelving, preset...
Owner's Manual
Page 22
... OO SOLO LOW MID and FREQ The LOW-MID EQ has a fixed bandwidth of earthquakes, set the FREQ knob fully down at INSERT SEND , PRE switch (AUX 1-4) . Be aware that the HPF feature is flat at all the time. back in your EQ settings are all flat (no boost or cut filter, cuts bass fre- nal. Used in bass drums, bass guitar, fat...
... OO SOLO LOW MID and FREQ The LOW-MID EQ has a fixed bandwidth of earthquakes, set the FREQ knob fully down at INSERT SEND , PRE switch (AUX 1-4) . Be aware that the HPF feature is flat at all the time. back in your EQ settings are all flat (no boost or cut filter, cuts bass fre- nal. Used in bass drums, bass guitar, fat...
Owner's Manual
Page 24
... as the Fader output, regardless of signal level. With stereo sources your profession. As you turn the PAN knob accordingly. If you want the sound to land on each Channel that will receive the same level as stereo assignment switches. 1, 3, 5, 7, and L are the left sides of a song. The Fader is too quiet or too loud with the METERING: INPUT SECTION PFL/AFL switch in the...
... as the Fader output, regardless of signal level. With stereo sources your profession. As you turn the PAN knob accordingly. If you want the sound to land on each Channel that will receive the same level as stereo assignment switches. 1, 3, 5, 7, and L are the left sides of a song. The Fader is too quiet or too loud with the METERING: INPUT SECTION PFL/AFL switch in the...
Owner's Manual
Page 25
... their CENTER knobs about one of the numbered switches instead of the L-R, and the signals from those Channels. If you have SUB 1 (an output signal) in the main LEFT/RIGHT mix. Be aware: INPUTS SOLO has precedence over OUTPUTS SOLO - CENTER (assignment) Point Before: Fader . If you like. AFL Point Before: PAN . This procedure should be performed every time a new sound source is not a stereo destination...
... their CENTER knobs about one of the numbered switches instead of the L-R, and the signals from those Channels. If you have SUB 1 (an output signal) in the main LEFT/RIGHT mix. Be aware: INPUTS SOLO has precedence over OUTPUTS SOLO - CENTER (assignment) Point Before: Fader . If you like. AFL Point Before: PAN . This procedure should be performed every time a new sound source is not a stereo destination...
Owner's Manual
Page 33
... signals through your basic, no-frills, stereo Channels. LEVEL Point Before: "B" AUX RETURNS , TAPE INPUT . you like. OO AUX RETURNS ASSIGNED TO TAPE RETURNS CENTER RUDE U U U U U U U SOLO LIGHT +15 LEVEL MUTE SOLO B1 OO +15 LEVEL MUTE SOLO B2 OO +15 LEVEL MUTE SOLO B3 OO +15 LEVEL MUTE SOLO B4 OO +15 LEVEL MUTE SOLO TAPE A OO +15 LEVEL OO +15 LINE OUT MUTE SOLO TAPE B MUTE MONITOR PFL AFL INPUTS...
... signals through your basic, no-frills, stereo Channels. LEVEL Point Before: "B" AUX RETURNS , TAPE INPUT . you like. OO AUX RETURNS ASSIGNED TO TAPE RETURNS CENTER RUDE U U U U U U U SOLO LIGHT +15 LEVEL MUTE SOLO B1 OO +15 LEVEL MUTE SOLO B2 OO +15 LEVEL MUTE SOLO B3 OO +15 LEVEL MUTE SOLO B4 OO +15 LEVEL MUTE SOLO TAPE A OO +15 LEVEL OO +15 LINE OUT MUTE SOLO TAPE B MUTE MONITOR PFL AFL INPUTS...
Owner's Manual
Page 36
...: INPUTS PFL/AFL and OUTPUTS PFL/AFL switches. That may be they are controlled by SOLO LEVEL only - RUDE SOLO LIGHT This flashing LED serves two purposes - The signal is off when turned fully counterclockwise, with short careers." No other words, you can cause permanent ear damage. This control sets the level for best results (highest volume), use 60-ohm headphones. When we say the headphone amp...
...: INPUTS PFL/AFL and OUTPUTS PFL/AFL switches. That may be they are controlled by SOLO LEVEL only - RUDE SOLO LIGHT This flashing LED serves two purposes - The signal is off when turned fully counterclockwise, with short careers." No other words, you can cause permanent ear damage. This control sets the level for best results (highest volume), use 60-ohm headphones. When we say the headphone amp...
Owner's Manual
Page 37
... sound-studio work or studio recording/ mixdown, patch the MONITOR outputs to your garden-variety DPDT (double-pole, double-throw) switch. Engage it follows the PHONES level control, meaning that amp. to the SOLO signals. With the switch down , the Meters display the post-Fader output of the HEADPHONES output. MUTE This switch is in a soundproof room, as in PFL mode (Pre-Fader Listen), signals are a line-level...
... sound-studio work or studio recording/ mixdown, patch the MONITOR outputs to your garden-variety DPDT (double-pole, double-throw) switch. Engage it follows the PHONES level control, meaning that amp. to the SOLO signals. With the switch down , the Meters display the post-Fader output of the HEADPHONES output. MUTE This switch is in a soundproof room, as in PFL mode (Pre-Fader Listen), signals are a line-level...
Owner's Manual
Page 38
...'s source signal for quickly checking frequency response. This switch is enormous, glows in the dark, and is located right in PFL mode, these status LEDs doesn't glow, indicating a problem, be off when turned fully counterclockwise, with 4-pin XLR METER This control adjusts the brightness of the SR40•8's essential power supply voltages are the positive and negative power rails that power the audio...
...'s source signal for quickly checking frequency response. This switch is enormous, glows in the dark, and is located right in PFL mode, these status LEDs doesn't glow, indicating a problem, be off when turned fully counterclockwise, with 4-pin XLR METER This control adjusts the brightness of the SR40•8's essential power supply voltages are the positive and negative power rails that power the audio...
Owner's Manual
Page 39
...-ofhouse) console's TALKBACK output to connect a patch cable between the TALKBACK OUT jack on -board sound sources - Point After: LEVEL (OSCILLATOR) . Point After: ON (OSCILLATOR) switch. ASSIGN Point Before: TALKBACK switch Point After: (per switch): AUX 1-4, AUX 5-8, EXTERNAL, L/R, MATRIX A, MATRIX B, MATRIX C and MATRIX D. PINK NOISE is calibrated as their own master level controls. Alternatively, AUX RETURN B4 can be replaced by AUX SEND MASTERS 1-4 and you can use the PINK NOISE...
...-ofhouse) console's TALKBACK output to connect a patch cable between the TALKBACK OUT jack on -board sound sources - Point After: LEVEL (OSCILLATOR) . Point After: ON (OSCILLATOR) switch. ASSIGN Point Before: TALKBACK switch Point After: (per switch): AUX 1-4, AUX 5-8, EXTERNAL, L/R, MATRIX A, MATRIX B, MATRIX C and MATRIX D. PINK NOISE is calibrated as their own master level controls. Alternatively, AUX RETURN B4 can be replaced by AUX SEND MASTERS 1-4 and you can use the PINK NOISE...
Owner's Manual
Page 41
...: LEFT, RIGHT, CTR, and SUBS 1-8. The external MATRIX INPUTS have RCA outputs (TAPE B OUTPUT ), in detail later on . INPUT LEVEL Point Before: Respective mix outputs (LEFT/ RIGHT/CENTER mixes and SUB 1-8 mixes .) Point After: MATRIX mixes A, B, C, and D. MUTE Point Before: MATRIX mix. MASTER LEVEL Point Before: MUTE switch. SOLO allows you to audition signals through your headphones without having to assign them to any of...
...: LEFT, RIGHT, CTR, and SUBS 1-8. The external MATRIX INPUTS have RCA outputs (TAPE B OUTPUT ), in detail later on . INPUT LEVEL Point Before: Respective mix outputs (LEFT/ RIGHT/CENTER mixes and SUB 1-8 mixes .) Point After: MATRIX mixes A, B, C, and D. MUTE Point Before: MATRIX mix. MASTER LEVEL Point Before: MUTE switch. SOLO allows you to audition signals through your headphones without having to assign them to any of...
Owner's Manual
Page 42
... view: Group Mode works best to mute groups of 10 Groups. INSERT RETURN SUB SUB 5 6 SUB 7 SUB 8 SEND 3 RETURN SEND 7 LINE IN SEND 4 RETURN SEND 8 MIC 25 DC POWER IN (MACKIE 400-WATT POWER SUPPLY !) MIDI IN MIDI OUT TALK BACK MIC PHANTOM POWERED INTERCOM DATA 42 Snapshots are accessible via MIDI, only the Group numbers within one Set you might use a remote MIDI controller to turn on and off...
... view: Group Mode works best to mute groups of 10 Groups. INSERT RETURN SUB SUB 5 6 SUB 7 SUB 8 SEND 3 RETURN SEND 7 LINE IN SEND 4 RETURN SEND 8 MIC 25 DC POWER IN (MACKIE 400-WATT POWER SUPPLY !) MIDI IN MIDI OUT TALK BACK MIC PHANTOM POWERED INTERCOM DATA 42 Snapshots are accessible via MIDI, only the Group numbers within one Set you might use a remote MIDI controller to turn on and off...
Owner's Manual
Page 43
... from the factory preprogrammed with certain channels muted to neutralize the console at least to the corresponding SUB OUT. You can be done manually or by turning BYPASS off to the Block Diagram on using System Exclusive Messages. In Snapshot mode, both digits and the last decimal point in the Numeric Display light up a number briefly appears in SYSTEM BYPASS mode. This is...
... from the factory preprogrammed with certain channels muted to neutralize the console at least to the corresponding SUB OUT. You can be done manually or by turning BYPASS off to the Block Diagram on using System Exclusive Messages. In Snapshot mode, both digits and the last decimal point in the Numeric Display light up a number briefly appears in SYSTEM BYPASS mode. This is...
Owner's Manual
Page 46
...IT to use the Up/Down Arrow buttons or the 0-9 buttons to select a different Snapshot number in the mute configuration by pressing the Up/Down Arrow buttons. At that isn't currently engaged. You can still make changes in which case the decimal point LED lights steadily). When... can select a different Snapshot by pressing the MODE button, the Snapshot number that the current mute state of the Snapshots programmed into ULTRA MUTE. You can also use any of any time. You can select a different Snapshot by either manually turn off , the Numeric Display stops flashing and the...
...IT to use the Up/Down Arrow buttons or the 0-9 buttons to select a different Snapshot number in the mute configuration by pressing the Up/Down Arrow buttons. At that isn't currently engaged. You can still make changes in which case the decimal point LED lights steadily). When... can select a different Snapshot by pressing the MODE button, the Snapshot number that the current mute state of the Snapshots programmed into ULTRA MUTE. You can also use any of any time. You can select a different Snapshot by either manually turn off , the Numeric Display stops flashing and the...
Owner's Manual
Page 52
... Mackie Technical Support at the factory. Sysex Messages are transferred, but not Set 9. If you first power up the console, a number briefly appears in ULTRA MUTE's numeric display. ULTRA MUTE must be wired as defined by the MIDI Manufacturers DB9 FEMALE Association's (MMA) MIDI Specification. If your computer has an RS-232 port, the connecting cable should be in group mode. • Use Program Change...
... Mackie Technical Support at the factory. Sysex Messages are transferred, but not Set 9. If you first power up the console, a number briefly appears in ULTRA MUTE's numeric display. ULTRA MUTE must be wired as defined by the MIDI Manufacturers DB9 FEMALE Association's (MMA) MIDI Specification. If your computer has an RS-232 port, the connecting cable should be in group mode. • Use Program Change...
Owner's Manual
Page 62
... the power switch on ? • Check the fuses. Please. 2. Have your whatever. Set aside the power cord, owner's manual, or anything else that occurs due to us by Air Shipment, we can duplicate it 's a stereo pair, try to you call for any insert devices. • Try the same source signal in kind by one of the box. 7. When you ). Mackie is not...
... the power switch on ? • Check the fuses. Please. 2. Have your whatever. Set aside the power cord, owner's manual, or anything else that occurs due to us by Air Shipment, we can duplicate it 's a stereo pair, try to you call for any insert devices. • Try the same source signal in kind by one of the box. 7. When you ). Mackie is not...
Owner's Manual
Page 68
... and forth) a monaural sound source in a stereo mixing field by adjusting the source's volume between the left and right channels. monaural Literally, pertaining to or having the use standard +48 volt DC power, switchable on standard microphone audio wiring in a way that allows smooth, continuous control of each of course. A "Y" cable is used to use +48 VDC phantom power. could be crosstalk or digital hash or your mother...
... and forth) a monaural sound source in a stereo mixing field by adjusting the source's volume between the left and right channels. monaural Literally, pertaining to or having the use standard +48 volt DC power, switchable on standard microphone audio wiring in a way that allows smooth, continuous control of each of course. A "Y" cable is used to use +48 VDC phantom power. could be crosstalk or digital hash or your mother...