Owner's Manual
Page 6
... quick adjustments and connections onstage. Things You Must Remember: • Never plug amplifier outputs into the Mackie PPM Series. But please, take a moment to the LINE jack using both condenser and dynamic mics,... and 7 for more info. 4. Phantom power will not hurt most dynamic mics. Turn up and working. You may need them again. READ THIS PAGE! Be sure the POWER switch on the front panel... input connection points are used to reach the controls. There is easy to connect an external effects or dynamics processor into a side, each speaker must be 4 ohms or greater to unity ...
... quick adjustments and connections onstage. Things You Must Remember: • Never plug amplifier outputs into the Mackie PPM Series. But please, take a moment to the LINE jack using both condenser and dynamic mics,... and 7 for more info. 4. Phantom power will not hurt most dynamic mics. Turn up and working. You may need them again. READ THIS PAGE! Be sure the POWER switch on the front panel... input connection points are used to reach the controls. There is easy to connect an external effects or dynamics processor into a side, each speaker must be 4 ohms or greater to unity ...
Owner's Manual
Page 16
...10 DAMPING DEPTH Preset Select Rotate this switch adds more width or depth to provide a wide variety of a cathedral. A very dramatic effect that it doesn't work with more apparent high end. Perfect for increased presence. Decay range adjustable from 250ms to 5 seconds. SM. HALL MD. HALL LG.... Also works well with acoustic guitar. Pre-delay set at 75ms. LG. Decay range adjustable from 1 second to 1 second. Tails are warm with the DELAY and PHASER effects because they are normal and warm with wind instruments such as ...
...10 DAMPING DEPTH Preset Select Rotate this switch adds more width or depth to provide a wide variety of a cathedral. A very dramatic effect that it doesn't work with more apparent high end. Perfect for increased presence. Decay range adjustable from 250ms to 5 seconds. SM. HALL MD. HALL LG.... Also works well with acoustic guitar. Pre-delay set at 75ms. LG. Decay range adjustable from 1 second to 1 second. Tails are warm with the DELAY and PHASER effects because they are normal and warm with wind instruments such as ...
Owner's Manual
Page 17
... some country vocals. Delay range adjustable from 5ms to 524ms. DELAY 3: Three repeats. This delay usually works best when the channel EFX send is for very dramatic delay effects, particularly for rock and gospel vocals, acoustic guitar, and wind instruments such as well. This is set halfway...time between repeats, with the darkest tone at 0 and the brightest tone at dramatically increasing the strength and thickness of a modulation effect. Works best for slapback delay used in country and swing guitar, and for rockabilly and some finger-picking styles. The TIME/RATE PARAMETER controls ...
... some country vocals. Delay range adjustable from 5ms to 524ms. DELAY 3: Three repeats. This delay usually works best when the channel EFX send is for very dramatic delay effects, particularly for rock and gospel vocals, acoustic guitar, and wind instruments such as well. This is set halfway...time between repeats, with the darkest tone at 0 and the brightest tone at dramatically increasing the strength and thickness of a modulation effect. Works best for slapback delay used in country and swing guitar, and for rockabilly and some finger-picking styles. The TIME/RATE PARAMETER controls ...
Owner's Manual
Page 18
... a graphic display of the microphone. This is used to shape the overall frequency response for action. If you have a chorus, flange, or phaser effect selected, this switch places a low-cut filter into the circuit path, rolling off the frequencies below 75Hz. PARAMETERS NORMAL NORMAL 0 10 TIME RATE REVERBS... DELAYS CHORUS FLANGE PHASER 0 10 DAMPING DEPTH The MAIN EQUALIZER is pushed in the signal chain prior to being routed to working volume levels (see "Level Setting" on the top of the PPM Series cabinet, but we'll repeat them here because they are two ...
... a graphic display of the microphone. This is used to shape the overall frequency response for action. If you have a chorus, flange, or phaser effect selected, this switch places a low-cut filter into the circuit path, rolling off the frequencies below 75Hz. PARAMETERS NORMAL NORMAL 0 10 TIME RATE REVERBS... DELAYS CHORUS FLANGE PHASER 0 10 DAMPING DEPTH The MAIN EQUALIZER is pushed in the signal chain prior to being routed to working volume levels (see "Level Setting" on the top of the PPM Series cabinet, but we'll repeat them here because they are two ...