Owners Manual
Page 31
... gain, channel EQs flat, all channels assigned to Main Mix, odd channels panned left, even channels panned right.) Main Mix fader unity, channel faders down: 2404: -87.0 dBu (-91.0 dB Signal to Noise Ratio, ref +4 dBu) 3204: -84.5 dBu (-88.5 dB Signal to Noise Ratio, ref +4 dBu) Main Mix fader... unity, channel faders @ unity: 2404: -81.5 dBu 3204: -80.0 dBu 4-Band Equalization (stereo channels) Low: ±15 dB @ 80 Hz Low-Mid: ±15 dB @ 400 Hz High-Mid: ...
... gain, channel EQs flat, all channels assigned to Main Mix, odd channels panned left, even channels panned right.) Main Mix fader unity, channel faders down: 2404: -87.0 dBu (-91.0 dB Signal to Noise Ratio, ref +4 dBu) 3204: -84.5 dBu (-88.5 dB Signal to Noise Ratio, ref +4 dBu) Main Mix fader... unity, channel faders @ unity: 2404: -81.5 dBu 3204: -80.0 dBu 4-Band Equalization (stereo channels) Low: ±15 dB @ 80 Hz Low-Mid: ±15 dB @ 400 Hz High-Mid: ...
Owners Manual
Page 38
... for vocals or guitars in fast paced, high- Often used for vocals, drums, acoustic and electric guitars, keyboards, and more than once. 38 VLZ4 4•Bus Bright delays have repeats knob [63] more . Useful on songs that would be used by lots of fast early reflections Useful for...like rock 2), or six (delay 3) repeats of the mix. default delay time for thickening vocals while adding dimen- Great for adding life and dimension to drums and other acoustic instruments, and for making a particular sound guitar and bass, or to add a dramatic effect to close-mic'ed orchestral...
... for vocals or guitars in fast paced, high- Often used for vocals, drums, acoustic and electric guitars, keyboards, and more than once. 38 VLZ4 4•Bus Bright delays have repeats knob [63] more . Useful on songs that would be used by lots of fast early reflections Useful for...like rock 2), or six (delay 3) repeats of the mix. default delay time for thickening vocals while adding dimen- Great for adding life and dimension to drums and other acoustic instruments, and for making a particular sound guitar and bass, or to add a dramatic effect to close-mic'ed orchestral...