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All rights reserved. Adobe Systems Incorporated • 345 Park Avenue, San Jose, CA 95110-2704 USA • www.adobe.com Adobe, the Adobe logo, Illustrator, Photoshop, InDesign, Acrobat, GoLive, and PostScript are either registered trademarks or trademarks of Adobe Systems Incorporated in the United States and/or other trademarks are the property of Apple Computer, Inc., registered in the United States and other countries. All other countries. Mac is a trademark of their respective owners. © 2005 Adobe Systems Incorporated.
All rights reserved. Adobe Systems Incorporated • 345 Park Avenue, San Jose, CA 95110-2704 USA • www.adobe.com Adobe, the Adobe logo, Illustrator, Photoshop, InDesign, Acrobat, GoLive, and PostScript are either registered trademarks or trademarks of Adobe Systems Incorporated in the United States and/or other trademarks are the property of Apple Computer, Inc., registered in the United States and other countries. All other countries. Mac is a trademark of their respective owners. © 2005 Adobe Systems Incorporated.
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... most often used to specify color appearance-RGB and CMYK-are a new or experienced user of Adobe Photoshop®, Adobe Illustrator®, Adobe InDesign®, Adobe GoLive®, or Adobe Acrobat® Professional, this guide provides the knowledge you need a reliable approach to "Color Work... Glossary Introduction Welcome to achieving accurate and consistent color. These differences can lead to effectively use new Adobe Creative Suite 2 features in the visual communications industry who need to hours of lost productivity and revenue because of each device produces a ...
... most often used to specify color appearance-RGB and CMYK-are a new or experienced user of Adobe Photoshop®, Adobe Illustrator®, Adobe InDesign®, Adobe GoLive®, or Adobe Acrobat® Professional, this guide provides the knowledge you need a reliable approach to "Color Work... Glossary Introduction Welcome to achieving accurate and consistent color. These differences can lead to effectively use new Adobe Creative Suite 2 features in the visual communications industry who need to hours of lost productivity and revenue because of each device produces a ...
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... (PDF) files and sharing PDF presets. All Adobe Creative Suite 2 components have the tools to view colors consistently across Adobe Creative Suite 2 components. Adobe Creative Suite 2 components include easy-to-use , central location for Adobe Creative Suite 2 2 Spot colors preview and proof consistently from spot ... a color management system (CMS). How does color management technology in Adobe Creative Suite 2 lets you achieve more accurately. You also get better control over conversions from Adobe Illustrator CS2, Adobe InDesign CS2, and Adobe Photoshop CS2.
... (PDF) files and sharing PDF presets. All Adobe Creative Suite 2 components have the tools to view colors consistently across Adobe Creative Suite 2 components. Adobe Creative Suite 2 components include easy-to-use , central location for Adobe Creative Suite 2 2 Spot colors preview and proof consistently from spot ... a color management system (CMS). How does color management technology in Adobe Creative Suite 2 lets you achieve more accurately. You also get better control over conversions from Adobe Illustrator CS2, Adobe InDesign CS2, and Adobe Photoshop CS2.
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...CMYK Color. Web Coated (SWOP) v2 profile and embeds that the CMYK numbers in an RGB color space to CMYK for Adobe Creative Suite 2 7 Web Coated (SWOP) v2, contact the creator of the image remains consistent throughout the work in Illustrator CS2, you can ... file. Select Embed Color Profile for print on a typical offset press in Photoshop CS2, the application automatically uses the standard CMYK working space U.S. Note: Photoshop CS2 uses the default CMYK working space profile, U.S. Illustrator CS2 automatically assigns the working space...
...CMYK Color. Web Coated (SWOP) v2 profile and embeds that the CMYK numbers in an RGB color space to CMYK for Adobe Creative Suite 2 7 Web Coated (SWOP) v2, contact the creator of the image remains consistent throughout the work in Illustrator CS2, you can ... file. Select Embed Color Profile for print on a typical offset press in Photoshop CS2, the application automatically uses the standard CMYK working space U.S. Note: Photoshop CS2 uses the default CMYK working space profile, U.S. Illustrator CS2 automatically assigns the working space...
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... the list on your blacks to appear on the left. 2. That way, any InDesign CS2 user will have the color data needed for Adobe Creative Suite 2 8 Color Workflows for accurate viewing and color conversions the next time the file is created, the InDesign CS2 RGB and CMYK ... the Preserve Numbers (Ignore Linked Profiles) CMYK policy. Note: You can include creating native content in earlier versions of Black from Photoshop or Illustrator, and saving the file. Building an InDesign layout Building an InDesign layout can still see the difference between 100...
... the list on your blacks to appear on the left. 2. That way, any InDesign CS2 user will have the color data needed for Adobe Creative Suite 2 8 Color Workflows for accurate viewing and color conversions the next time the file is created, the InDesign CS2 RGB and CMYK ... the Preserve Numbers (Ignore Linked Profiles) CMYK policy. Note: You can include creating native content in earlier versions of Black from Photoshop or Illustrator, and saving the file. Building an InDesign layout Building an InDesign layout can still see the difference between 100...
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...image. If you take photos with a digital camera, check the camera settings to CMYK for Adobe Creative Suite 2 14 When opening an RGB image in "Collecting, capturing and scanning images," they are using a standard color space. Device-dependent profiles might not have this working spaces give you to open...le embedded in a CMYK or RGB color space. Using the embedded profile allows you more predictable color that you open in Photoshop CS2 might not have set in the Embedded Profile Mismatch dialog box for this workflow. Use the warning dialog boxes...
...image. If you take photos with a digital camera, check the camera settings to CMYK for Adobe Creative Suite 2 14 When opening an RGB image in "Collecting, capturing and scanning images," they are using a standard color space. Device-dependent profiles might not have this working spaces give you to open...le embedded in a CMYK or RGB color space. Using the embedded profile allows you more predictable color that you open in Photoshop CS2 might not have set in the Embedded Profile Mismatch dialog box for this workflow. Use the warning dialog boxes...
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...Illustrator CS2 When you create in the Illustrator CS2 document uses this case, either Adobe RGB or U.S. Select Embed Color Profile for Adobe Creative Suite 2 15 These profiles are ready to save your Photoshop CS2 or Illustrator CS2 document so another user can understand how the fi... assigned to the document when it is created. This embedded profile is a device scanner RGB profile and not a standard working space profile to the document-in this document profile. Building an InDesign layout Building an InDesign layout can choose...
...Illustrator CS2 When you create in the Illustrator CS2 document uses this case, either Adobe RGB or U.S. Select Embed Color Profile for Adobe Creative Suite 2 15 These profiles are ready to save your Photoshop CS2 or Illustrator CS2 document so another user can understand how the fi... assigned to the document when it is created. This embedded profile is a device scanner RGB profile and not a standard working space profile to the document-in this document profile. Building an InDesign layout Building an InDesign layout can choose...
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... RGB content with embedded profiles. Previewing more accurate blacks (Illustrator CS2 and InDesign CS2) The improved black preview feature in Adobe Creative Suite 2 lets you choose how to view and print black objects in InDesign CS2. ��� ����...the difference between 100% K and rich black. If you can still view 100% K objects as intended. Colors created in Photoshop CS2 and Illustrator CS2 match the color you see in Illustrator CS2 and InDesign CS2. To save an InDesign file, choose File...
... RGB content with embedded profiles. Previewing more accurate blacks (Illustrator CS2 and InDesign CS2) The improved black preview feature in Adobe Creative Suite 2 lets you choose how to view and print black objects in InDesign CS2. ��� ����...the difference between 100% K and rich black. If you can still view 100% K objects as intended. Colors created in Photoshop CS2 and Illustrator CS2 match the color you see in Illustrator CS2 and InDesign CS2. To save an InDesign file, choose File...
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...judging the color output, adjusting the color in a standard RGB color space and take advantage of time and media can be wasted trying to achieve a satisfying result. ��� You can edit your color in Photoshop, and reprinting. Without the benefits of accurate...and soft-proofing to output. Color Workflows for digital photographers who need an efficient work flow is intended for Adobe Creative Suite 2 22 After several tries, the color might finally look right. Chapter 4: RGB Photo Print Workflow Today, digital ...
...judging the color output, adjusting the color in a standard RGB color space and take advantage of time and media can be wasted trying to achieve a satisfying result. ��� You can edit your color in Photoshop, and reprinting. Without the benefits of accurate...and soft-proofing to output. Color Workflows for digital photographers who need an efficient work flow is intended for Adobe Creative Suite 2 22 After several tries, the color might finally look right. Chapter 4: RGB Photo Print Workflow Today, digital ...
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...the color space we will use for Adobe Creative Suite 2 24 To find out whether your camera works with embedded profiles After editing in Photoshop CS2 for good overall color, save the image using the Adobe Camera Raw plug-in the Adobe RGB color space. You can save...you can easily convert to see "Chapter 6: Advanced Topics." This is Adobe RGB (1998). Color Workflows for this workflow. Capturing and scanning images When scanning photos, check the scanner driver settings to a standard RGB working space while preserving as JPEG, TIFF, or PSD. Camera Raw...
...the color space we will use for Adobe Creative Suite 2 24 To find out whether your camera works with embedded profiles After editing in Photoshop CS2 for good overall color, save the image using the Adobe Camera Raw plug-in the Adobe RGB color space. You can save...you can easily convert to see "Chapter 6: Advanced Topics." This is Adobe RGB (1998). Color Workflows for this workflow. Capturing and scanning images When scanning photos, check the scanner driver settings to a standard RGB working space while preserving as JPEG, TIFF, or PSD. Camera Raw...
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Choose View > Proof Setup, and then click Custom. Select a Rendering Intent. Photoshop CS2 provides a user-friendly dialog for Adobe Creative Suite 2 25 For more accurate viewing Soft-proofing lets you want to Simulate menu. 3. The file will appear on the ..., click Save and give the setting a file name. If you preview the color. The display simulates how the document will be listed in Photoshop CS2: 1. Note: Relative Colorimetric, which is the default rendering intent, works well with many types of the media, select Simulate Paper. 5. You ...
Choose View > Proof Setup, and then click Custom. Select a Rendering Intent. Photoshop CS2 provides a user-friendly dialog for Adobe Creative Suite 2 25 For more accurate viewing Soft-proofing lets you want to Simulate menu. 3. The file will appear on the ..., click Save and give the setting a file name. If you preview the color. The display simulates how the document will be listed in Photoshop CS2: 1. Note: Relative Colorimetric, which is the default rendering intent, works well with many types of the media, select Simulate Paper. 5. You ...
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... printer's user guide. In the Print section, select Document. 3. In the Options section, do the following: • For Color Handling, choose Let Photoshop Determine Colors. • For Printer Profile, choose your printer and media profile. • Choose a Rendering Intent. Note: Choose ...print the images or prepare the files for output at a photo lab. Select the proper media type and appropriate driver settings for Adobe Creative Suite 2 26 Both scenarios are described below. Printing images or preparing files for output at a photo lab When satisfied with ...
... printer's user guide. In the Print section, select Document. 3. In the Options section, do the following: • For Color Handling, choose Let Photoshop Determine Colors. • For Printer Profile, choose your printer and media profile. • Choose a Rendering Intent. Note: Choose ...print the images or prepare the files for output at a photo lab. Select the proper media type and appropriate driver settings for Adobe Creative Suite 2 26 Both scenarios are described below. Printing images or preparing files for output at a photo lab When satisfied with ...
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...working space. Viewing and editing your artwork with embedded profiles After editing in Photoshop CS2 and Illustrator CS2 for Adobe Creative Suite 2 29 Click OK. To save the image using one of the following formats: • (Photoshop) .tif, .psd, .pdf, .eps, and .jpeg • (Illustrator)...you select Embed Color Profile. Since both Illustrator CS2 and Photoshop CS2 use the same color settings, colors in your Illustrator graphics will use , make sure you are more information about Adobe Creative Suite 2 profile mismatch dialog boxes, see "Chapter 6: Advanced ...
...working space. Viewing and editing your artwork with embedded profiles After editing in Photoshop CS2 and Illustrator CS2 for Adobe Creative Suite 2 29 Click OK. To save the image using one of the following formats: • (Photoshop) .tif, .psd, .pdf, .eps, and .jpeg • (Illustrator)...you select Embed Color Profile. Since both Illustrator CS2 and Photoshop CS2 use the same color settings, colors in your Illustrator graphics will use , make sure you are more information about Adobe Creative Suite 2 profile mismatch dialog boxes, see "Chapter 6: Advanced ...
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... second repurposes InDesign CS2 elements (also known as assets) for the web using the InDesign Package for Adobe Creative Suite 2 30 To import Photoshop CS2 and Illustrator CS2 artwork into GoLive CS2: Use the smart object feature to sRGB. Note: GoLive...standard color space for the Internet, embedding the sRGB profile is a good place to import Photoshop CS2 and Illustrator CS2 artwork directly into GoLive CS2 and either the file system or from within the GoLive CS2 site window. For more information on smart objects see the GoLive Help documentation. 2. Adobe Creative Suite...
... second repurposes InDesign CS2 elements (also known as assets) for the web using the InDesign Package for Adobe Creative Suite 2 30 To import Photoshop CS2 and Illustrator CS2 artwork into GoLive CS2: Use the smart object feature to sRGB. Note: GoLive...standard color space for the Internet, embedding the sRGB profile is a good place to import Photoshop CS2 and Illustrator CS2 artwork directly into GoLive CS2 and either the file system or from within the GoLive CS2 site window. For more information on smart objects see the GoLive Help documentation. 2. Adobe Creative Suite...
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... profile (InDesign) and the CMYK working space (Photoshop and Illustrator). In the Options box, choose the printer profile that simulates standard press characteristics. If you are relatively dull and have a yellowish color. The default color space used in the Adobe Creative Suite 2 components. Choose File > Print. 2. If you want more accurate...
... profile (InDesign) and the CMYK working space (Photoshop and Illustrator). In the Options box, choose the printer profile that simulates standard press characteristics. If you are relatively dull and have a yellowish color. The default color space used in the Adobe Creative Suite 2 components. Choose File > Print. 2. If you want more accurate...
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To set up your spot colors will print on a local printer. Choose File > Print with Preview. In the Photoshop Print dialog box, select options to simulate the final output device: 1. Color Workflows for the proof. In the Output pane, select Simulate Overprint for a more accurate preview of how your printer in Photoshop CS2 to proof color on the press. 8. Click Printer and do the following: • Deselect Color Management. • Select the appropriate media for Adobe Creative Suite 2 35
To set up your spot colors will print on a local printer. Choose File > Print with Preview. In the Photoshop Print dialog box, select options to simulate the final output device: 1. Color Workflows for the proof. In the Output pane, select Simulate Overprint for a more accurate preview of how your printer in Photoshop CS2 to proof color on the press. 8. Click Printer and do the following: • Deselect Color Management. • Select the appropriate media for Adobe Creative Suite 2 35
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... you are using . 5. Select a Rendering Intent. Note: If you want to simulate the duller color of the screen. Color Workflows for Adobe Creative Suite 2 36 In the Printer Profile menu, select the color profile that represents the media and printer you want to simulate ... Illustrator CS2 to proof CMYK colors on the left. 3. Select the name of paper, choose Absolute Colorimetric. For Color Handling, select Let Photoshop Determine Colors. 5. 2. If you are already converted to the CMYK colors you can change the color space you must deselect BPC in the...
... you are using . 5. Select a Rendering Intent. Note: If you want to simulate the duller color of the screen. Color Workflows for Adobe Creative Suite 2 36 In the Printer Profile menu, select the color profile that represents the media and printer you want to simulate ... Illustrator CS2 to proof CMYK colors on the left. 3. Select the name of paper, choose Absolute Colorimetric. For Color Handling, select Let Photoshop Determine Colors. 5. 2. If you are already converted to the CMYK colors you can change the color space you must deselect BPC in the...