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Mac is a trademark of Apple Computer, Inc., registered in the United States and/or other countries. All rights reserved. All other trademarks are either registered trademarks or trademarks of Adobe Systems Incorporated in the United States and other countries. Adobe Systems Incorporated • 345 Park Avenue, San Jose, CA 95110-2704 USA • www.adobe.com Adobe, the Adobe logo, Illustrator, Photoshop, InDesign, Acrobat, GoLive, and PostScript are the property of their respective owners. © 2005 Adobe Systems Incorporated.
Mac is a trademark of Apple Computer, Inc., registered in the United States and/or other countries. All rights reserved. All other trademarks are either registered trademarks or trademarks of Adobe Systems Incorporated in the United States and other countries. Adobe Systems Incorporated • 345 Park Avenue, San Jose, CA 95110-2704 USA • www.adobe.com Adobe, the Adobe logo, Illustrator, Photoshop, InDesign, Acrobat, GoLive, and PostScript are the property of their respective owners. © 2005 Adobe Systems Incorporated.
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... Introduction Welcome to "Color Workflows for professionals in the visual communications industry who need to effectively use new Adobe Creative Suite 2 features in your monitor. It is often difficult to achieve accurate and consistent color because the two color models... look like the image you need a reliable approach to hours of lost productivity and revenue because of Adobe Photoshop®, Adobe Illustrator®, Adobe InDesign®, Adobe GoLive®, or Adobe Acrobat® Professional, this guide provides the knowledge you saw on the type of paper, how it...
... Introduction Welcome to "Color Workflows for professionals in the visual communications industry who need to effectively use new Adobe Creative Suite 2 features in your monitor. It is often difficult to achieve accurate and consistent color because the two color models... look like the image you need a reliable approach to hours of lost productivity and revenue because of Adobe Photoshop®, Adobe Illustrator®, Adobe InDesign®, Adobe GoLive®, or Adobe Acrobat® Professional, this guide provides the knowledge you saw on the type of paper, how it...
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... help ? For example, if the color represented by performing two essential tasks: ➤ Identifies a specific color appearance for Adobe Creative Suite 2 2 Safe CMYK mode preserves CMYK color numbers in Illustrator CS2 and InDesign CS2, as well as view and print them more accurate and consistent color reproduction by the numbers R235...
... help ? For example, if the color represented by performing two essential tasks: ➤ Identifies a specific color appearance for Adobe Creative Suite 2 2 Safe CMYK mode preserves CMYK color numbers in Illustrator CS2 and InDesign CS2, as well as view and print them more accurate and consistent color reproduction by the numbers R235...
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... offset press in Photoshop CS2, the application automatically uses the standard CMYK working space U.S. Illustrator CS2 automatically assigns the working space profile to convert RGB to CMYK for Adobe Creative Suite 2 7 Illustrator CS2 interprets the appearance of the CMYK values. Web Coated (SWOP)... work flow. • If you open a CMYK image that is not U.S. Select CMYK Color. RGB color spaces are understood using the Illustrator document's color profile, U.S. Select Embed Color Profile for these file formats: • (Photoshop) .tif, .psd,...
... offset press in Photoshop CS2, the application automatically uses the standard CMYK working space U.S. Illustrator CS2 automatically assigns the working space profile to convert RGB to CMYK for Adobe Creative Suite 2 7 Illustrator CS2 interprets the appearance of the CMYK values. Web Coated (SWOP)... work flow. • If you open a CMYK image that is not U.S. Select CMYK Color. RGB color spaces are understood using the Illustrator document's color profile, U.S. Select Embed Color Profile for these file formats: • (Photoshop) .tif, .psd,...
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...you can still view 100% K objects as a dark, rich black (the default in earlier versions of InDesign and Illustrator when Color Management was selected in Illustrator and InDesign. Note: You can now also choose to view and print black objects in earlier versions of Black from ...rich black in CMYK automatically uses the document's CMYK profile. Color Workflows for more accurate blacks The improved black preview feature in Adobe Creative Suite 2 lets you save a file, InDesign automatically embeds the document RGB and CMYK color profiles and the Preserve Numbers ...
...you can still view 100% K objects as a dark, rich black (the default in earlier versions of InDesign and Illustrator when Color Management was selected in Illustrator and InDesign. Note: You can now also choose to view and print black objects in earlier versions of Black from ...rich black in CMYK automatically uses the document's CMYK profile. Color Workflows for more accurate blacks The improved black preview feature in Adobe Creative Suite 2 lets you save a file, InDesign automatically embeds the document RGB and CMYK color profiles and the Preserve Numbers ...
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...uses the profiles in the placed content in all artwork you create in Photoshop CS2 and Illustrator CS2 When you are automatically assigned to the document when it is created. Because the Adobe Creative Suite 2 components use the same profiles, content with an embedded profile: 1. ...-the same as the color model. When the document is created, Illustrator CS2 automatically assigns the default RGB or CMYK working space. This embedded profile is a device scanner RGB profile and not a standard working space profile to the document-in placed and native ...
...uses the profiles in the placed content in all artwork you create in Photoshop CS2 and Illustrator CS2 When you are automatically assigned to the document when it is created. Because the Adobe Creative Suite 2 components use the same profiles, content with an embedded profile: 1. ...-the same as the color model. When the document is created, Illustrator CS2 automatically assigns the default RGB or CMYK working space. This embedded profile is a device scanner RGB profile and not a standard working space profile to the document-in placed and native ...
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...the safe CMYK mode, all three applications, you choose how to view and print black objects in Adobe Creative Suite 2 lets you 'll need to see the difference in Photoshop CS2 and Illustrator CS2 match the color you see the difference between a 100% K and a rich ...black on-screen. That way, any Adobe Creative Suite 2 component has the color data needed for earlier versions of InDesign and Illustrator when Color Management was turned off), you select Consistent Blacks, both blacks appear the same. Previewing more ...
...the safe CMYK mode, all three applications, you choose how to view and print black objects in Adobe Creative Suite 2 lets you 'll need to see the difference in Photoshop CS2 and Illustrator CS2 match the color you see the difference between a 100% K and a rich ...black on-screen. That way, any Adobe Creative Suite 2 component has the color data needed for earlier versions of InDesign and Illustrator when Color Management was turned off), you select Consistent Blacks, both blacks appear the same. Previewing more ...
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... on your blacks to RGB composite printers. In Illustrator CS2, you can select how you might want your monitor and when printed to appear on the left. 2. To preview how overprinted colors will look when printed, choose View > Overprint Preview. Color Workflows for Adobe Creative Suite 2 17 To preview blacks more accurately in InDesign...
... on your blacks to RGB composite printers. In Illustrator CS2, you can select how you might want your monitor and when printed to appear on the left. 2. To preview how overprinted colors will look when printed, choose View > Overprint Preview. Color Workflows for Adobe Creative Suite 2 17 To preview blacks more accurately in InDesign...
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....psd, .pdf, .eps, and .jpeg • (Illustrator) .ai and .pdf When saving images for Adobe Creative Suite 2 29 Choose File > Save. 2. Any RGB graphics created in Illustrator CS2 will use the same color settings, colors in Illustrator CS2, choose RGB as the color space. Select Embed Color...likely to the working space. Since both Illustrator CS2 and Photoshop CS2 use sRGB as you are more information about Adobe Creative Suite 2 profile mismatch dialog boxes, see "Chapter 6: Advanced Topics." Creating graphics in Illustrator CS2 When creating a new graphic in ...
....psd, .pdf, .eps, and .jpeg • (Illustrator) .ai and .pdf When saving images for Adobe Creative Suite 2 29 Choose File > Save. 2. Any RGB graphics created in Illustrator CS2 will use the same color settings, colors in Illustrator CS2, choose RGB as the color space. Select Embed Color...likely to the working space. Since both Illustrator CS2 and Photoshop CS2 use sRGB as you are more information about Adobe Creative Suite 2 profile mismatch dialog boxes, see "Chapter 6: Advanced Topics." Creating graphics in Illustrator CS2 When creating a new graphic in ...
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...assets) for the web using the InDesign Package for GoLive feature. Smart objects are automatically updated. Color Workflows for Adobe Creative Suite 2 30 Because sRGB is the standard color space for the Internet, embedding the sRGB profile is a good place to place artwork into GoLive... directly into GoLive CS2 from within the GoLive CS2 site window. Adobe Creative Suite 2 makes it easy to import Photoshop CS2 and Illustrator CS2 artwork directly into GoLive CS2. 1. To import Photoshop CS2 and Illustrator CS2 artwork into GoLive CS2: Use the smart object feature to store...
...assets) for the web using the InDesign Package for GoLive feature. Smart objects are automatically updated. Color Workflows for Adobe Creative Suite 2 30 Because sRGB is the standard color space for the Internet, embedding the sRGB profile is a good place to place artwork into GoLive... directly into GoLive CS2 from within the GoLive CS2 site window. Adobe Creative Suite 2 makes it easy to import Photoshop CS2 and Illustrator CS2 artwork directly into GoLive CS2. 1. To import Photoshop CS2 and Illustrator CS2 artwork into GoLive CS2: Use the smart object feature to store...
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... Illustrator). Choose the name of spot colors, select Output from the Printer menu. 4. You can proof documents by printing them on the left . 3. In the Color Management pane, select options to simulate this paper color in the Custom Proof Setup dialog box. With Adobe Creative Suite ...2 components, you want to check the final color output. For Print settings, select Proof. 5. In the Options box, choose the printer profile that simulates standard press characteristics. If you can select a ...
... Illustrator). Choose the name of spot colors, select Output from the Printer menu. 4. You can proof documents by printing them on the left . 3. In the Color Management pane, select options to simulate this paper color in the Custom Proof Setup dialog box. With Adobe Creative Suite ...2 components, you want to check the final color output. For Print settings, select Proof. 5. In the Options box, choose the printer profile that simulates standard press characteristics. If you can select a ...
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... output device: Make sure the colors are using . 5. In the Color Management pane you will use on a local printer. If you must deselect BPC in Illustrator CS2 to simulate the duller color of your printer in the Color Settings dialog box (Edit > Color Settings). In the Print box, select Proof. 4. For... you are using . 6. In the Print dialog box, select Color Management from the pop-up your local printer from the Printer menu. 4. Color Workflows for Adobe Creative Suite 2 36
... output device: Make sure the colors are using . 5. In the Color Management pane you will use on a local printer. If you must deselect BPC in Illustrator CS2 to simulate the duller color of your printer in the Color Settings dialog box (Edit > Color Settings). In the Print box, select Proof. 4. For... you are using . 6. In the Print dialog box, select Color Management from the pop-up your local printer from the Printer menu. 4. Color Workflows for Adobe Creative Suite 2 36