Instruction Manual
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... and quickly for recording with the discerning professional in .) LCD screen with Canon Log gamma. The 10.1-cm (4-in mind. Highlights of the EOS C500/C500 PL The Canon Digital Cinema Camera EOS C500/C500 PL has been designed with an external recorder. In 4K mode, the camera outputs Canon RAW image data, which is truly a cinematographer's camera. terminals (A 41) are...
... and quickly for recording with the discerning professional in .) LCD screen with Canon Log gamma. The 10.1-cm (4-in mind. Highlights of the EOS C500/C500 PL The Canon Digital Cinema Camera EOS C500/C500 PL has been designed with an external recorder. In 4K mode, the camera outputs Canon RAW image data, which is truly a cinematographer's camera. terminals (A 41) are...
Instruction Manual
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... 30). Remote operation via Wi-Fi using the edge monitor (A 101). You can develop the 4K RAW data recorded with an external recorder and export it remotely via Wi-Fi You can also ...recording itself (A 116, 136, 164). The custom picture settings can be downloaded from your local Canon Web site, can assign often-used menu settings in an easy-to the camera and operate ... more freedom to use the MIC terminal for aiding the production workflow The Cinema RAW Development software, which allows multiple C500 / C500 PL cameras to control many aspects of frames every time you want by ...
... 30). Remote operation via Wi-Fi using the edge monitor (A 101). You can develop the 4K RAW data recorded with an external recorder and export it remotely via Wi-Fi You can also ...recording itself (A 116, 136, 164). The custom picture settings can be downloaded from your local Canon Web site, can assign often-used menu settings in an easy-to the camera and operate ... more freedom to use the MIC terminal for aiding the production workflow The Cinema RAW Development software, which allows multiple C500 / C500 PL cameras to control many aspects of frames every time you want by ...
Instruction Manual
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...Connecting to Record 51 Recording 51 Remote Operation Using Wi-Fi Remote 54 Onscreen Displays 55 Rear Panel Displays 57 Canon Log Gamma and CINEMA Preset 58 Checking Clips Recorded with Canon Log Gamma (View Assistance) 58 Using the Internal Cooling Fan 59 Video Configuration: Type of Parts 14 Monitor ...Unit 19 Handle Unit 19 4K Workflow Overview 21 Color Grading with the FUNC. Table of the CF Card Slots 44 Removing a ...
...Connecting to Record 51 Recording 51 Remote Operation Using Wi-Fi Remote 54 Onscreen Displays 55 Rear Panel Displays 57 Canon Log Gamma and CINEMA Preset 58 Checking Clips Recorded with Canon Log Gamma (View Assistance) 58 Using the Internal Cooling Fan 59 Video Configuration: Type of Parts 14 Monitor ...Unit 19 Handle Unit 19 4K Workflow Overview 21 Color Grading with the FUNC. Table of the CF Card Slots 44 Removing a ...
Instruction Manual
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... 139 6. External Connections 141 Video Output Configuration 141 Video Configuration and Video Output Configuration for 4K and 2K Modes 141 Video Output Configuration for MXF Mode 143 Selecting the Color Space 144 ...on an External Monitor 151 Developing RAW Clips 152 Installing and Uninstalling Cinema RAW Development (Windows) 152 Installing and Uninstalling Cinema RAW Development (Mac OS) 152 Viewing the Software Instruction Manual 153... Settings to a Computer 154 Installing Canon XF Utility (Windows) 154 Installing Canon XF Utility (Mac OS) 155 Viewing the Software Instruction Manuals 156 7.
... 139 6. External Connections 141 Video Output Configuration 141 Video Configuration and Video Output Configuration for 4K and 2K Modes 141 Video Output Configuration for MXF Mode 143 Selecting the Color Space 144 ...on an External Monitor 151 Developing RAW Clips 152 Installing and Uninstalling Cinema RAW Development (Windows) 152 Installing and Uninstalling Cinema RAW Development (Mac OS) 152 Viewing the Software Instruction Manual 153... Settings to a Computer 154 Installing Canon XF Utility (Windows) 154 Installing Canon XF Utility (Mac OS) 155 Viewing the Software Instruction Manuals 156 7.
Instruction Manual
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... 3G-SDI connection RAW data ᕡ External 4K recorder RAW recording Full-quality data ᕣ Cinema RAW Development ᕥ Color grading ᕤ EDL Proxy data NLE MXF data Associated plugin ᕡ Shoot in 4K mode (A 60) and record 4K RAW data using an external recorder connected to ... terminals (A 41). ᕢ Insert a CF card into the camera to record an MXF clip simultaneously with the 4K RAW data (A 63). ᕣ Develop the RAW data using the Cinema RAW Development software (A 152) to generate fullquality data. • You can also generate proxy data with the software...
... 3G-SDI connection RAW data ᕡ External 4K recorder RAW recording Full-quality data ᕣ Cinema RAW Development ᕥ Color grading ᕤ EDL Proxy data NLE MXF data Associated plugin ᕡ Shoot in 4K mode (A 60) and record 4K RAW data using an external recorder connected to ... terminals (A 41). ᕢ Insert a CF card into the camera to record an MXF clip simultaneously with the 4K RAW data (A 63). ᕣ Develop the RAW data using the Cinema RAW Development software (A 152) to generate fullquality data. • You can also generate proxy data with the software...
Instruction Manual
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... display device. This step requires equipment compatible with the ACES Workflow Post-production 22 RAW Open EXR 3G-SDI output External 4K data Cinema RAW Development (ACES) recorder Color grading RAW recording ASC- Refers to the table used for converting ACES color space information ... ODT On-set Color Grading RRT ODT ACESproxy10: ACESproxy10 video data that contains color grading adjustment data. IDT: Input Device Transform. 4K Workflow Overview Color Grading with ASC-CDL. RRT: Reference Rendering Transform. ASC-CDL: Refers to the list that is output from...
... display device. This step requires equipment compatible with the ACES Workflow Post-production 22 RAW Open EXR 3G-SDI output External 4K data Cinema RAW Development (ACES) recorder Color grading RAW recording ASC- Refers to the table used for converting ACES color space information ... ODT On-set Color Grading RRT ODT ACESproxy10: ACESproxy10 video data that contains color grading adjustment data. IDT: Input Device Transform. 4K Workflow Overview Color Grading with ASC-CDL. RRT: Reference Rendering Transform. ASC-CDL: Refers to the list that is output from...
Instruction Manual
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... the screw toward the back of the video output from the 3G-SDI terminal is compatible with Canon RAW files. When checking the output, you connect the camera to the external recorder, make 4K or 2K recordings, you use the [~ Camera Setup] > [Color Space] setting to configure ... then pulling it after you do so, the camera can record only in order to the external recorder. Refer to a 4K- Connecting to Canon's Web site for the latest information on compatible recorders. terminals to a 4K- or 2K-Compatible External Recorder Connecting to DCI-P3+, Cinema Gamut or BT. 2020.
... the screw toward the back of the video output from the 3G-SDI terminal is compatible with Canon RAW files. When checking the output, you connect the camera to the external recorder, make 4K or 2K recordings, you use the [~ Camera Setup] > [Color Space] setting to configure ... then pulling it after you do so, the camera can record only in order to the external recorder. Refer to a 4K- Connecting to Canon's Web site for the latest information on compatible recorders. terminals to a 4K- or 2K-Compatible External Recorder Connecting to DCI-P3+, Cinema Gamut or BT. 2020.
Instruction Manual
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...[D] to save for the START/STOP button. You can even choose to use the software Cinema RAW Development to develop RAW clips recorded with the clip. Do not disconnect the power source... example, "AA0001"). You cannot change the clip name after making important recordings. If you record using the [ 4K/2K/MXF Setup] > [Clip Name] > [Title Prefix] and [Number Setting] settings. In the following ...on the application's screens (you will be continuous. For more efficient. Canon shall not be recorded on the other device will be recorded with an external recorder and export...
...[D] to save for the START/STOP button. You can even choose to use the software Cinema RAW Development to develop RAW clips recorded with the clip. Do not disconnect the power source... example, "AA0001"). You cannot change the clip name after making important recordings. If you record using the [ 4K/2K/MXF Setup] > [Clip Name] > [Title Prefix] and [Number Setting] settings. In the following ...on the application's screens (you will be continuous. For more efficient. Canon shall not be recorded on the other device will be recorded with an external recorder and export...
Instruction Manual
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... SET. • All picture-related settings will not be available. [~ Camera Setup] [/ CINEMA Locked] [On] System priority 4K 2K MXF Output terminal/ Recording destination 3G-SDI terminals MON. As such, you are shooting with Canon Log Gamma (View Assistance) When Canon Log gamma is only applied on the lower left of the screen. it...
... SET. • All picture-related settings will not be available. [~ Camera Setup] [/ CINEMA Locked] [On] System priority 4K 2K MXF Output terminal/ Recording destination 3G-SDI terminals MON. As such, you are shooting with Canon Log Gamma (View Assistance) When Canon Log gamma is only applied on the lower left of the screen. it...
Instruction Manual
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...-bit] or [ 10-bit]. This recording mode can be used with slow & 4K1K RAW fast motion recording. When you develop the clip using the Cinema RAW Development software (A 152), you want to set the shooting frame rate from 62 to 120P (for use the RGB color space, 4:4:4 color sampling,... 2 Select the desired recording mode and then press SET. You can covert it using the Cinema RAW Development software (A 152). This recording mode uses the YCC color space, 4:2:2 color sampling, and has a 10-bit bit depth. [ 4K/2K/MXF Setup] [2K (2048/1920)] 61 [Mode] [ 12-bit] NOTES • ...
...-bit] or [ 10-bit]. This recording mode can be used with slow & 4K1K RAW fast motion recording. When you develop the clip using the Cinema RAW Development software (A 152), you want to set the shooting frame rate from 62 to 120P (for use the RGB color space, 4:4:4 color sampling,... 2 Select the desired recording mode and then press SET. You can covert it using the Cinema RAW Development software (A 152). This recording mode uses the YCC color space, 4:2:2 color sampling, and has a 10-bit bit depth. [ 4K/2K/MXF Setup] [2K (2048/1920)] 61 [Mode] [ 12-bit] NOTES • ...
Instruction Manual
Page 144
... with sRGB specifications. When checking the output, you can use it for ultra-high-definition television (4K/8K). [~ Camera Setup] [Color Space] [BT. 709] Visual range BT. 709 DCI-P3 DCI-P3+ Cinema Gamut BT. 2020 Selecting the Color Space Selecting the Color Space 144 You can select the color... a wider color gamut than that of DCI-P3 and BT. 709 (sRGB). Color space that is a color space whose guidelines were established by Canon and based on the specific characteristics of the video output from the 3G-SDI terminal or MON. terminals will need a display device that meets ITU...
... with sRGB specifications. When checking the output, you can use it for ultra-high-definition television (4K/8K). [~ Camera Setup] [Color Space] [BT. 709] Visual range BT. 709 DCI-P3 DCI-P3+ Cinema Gamut BT. 2020 Selecting the Color Space Selecting the Color Space 144 You can select the color... a wider color gamut than that of DCI-P3 and BT. 709 (sRGB). Color space that is a color space whose guidelines were established by Canon and based on the specific characteristics of the video output from the 3G-SDI terminal or MON. terminals will need a display device that meets ITU...
Instruction Manual
Page 167
...]*, [ARIB] 2 [Periph. For details about how to select an item, refer to the page of a specific menu: [~ Camera Setup] menu [ 4K/2K/MXF Setup] menu [¢ Video Setup] menu [¡ Audio Setup] menu [£ LCD/VF Setup] menu [¤ TC/UB Setup] menu....] [On], [Off] [Shutter] [Mode] [Speed], [Angle], [Clear Scan], [Slow], [Off] 67 [Shutter Increment] [1/3 stop], [1/4 stop] [Color Space] [/ CINEMA Locked] [BT. 709], [DCI-P3+], [C. 8 Additional Information Menu Options For details about each function, see the reference page. Menu items without a reference page are explained...
...]*, [ARIB] 2 [Periph. For details about how to select an item, refer to the page of a specific menu: [~ Camera Setup] menu [ 4K/2K/MXF Setup] menu [¢ Video Setup] menu [¡ Audio Setup] menu [£ LCD/VF Setup] menu [¤ TC/UB Setup] menu....] [On], [Off] [Shutter] [Mode] [Speed], [Angle], [Clear Scan], [Slow], [Off] 67 [Shutter Increment] [1/3 stop], [1/4 stop] [Color Space] [/ CINEMA Locked] [BT. 709], [DCI-P3+], [C. 8 Additional Information Menu Options For details about each function, see the reference page. Menu items without a reference page are explained...
Instruction Manual
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Gamut 144 Camera settings 125 Canon Log gamma 58 CF card Inserting 43 Recording method 46 Recovering data 47 Removing 44 Switching CF card slots 46, 128 Check marks 103, 134 CINEMA (preset custom picture 58 Cinema Gamut 144 Clips, MXF Adding an $ mark/% mark . . . .103, 134 Adding/Deleting shot marks . . . ...terminal 149 HDMI OUT terminal 149 Headphone terminal 96 Hour meter 177 HRAW 60 *2 only Index 2K mode 60 3G-SDI 1/2 terminals 41 4K mode 60 4K1K RAW 60 A ABB (automatic black balance 48 Accessories 199 ACES 22 ACESproxy10 148 Air vents 32 Aperture 74 Aspect ratio ...
Gamut 144 Camera settings 125 Canon Log gamma 58 CF card Inserting 43 Recording method 46 Recovering data 47 Removing 44 Switching CF card slots 46, 128 Check marks 103, 134 CINEMA (preset custom picture 58 Cinema Gamut 144 Clips, MXF Adding an $ mark/% mark . . . .103, 134 Adding/Deleting shot marks . . . ...terminal 149 HDMI OUT terminal 149 Headphone terminal 96 Hour meter 177 HRAW 60 *2 only Index 2K mode 60 3G-SDI 1/2 terminals 41 4K mode 60 4K1K RAW 60 A ABB (automatic black balance 48 Accessories 199 ACES 22 ACESproxy10 148 Air vents 32 Aperture 74 Aspect ratio ...