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... by which the delay time of one delay signal is varied in relation to the beginning of the flange effect. / 9. Modulation Depth (MOD. DLY (TIME) Modulation Frequency (MOD. DEPTH): 0% - 100% Sets the amount of delay time variation, thus adjusting the depth of the effect. / 10. FRQ): 0.1... delay time from the initial direct sound to the other, and thus the depth of the three signals are then modulated by MOD. Modulation Delay (MOD. DEPTH .4 II MOD. The delay time and level of the CHORUS effect. STEREO FLANGE / This effect produces a pleasant "swirling" sound which is...
... by which the delay time of one delay signal is varied in relation to the beginning of the flange effect. / 9. Modulation Depth (MOD. DLY (TIME) Modulation Frequency (MOD. DEPTH): 0% - 100% Sets the amount of delay time variation, thus adjusting the depth of the effect. / 10. FRQ): 0.1... delay time from the initial direct sound to the other, and thus the depth of the three signals are then modulated by MOD. Modulation Delay (MOD. DEPTH .4 II MOD. The delay time and level of the CHORUS effect. STEREO FLANGE / This effect produces a pleasant "swirling" sound which is...
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... opens. At 100% only very high-level input signals will trigger the gate, while at which the gate remains open . / 12. Modulation Depth (MOD. In the latter case this parameter is also possible to open. Trigger Delay (TRG. Attack Time (ATTACK): 5 - 32,000 ms Determines how long...external MIDI keyboard can be used to pass just a short segment of a longer input signal, or it takes for the HOLD TIME. Modulation Frequency (MOD. ADR-NOISE GATE / This program uses a "gate" to beginning of the input signal required to pass only signals that exceed a specified level. The...
... opens. At 100% only very high-level input signals will trigger the gate, while at which the gate remains open . / 12. Modulation Depth (MOD. In the latter case this parameter is also possible to open. Trigger Delay (TRG. Attack Time (ATTACK): 5 - 32,000 ms Determines how long...external MIDI keyboard can be used to pass just a short segment of a longer input signal, or it takes for the HOLD TIME. Modulation Frequency (MOD. ADR-NOISE GATE / This program uses a "gate" to beginning of the input signal required to pass only signals that exceed a specified level. The...
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...Depth (AM DEPTH): 0% 100% Sets the amount by which the amplitude (level) of the RELEASE parameter is not present. Modulation Frequency (MOD. Modulation Depth (MOD. Proper setting of the input signal is not present. Flange Balance (FLANGE BAL): 0 - 100% Determines the amount of chorus effect variation.... the effect. Release Time (RELEASE): 5 - 32000 ms Determines the amount of flange signal which the effect varies. Modulation Frequency (MOD. This parameter, in conjunction with the RELEASE parameter below the trigger level. DEPTH): 0% - 100% Sets the amount of delay ...
...Depth (AM DEPTH): 0% 100% Sets the amount by which the amplitude (level) of the RELEASE parameter is not present. Modulation Frequency (MOD. Modulation Depth (MOD. Proper setting of the input signal is not present. Flange Balance (FLANGE BAL): 0 - 100% Determines the amount of chorus effect variation.... the effect. Release Time (RELEASE): 5 - 32000 ms Determines the amount of flange signal which the effect varies. Modulation Frequency (MOD. This parameter, in conjunction with the RELEASE parameter below the trigger level. DEPTH): 0% - 100% Sets the amount of delay ...
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...to close after the input signal drops below , functions effectively as a noise gate to allow a natural decay of the effect. Modulation Depth (MOD DEPTH): 0% - 100% Sets the depth of the source instrument sound. 24 Proper setting of the RELEASE parameter is essential to cut out ... RELEASE parameter below the trigger level. TRG LEVEL should be set so that the effect is activated only when a note is not present. Modulation Frequency (MOD FRQ): 0.1 Hz - 20.0 Hz Sets the speed of the effect. Trigger Level (TRG. Ta0. DIST. + SYMPHONIC / Distortion Level (DISTORTION): 0 - 100% Sets...
...to close after the input signal drops below , functions effectively as a noise gate to allow a natural decay of the effect. Modulation Depth (MOD DEPTH): 0% - 100% Sets the depth of the source instrument sound. 24 Proper setting of the RELEASE parameter is essential to cut out ... RELEASE parameter below the trigger level. TRG LEVEL should be set so that the effect is activated only when a note is not present. Modulation Frequency (MOD FRQ): 0.1 Hz - 20.0 Hz Sets the speed of the effect. Trigger Level (TRG. Ta0. DIST. + SYMPHONIC / Distortion Level (DISTORTION): 0 - 100% Sets...
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... - +99% + 12% Rch F.B -99- +99% + 20% F.B. LEVEL 1- 100 35 RELEASE 5 - 32000ms 105ms FRQ 0.1 - 20.0Hz 2.5Hz MOD. DEPTH 0 - 100% . 100% MOD. GAIN 0 - 99% 0% 2 PITCH -12-+12 +0 R PITCH -12-+12 +0 BALANCE 0 - 100% 100% TREBLE -12-+12dB + 6dB REV TIME ...0.1 -1.0 0.6 HIGH 0.1 -1.0 0.7 HIGH 0.1-1.0 0.5 HIGH 0.1-1.0 0.7 ROOM SIZE 0.1 - 20.0 2.0 ROOM SIZE 0.1-20.0 2.0 Lch F.B - 99 - +99% +0% ' Lch F.B - 99 - +99% +60% MOD. 7: ROM CONTENTS AND CONTROLABLE PARAMETERS 31 MEM. PROGRAM NAME No. ' 1 REV 1 HALL 2 REV 2 ROOM 3 REV 3 VOCAL 4 REV 4 PLATE 5 EARLY REF. 1 , 6 GATE REVERB 7 DELAY L, R ...
... - +99% + 12% Rch F.B -99- +99% + 20% F.B. LEVEL 1- 100 35 RELEASE 5 - 32000ms 105ms FRQ 0.1 - 20.0Hz 2.5Hz MOD. DEPTH 0 - 100% . 100% MOD. GAIN 0 - 99% 0% 2 PITCH -12-+12 +0 R PITCH -12-+12 +0 BALANCE 0 - 100% 100% TREBLE -12-+12dB + 6dB REV TIME ...0.1 -1.0 0.6 HIGH 0.1 -1.0 0.7 HIGH 0.1-1.0 0.5 HIGH 0.1-1.0 0.7 ROOM SIZE 0.1 - 20.0 2.0 ROOM SIZE 0.1-20.0 2.0 Lch F.B - 99 - +99% +0% ' Lch F.B - 99 - +99% +60% MOD. 7: ROM CONTENTS AND CONTROLABLE PARAMETERS 31 MEM. PROGRAM NAME No. ' 1 REV 1 HALL 2 REV 2 ROOM 3 REV 3 VOCAL 4 REV 4 PLATE 5 EARLY REF. 1 , 6 GATE REVERB 7 DELAY L, R ...
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L(MONO) INPUT BA R 777 INPUT LEVEL LPF A/D D/A S/H S/H LPF LPF OFF BA 014O STEREO MIX 6FF BA ON DRAM DSP MOD LCD P MEMORYHy-Lc-- BYPASS KEY MIDI IN OUTPUT u CLIP u -10 u -20 BA r - ROM RAM CPU L FOOT SW 777 1--
L(MONO) INPUT BA R 777 INPUT LEVEL LPF A/D D/A S/H S/H LPF LPF OFF BA 014O STEREO MIX 6FF BA ON DRAM DSP MOD LCD P MEMORYHy-Lc-- BYPASS KEY MIDI IN OUTPUT u CLIP u -10 u -20 BA r - ROM RAM CPU L FOOT SW 777 1--
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... 0.6 HIGH 0.1-1.0 . 0.7 HIGH 0.1 - 1.0 0.5 HIGH 0.1-1.0 0.7 ROOM SIZE 0.1 -20.0 2.0 ROOM SIZE 0.1 -20.0 2.0 Lch F.B - 99 - +99% +0% Lch F.B - 99 - +99% +60% MOD. DLY 0.1 - 8.0rns 3.0ms BALANCE 0 - 100% 100% LIVENESS 0-10 5 TRG. DEPTH 0 - 100% 20% PARAMETRES 5 LPF 1.0 - 11kHz, THRU 8.0kHz LPF 1.0- 11kHz, THRU 8.0kHz LPF 1.0- 11kHz, THRU...- 100 35 LIVENESS 0 -5 10 LIVENESS 0-10 5 Rch F.B - 99 - +99% +12% Rch F.B -99- +99% +20% F.B. DEPTH 0 - 100% 100% MOD. PROGRAMME. 1 REV 1 HALL 2 REV 2 ROOM 3 REV 3 VOCAL 4 REV 4 PLATE 5 EARLY REF. 1 6 GATE REVERB 7 DELAY L, R . 8 STEREO ECHO 9 ...
... 0.6 HIGH 0.1-1.0 . 0.7 HIGH 0.1 - 1.0 0.5 HIGH 0.1-1.0 0.7 ROOM SIZE 0.1 -20.0 2.0 ROOM SIZE 0.1 -20.0 2.0 Lch F.B - 99 - +99% +0% Lch F.B - 99 - +99% +60% MOD. DLY 0.1 - 8.0rns 3.0ms BALANCE 0 - 100% 100% LIVENESS 0-10 5 TRG. DEPTH 0 - 100% 20% PARAMETRES 5 LPF 1.0 - 11kHz, THRU 8.0kHz LPF 1.0- 11kHz, THRU 8.0kHz LPF 1.0- 11kHz, THRU...- 100 35 LIVENESS 0 -5 10 LIVENESS 0-10 5 Rch F.B - 99 - +99% +12% Rch F.B -99- +99% +20% F.B. DEPTH 0 - 100% 100% MOD. PROGRAMME. 1 REV 1 HALL 2 REV 2 ROOM 3 REV 3 VOCAL 4 REV 4 PLATE 5 EARLY REF. 1 6 GATE REVERB 7 DELAY L, R . 8 STEREO ECHO 9 ...
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BYPASS ROM RAM CPU LCD L KEY MIDI IN OUTPUT 3d0N121d 3G IIIN3HDS :8 MEMORYriv-Q -- FOOT SW I / INPUT LEVEL LPF A/D D/A S/H S/H LPF LPF OFF ON° BA STEREO MIX OFF BA ON DRAM DSP A MOD r - u CLIP ID -10 O -20 L (MONO) INPUT R BA BA I ---
BYPASS ROM RAM CPU LCD L KEY MIDI IN OUTPUT 3d0N121d 3G IIIN3HDS :8 MEMORYriv-Q -- FOOT SW I / INPUT LEVEL LPF A/D D/A S/H S/H LPF LPF OFF ON° BA STEREO MIX OFF BA ON DRAM DSP A MOD r - u CLIP ID -10 O -20 L (MONO) INPUT R BA BA I ---
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...99.0s 2.6s TYPF RHEAVLELR, SREANPDLAOTME RANDOM HALL,TYyPpFF REVERMSEIDPOLAM TE REVERSE Lch F.B - 99 - +99% + 12% Lch F.B -99- +99% + 20% MOD. RELEASE 5 - 32000ms 105rns TRG. 7. SNPr'., Programmname 1 REV 1 HALL ' 2 REV 2 ROOM 3, REV 3 VOCAL 4 REV 4 PLATE 5 EARLY REF... 1.0 0.6 HIGH 0.1- 1.0 0.7 HIGH 0.1-1.0 0.5 HIGH 0.1 - 1.0 0.7 ROOM SIZE 0.1-20.0 2.0 ROOM SIZE 0.1-20.0 2.0 Lch F.8 - 99 - +99% +0% Lch F.B - 99 - +99% +60% MOD. DEPTH 0 - 100% 50% ROOM SIZE 0.1-20.0 3.3 TRG. DLV - 100 - + 100ms - 7ms RELEASE 10- 2000ms 200ms HIGH 0.1 - 1.0 0.6 FINE -100-+100 +0 1 FINE -100-+100 +8 ...
...99.0s 2.6s TYPF RHEAVLELR, SREANPDLAOTME RANDOM HALL,TYyPpFF REVERMSEIDPOLAM TE REVERSE Lch F.B - 99 - +99% + 12% Lch F.B -99- +99% + 20% MOD. RELEASE 5 - 32000ms 105rns TRG. 7. SNPr'., Programmname 1 REV 1 HALL ' 2 REV 2 ROOM 3, REV 3 VOCAL 4 REV 4 PLATE 5 EARLY REF... 1.0 0.6 HIGH 0.1- 1.0 0.7 HIGH 0.1-1.0 0.5 HIGH 0.1 - 1.0 0.7 ROOM SIZE 0.1-20.0 2.0 ROOM SIZE 0.1-20.0 2.0 Lch F.8 - 99 - +99% +0% Lch F.B - 99 - +99% +60% MOD. DEPTH 0 - 100% 50% ROOM SIZE 0.1-20.0 3.3 TRG. DLV - 100 - + 100ms - 7ms RELEASE 10- 2000ms 200ms HIGH 0.1 - 1.0 0.6 FINE -100-+100 +0 1 FINE -100-+100 +8 ...