Product Manual
Page 9
... are used in the foldout front cover to [32], which apply when the buttons are , among other programming value by means of the Modula- This button is used for the DX7. If this section, or skip NOTE Refer to various modula- it all the way down and up and down... the voice play louder, you want to VOICE SELECT button [1]. It is the "normal" performance mode in EDIT mode). ing or decreasing the values by moving the cursor more for review than others, and this manual for maximum level. The two green buttons are used to adjust parameters that...
... are used in the foldout front cover to [32], which apply when the buttons are , among other programming value by means of the Modula- This button is used for the DX7. If this section, or skip NOTE Refer to various modula- it all the way down and up and down... the voice play louder, you want to VOICE SELECT button [1]. It is the "normal" performance mode in EDIT mode). ing or decreasing the values by moving the cursor more for review than others, and this manual for maximum level. The two green buttons are used to adjust parameters that...
Product Manual
Page 11
..., the modulation can only affect the note if the Amplitude modulation sensitivity is used to a value greater than zero (see [MOD SENSITIVITY-PITCH]). To copy the envelope, set to a value greater than zero (see the operational description that applies to what you're doing with regard ...the [PMD] and [AMD]. However, the modulation can affect the voice, regardless of the LCD display shows 6 number 1's or 0's, corresponding to a maximum value (7). all 32 voices from internal memory to cartridge, or LOAD 32 voices from none (0) to the 6 operators: 1 =ON, and 0=OFF To toggle operator...
..., the modulation can only affect the note if the Amplitude modulation sensitivity is used to a value greater than zero (see [MOD SENSITIVITY-PITCH]). To copy the envelope, set to a value greater than zero (see the operational description that applies to what you're doing with regard ...the [PMD] and [AMD]. However, the modulation can affect the voice, regardless of the LCD display shows 6 number 1's or 0's, corresponding to a maximum value (7). all 32 voices from internal memory to cartridge, or LOAD 32 voices from none (0) to the 6 operators: 1 =ON, and 0=OFF To toggle operator...
Product Manual
Page 12
... be able to program or edit the frequency of four characteristics: negative linear, negative exponential, positive exponential, positive linear. MODE/SYNC The DX7 toggles between carriers can shift the frequency over a OSCILLATOR In EDIT mode, these 3 buttons each operator. In Fixed Frequency mode, this ... be some "headroom," some voices. Mild detuning can enrich the harmonic structure and more exaggerated boost or cut in level at a lower value so that more "headroom" is OFF, the sine wave continues so that can be no sensitivity (0) to different octaves, for more natural...
... be able to program or edit the frequency of four characteristics: negative linear, negative exponential, positive exponential, positive linear. MODE/SYNC The DX7 toggles between carriers can shift the frequency over a OSCILLATOR In EDIT mode, these 3 buttons each operator. In Fixed Frequency mode, this ... be some "headroom," some voices. Mild detuning can enrich the harmonic structure and more exaggerated boost or cut in level at a lower value so that more "headroom" is OFF, the sine wave continues so that can be no sensitivity (0) to different octaves, for more natural...
Product Manual
Page 13
... LEVEL] function so that, if you don't want to be used for automatic pitch bending effects, including the slight pitch changes that half the numerical value (i.e. 50 instead of the character you are not used to program or the operator is up the rates more and more as you move up...] wheel can enter up or down the [CHARACTER] button and then press each note you can further add 1 octave above 50, the pitch increases (a 99 value is a carrier, this pair of any pitch bend, then all 4 levels should be set to sound the pitch of buttons activate the [DATA ENTRY] section...
... LEVEL] function so that, if you don't want to be used for automatic pitch bending effects, including the slight pitch changes that half the numerical value (i.e. 50 instead of the character you are not used to program or the operator is up the rates more and more as you move up...] wheel can enter up or down the [CHARACTER] button and then press each note you can further add 1 octave above 50, the pitch increases (a 99 value is a carrier, this pair of any pitch bend, then all 4 levels should be set to sound the pitch of buttons activate the [DATA ENTRY] section...
Product Manual
Page 15
... opportunity to cancel the command by first using the Play mode to a maximum value (99). 10 voices into the DX7 internal memory and then format if you turn On LFO modulation of the ampli-...you have a slot in FUNCTION mode loads 32 RANGE This lets you like depending on , permitting the DX7 to transfer a full 32 voices between voices, the identical Range setting may be zero (off . (... buttons sets the DX7 to be inaudible or nearly so due to their end connector, and the socket has a keyway so that are preserved even when power is below 2.2 volts, contact your Yamaha dealer to 32.)...
... opportunity to cancel the command by first using the Play mode to a maximum value (99). 10 voices into the DX7 internal memory and then format if you turn On LFO modulation of the ampli-...you have a slot in FUNCTION mode loads 32 RANGE This lets you like depending on , permitting the DX7 to transfer a full 32 voices between voices, the identical Range setting may be zero (off . (... buttons sets the DX7 to be inaudible or nearly so due to their end connector, and the socket has a keyway so that are preserved even when power is below 2.2 volts, contact your Yamaha dealer to 32.)...
Product Manual
Page 20
... the voice tridge. fore you grammed into them). The parameters which is moved at first, don't spend too much time on the specific value and the posi- 5. trols is used is operated, or it may sud- using in this point, the voice may have to provide ...Group" voices in Bank A, and the "Complex & Effects Group" voices in Bank B of con- This group of the DX7 VOICE ROM #2 cartridge. FUNCTION MODE: SETTING OVERALL PERFORMANCE PARAMETERS NOTE Yamaha reserves the right to continue to be adjusted while in the PLAY mode. Whatever EDIT mode or FUNCTION mode programming...
... the voice tridge. fore you grammed into them). The parameters which is moved at first, don't spend too much time on the specific value and the posi- 5. trols is used is operated, or it may sud- using in this point, the voice may have to provide ...Group" voices in Bank A, and the "Complex & Effects Group" voices in Bank B of con- This group of the DX7 VOICE ROM #2 cartridge. FUNCTION MODE: SETTING OVERALL PERFORMANCE PARAMETERS NOTE Yamaha reserves the right to continue to be adjusted while in the PLAY mode. Whatever EDIT mode or FUNCTION mode programming...
Product Manual
Page 22
...pitch bend range setting. (This "set to POLY mode for a pitch bend step size of zero. already set to some non-zero value. Leave the instrument set the DX7. Then use the SUSTAIN foot pedal. You have the FC-4 or FC-5 foot switch plugged into the rear panel SUSTAIN jack in ...and down of plus or minus an octave. does not cancel the original note. it . Full deflection of a size you 'll get different range values displayed in order to fully benefit from 0 to which we have an effect. Weinitiallyexplorethe PORTAMENTO and GLISSANDO effects in "steps" of the wheel from its...
...pitch bend range setting. (This "set to POLY mode for a pitch bend step size of zero. already set to some non-zero value. Leave the instrument set the DX7. Then use the SUSTAIN foot pedal. You have the FC-4 or FC-5 foot switch plugged into the rear panel SUSTAIN jack in ...and down of plus or minus an octave. does not cancel the original note. it . Full deflection of a size you 'll get different range values displayed in order to fully benefit from 0 to which we have an effect. Weinitiallyexplorethe PORTAMENTO and GLISSANDO effects in "steps" of the wheel from its...
Product Manual
Page 23
...note(s) to the next note(s), but will be no discernable portamento or glissando effect, regardless of what you have just completed the previous instructions, the DX7 is in "SUSTAIN: KEY PITCH RETAIN" mode, with SUSTAIN mode engaged (i.e., GLISSANDO turned off , which of 80. Sustain: Key Pitch Follow ...PORTAMENTO functions. the display will indicate either "SUS-KEY P FOLLOW" or "SUS-KEY P RETAIN." Observe that the pitch glides from the previ- Higher values than 80 are OK, but the sustain of 80, as indicated in the LCD window. (If the TIME is in PORTAMENTO mode, press the [>]...
...note(s) to the next note(s), but will be no discernable portamento or glissando effect, regardless of what you have just completed the previous instructions, the DX7 is in "SUSTAIN: KEY PITCH RETAIN" mode, with SUSTAIN mode engaged (i.e., GLISSANDO turned off , which of 80. Sustain: Key Pitch Follow ...PORTAMENTO functions. the display will indicate either "SUS-KEY P FOLLOW" or "SUS-KEY P RETAIN." Observe that the pitch glides from the previ- Higher values than 80 are OK, but the sustain of 80, as indicated in the LCD window. (If the TIME is in PORTAMENTO mode, press the [>]...
Product Manual
Page 24
... succession, releasing one key is OK to MONO mode by pressing [GLIS- 6. Glissando works with stepped pitch shift instead of "RETAIN" or at lower values, too. cither the "Follow" or "Retain" functions. It is similar to the Portamento effects you just "FOLLOW" functions; SANDO] and then the ...DATA ENTRY [OFF] button. Set the DX7 to leave the [PORTAMENTO TIME] at 80, although interesting effects can be obtained at the new one, whereas if you continue holding the 19 Glissando...
... succession, releasing one key is OK to MONO mode by pressing [GLIS- 6. Glissando works with stepped pitch shift instead of "RETAIN" or at lower values, too. cither the "Follow" or "Retain" functions. It is similar to the Portamento effects you just "FOLLOW" functions; SANDO] and then the ...DATA ENTRY [OFF] button. Set the DX7 to leave the [PORTAMENTO TIME] at 80, although interesting effects can be obtained at the new one, whereas if you continue holding the 19 Glissando...
Product Manual
Page 27
... and try applying AMPLITUDE modulation. Play the keyboard and then move the MODULATION WHEEL back and forth to test these controls set to a value greater than maximum available range. Then press each voice selector button, [1] through [32], and move the MODULATION modulation achieved with only amplitude ...would be sensitive to find a voice that you can access other than zero. Set this wheel to take advantage of the maximum set different values from 0 (no modulation) to alter the sound of the wheel itself must be programmed to turn on the PITCH = ON", the Wheel...
... and try applying AMPLITUDE modulation. Play the keyboard and then move the MODULATION WHEEL back and forth to test these controls set to a value greater than maximum available range. Then press each voice selector button, [1] through [32], and move the MODULATION modulation achieved with only amplitude ...would be sensitive to find a voice that you can access other than zero. Set this wheel to take advantage of the maximum set different values from 0 (no modulation) to alter the sound of the wheel itself must be programmed to turn on the PITCH = ON", the Wheel...
Product Manual
Page 30
... (0) to a maximum (7). operator, with the feedback at 0, these same 3 frequency ratios when the two back returns a portion of the operators output back to any of 8 values from these two algorithms become identical the top modulator on the same operator (except in the level of the modulator, the more variations can be...
... (0) to a maximum (7). operator, with the feedback at 0, these same 3 frequency ratios when the two back returns a portion of the operators output back to any of 8 values from these two algorithms become identical the top modulator on the same operator (except in the level of the modulator, the more variations can be...
Product Manual
Page 31
...zero volume, so the next note won 't hear two distinct envelope segments. We the setting of 4 (A-D-S-R). NOTE If you program or edit a voice. or if a value" because the envelope of reasonably well defined pat- from the sustain pedal), the sound immediately begins tor may not end slowly reaches LEVEL 1 and then... on the other than LEVEL 1, then the sound then go to the time the column of air the values you have chosen for you set have a 2-stage the upper right corner of the DX7 rithm acts as you step on when you press a key due to zero when you press a key ...
...zero volume, so the next note won 't hear two distinct envelope segments. We the setting of 4 (A-D-S-R). NOTE If you program or edit a voice. or if a value" because the envelope of reasonably well defined pat- from the sustain pedal), the sound immediately begins tor may not end slowly reaches LEVEL 1 and then... on the other than LEVEL 1, then the sound then go to the time the column of air the values you have chosen for you set have a 2-stage the upper right corner of the DX7 rithm acts as you step on when you press a key due to zero when you press a key ...
Product Manual
Page 32
... and repeatability The maximum value of each of the 8 parameters can be used subheadings that often use the name of the button, or that will not die. Two basic approaches to programming the DX7. Second, you can "initialize" the editing buffer of the DX7 and create a voice ..."from scratch" will become much better way for you to achieve immediate, audible and satisfying results as you are two basic approaches to creating your own prior creations) will become familiar with a minimum value of these instructions as ...
... and repeatability The maximum value of each of the 8 parameters can be used subheadings that often use the name of the button, or that will not die. Two basic approaches to programming the DX7. Second, you can "initialize" the editing buffer of the DX7 and create a voice ..."from scratch" will become much better way for you to achieve immediate, audible and satisfying results as you are two basic approaches to creating your own prior creations) will become familiar with a minimum value of these instructions as ...
Product Manual
Page 34
... to press the [] buttons to precisely set at zero when ALG1 1 1 1 1 1 1 OP1 EG LEVEL 4 = 0 you release the key (A Level 4 value higher than OP1, you would not hear any- operator other than zero is contributing this point, operator 1, a carrier, is what the "initialized" envelope would look...This is the only operator contributing to change because only operator 1 is something like latching the Voltage Controlled Amplifier (VCA) open in the DX7's current status. because the level does not have to wait a long time for each time you 're done experimenting with rates below...
... to press the [] buttons to precisely set at zero when ALG1 1 1 1 1 1 1 OP1 EG LEVEL 4 = 0 you release the key (A Level 4 value higher than OP1, you would not hear any- operator other than zero is contributing this point, operator 1, a carrier, is what the "initialized" envelope would look...This is the only operator contributing to change because only operator 1 is something like latching the Voltage Controlled Amplifier (VCA) open in the DX7's current status. because the level does not have to wait a long time for each time you 're done experimenting with rates below...
Product Manual
Page 35
... for the sound to decrease to complete silence. (You'll need to push the DX7 [VOLUME] slider up and/or turn up the volume of the amplifier in order ... Level 1 (which the other words, the actual rate is displayed, then adjust [DATA ENTRY] to obtain a Level 3 value of the envelope, press [EG LEVEL] until Level 3 is dependent on the relative levels. When you now play a note... key and turns off the instant you release the key If you could see the envelope, it takes about the DX7 envelope rates. To slow it would look something like this: 2. 30 With all maximum levels at 99 (except...
... for the sound to decrease to complete silence. (You'll need to push the DX7 [VOLUME] slider up and/or turn up the volume of the amplifier in order ... Level 1 (which the other words, the actual rate is displayed, then adjust [DATA ENTRY] to obtain a Level 3 value of the envelope, press [EG LEVEL] until Level 3 is dependent on the relative levels. When you now play a note... key and turns off the instant you release the key If you could see the envelope, it takes about the DX7 envelope rates. To slow it would look something like this: 2. 30 With all maximum levels at 99 (except...
Product Manual
Page 36
... what you hear is considerably faster than Rate 4, which the sound slowly fades. If you could see one more notes, and compare that time to a value of 99, whether it is LEVEL I , 2, 3 or 4, is faster; A level of 50. If all rates were scaled identically you might look something like ... because Rate 2 is 50, which is coming from a higher to follow the keyboard, however. For most voices, the DX7 is now at 80, and if you hold the key down for a value of the note as it fades from Level 1 directly toward have just created. 8. The sustain level (Level 3) is ...
... what you hear is considerably faster than Rate 4, which the sound slowly fades. If you could see one more notes, and compare that time to a value of 99, whether it is LEVEL I , 2, 3 or 4, is faster; A level of 50. If all rates were scaled identically you might look something like ... because Rate 2 is 50, which is coming from a higher to follow the keyboard, however. For most voices, the DX7 is now at 80, and if you hold the key down for a value of the note as it fades from Level 1 directly toward have just created. 8. The sustain level (Level 3) is ...
Product Manual
Page 37
...fundamental, "2.00" is . Adjust [DATA ENTRY] so the ratio is the frequency ratio. "square " envelope . high frequencies. In this same 31.00 ratio. 4. The value , however , is not 50 , bu t is 99 , since, a s you " program such listen to "31.00", the actual frequency is also a factor ... octave lower and the frequency is cut in order to produce lower frequencies that if you play Middle C NOTE The pitches you 'll hear the DX7 is "1.00" but - Now press [OSCILLATOR-FREQUENC Y FINE] and operate the [DATA ENTRY] slider and/o r buttons while playing a not e Watch the display...
...fundamental, "2.00" is . Adjust [DATA ENTRY] so the ratio is the frequency ratio. "square " envelope . high frequencies. In this same 31.00 ratio. 4. The value , however , is not 50 , bu t is 99 , since, a s you " program such listen to "31.00", the actual frequency is also a factor ... octave lower and the frequency is cut in order to produce lower frequencies that if you play Middle C NOTE The pitches you 'll hear the DX7 is "1.00" but - Now press [OSCILLATOR-FREQUENC Y FINE] and operate the [DATA ENTRY] slider and/o r buttons while playing a not e Watch the display...
Product Manual
Page 38
... [-1] DATA ENTRY button to reset the ratio to ENTRY] slider, rather than twice the beginning Coarse frequency The "Fine" control multilplies the "Coarse" value by pressing [FUNCTION], then [VOICE INIT], then answering [YES] [YES]. initialized voice.) 6. Start at 3.00, and the Fine adjustment will seem...a little less than discretely stepped, as 1.99 (just under twice 1.00). Slowly bring the [DATA ENTRY] slider all the the keyboard. The DX7 will go only as high as we again point out the Operator On/Off display (which , in ALGORITHM 1, happens to be a carrier. Slide ...
... [-1] DATA ENTRY button to reset the ratio to ENTRY] slider, rather than twice the beginning Coarse frequency The "Fine" control multilplies the "Coarse" value by pressing [FUNCTION], then [VOICE INIT], then answering [YES] [YES]. initialized voice.) 6. Start at 3.00, and the Fine adjustment will seem...a little less than discretely stepped, as 1.99 (just under twice 1.00). Slowly bring the [DATA ENTRY] slider all the the keyboard. The DX7 will go only as high as we again point out the Operator On/Off display (which , in ALGORITHM 1, happens to be a carrier. Slide ...
Product Manual
Page 44
... , but instead changes the rates for each group of 3 keys on the keyboard. When you've tried the maximum, reset the scaling to a value of 8 values (from the previous step. 6. You can obtain 99 [DEPTH] settings on either of these controls Alternately play the lowest note on the keyboard, then... lower portion of that this case, the rate scaling for the most noticeable effect, push the [DATA ENTRY] slider all the level scaling parameters The DX7 is 22 dB per octave. 5. Then press the [KEYBOARD RATE SCALING] button, and, for the modulator (operator 2) will not change it set to...
... , but instead changes the rates for each group of 3 keys on the keyboard. When you've tried the maximum, reset the scaling to a value of 8 values (from the previous step. 6. You can obtain 99 [DEPTH] settings on either of these controls Alternately play the lowest note on the keyboard, then... lower portion of that this case, the rate scaling for the most noticeable effect, push the [DATA ENTRY] slider all the level scaling parameters The DX7 is 22 dB per octave. 5. Then press the [KEYBOARD RATE SCALING] button, and, for the modulator (operator 2) will not change it set to...
Product Manual
Page 45
... sound to be done by pressing [OPERATOR SELECT] notes. tor - Do so by using the [AMD] button. That's higher number values, but that's because you were because, while we have to begin with an Operator Output Level that the modulation you Exponential curves are ...a greater difference in level that the LEFT depth setting is an Scaling boost. Basically there are the Modulation Sensitivity adjust- and adjusting the value as desired). By the have not yet assigned any depth to the critical, and you get to obtain a (-) exponential curve. Amplitude ...
... sound to be done by pressing [OPERATOR SELECT] notes. tor - Do so by using the [AMD] button. That's higher number values, but that's because you were because, while we have to begin with an Operator Output Level that the modulation you Exponential curves are ...a greater difference in level that the LEFT depth setting is an Scaling boost. Basically there are the Modulation Sensitivity adjust- and adjusting the value as desired). By the have not yet assigned any depth to the critical, and you get to obtain a (-) exponential curve. Amplitude ...