Product Manual
Page 28
... Each sine wave oscillator has its own envelope generator. The combination of the two is "patched" to the input of another , modulation occurs. When the output of one output. you ... structure that looks like this manual. Therefore, please set Us range to 99.) Operators The Yamaha DX Series FM digital synthesizers use the after touch to add pitch modulation, the modulation wheel ...OFF (These settings are not ideal for a given voice. 8. Carriers, Modulators and FM The DX7 has 6 operators. The two processes, mixing and modulating (whereby the sine waves interact and produce ...
... Each sine wave oscillator has its own envelope generator. The combination of the two is "patched" to the input of another , modulation occurs. When the output of one output. you ... structure that looks like this manual. Therefore, please set Us range to 99.) Operators The Yamaha DX Series FM digital synthesizers use the after touch to add pitch modulation, the modulation wheel ...OFF (These settings are not ideal for a given voice. 8. Carriers, Modulators and FM The DX7 has 6 operators. The two processes, mixing and modulating (whereby the sine waves interact and produce ...
Product Manual
Page 29
... of FM synthesis. cords, the DX synthesizers digitally switch the operators arrangement, when the output of one operator is something like a "patch" Depending on the selected algorithm, operators can (modulators and carriers). By convention, we call ALGORITHM #5 diagrams on a modular synthesizer; ... parallel, and each "map" rier", and any operators that are carriers... TORS. to make up vertically ("series connected"), arranged the DX7 were selected because they offer a broad spec- stack of 3 modulators & 1 carrier The bottom operator of each ). The relationship between...
... of FM synthesis. cords, the DX synthesizers digitally switch the operators arrangement, when the output of one operator is something like a "patch" Depending on the selected algorithm, operators can (modulators and carriers). By convention, we call ALGORITHM #5 diagrams on a modular synthesizer; ... parallel, and each "map" rier", and any operators that are carriers... TORS. to make up vertically ("series connected"), arranged the DX7 were selected because they offer a broad spec- stack of 3 modulators & 1 carrier The bottom operator of each ). The relationship between...
Product Manual
Page 57
...monicity (where harmonics are the algorithms pictured at least with many piano keys cause a ham- less guessing... or at the between particular "patches" on a piano note, or brass, bell and flute together). if you can probably visualize the string being stretched Notice that the ...the presets use an algorithm with cies to be simulated by using Algorithm 19, which then falls steadily gross generalization, it depends on quieter. DX7.) Within a given group of a piano, a particular voice. creates sound, and to think about programming the function, and thereby changing ...
...monicity (where harmonics are the algorithms pictured at least with many piano keys cause a ham- less guessing... or at the between particular "patches" on a piano note, or brass, bell and flute together). if you can probably visualize the string being stretched Notice that the ...the presets use an algorithm with cies to be simulated by using Algorithm 19, which then falls steadily gross generalization, it depends on quieter. DX7.) Within a given group of a piano, a particular voice. creates sound, and to think about programming the function, and thereby changing ...
Product Manual
Page 64
...carriers (which change (loudness depends on delay; Cartridge Form This is an abbreviation for "Attack-Decay-Sustain-Release" Break point In the DX7, the operator output level and in LFO modulation does not begin sounding the note until ventional synthesizer's envelope generators. Delay In the DX...while R2 sets the turn-on timbre as well as you can program with the EG lopes, L1 generally determines the maximum level of a "patch" in turn, refers to 7 (maximum). although there are operators; The specific rates at 99. The DX envelope's attack time is indirectly ...
...carriers (which change (loudness depends on delay; Cartridge Form This is an abbreviation for "Attack-Decay-Sustain-Release" Break point In the DX7, the operator output level and in LFO modulation does not begin sounding the note until ventional synthesizer's envelope generators. Delay In the DX...while R2 sets the turn-on timbre as well as you can program with the EG lopes, L1 generally determines the maximum level of a "patch" in turn, refers to 7 (maximum). although there are operators; The specific rates at 99. The DX envelope's attack time is indirectly ...