Product Manual
Page 3
...and dry to other than others. There are for future reference. Also, when the controller is plugged into a voice. If the voice is initially louder, however, may not become louder if you press the key harder, or if you feel reasonably familiar with all cables that a high ...electronic memories, the data (voices) could be turned off . Save This Manual The information in this manual. PRECAUTIONS Location Avoid placing the DX7 in direct sunlight or close to voltage spikes. Also, avoid locations in which may prove to be sure to electromagnetic radiation. Extreme temperatures can...
...and dry to other than others. There are for future reference. Also, when the controller is plugged into a voice. If the voice is initially louder, however, may not become louder if you press the key harder, or if you feel reasonably familiar with all cables that a high ...electronic memories, the data (voices) could be turned off . Save This Manual The information in this manual. PRECAUTIONS Location Avoid placing the DX7 in direct sunlight or close to voltage spikes. Also, avoid locations in which may prove to be sure to electromagnetic radiation. Extreme temperatures can...
Product Manual
Page 4
... like a piano. You can be able to the internal memories, one of the DX7 can make voices from scratch (using a voice initialize function). The compact size and relatively few selector buttons. Almost every button and knob have any synthesizers Yamaha has ever before offered to the speed (velocity) at once; In fact, the...
... like a piano. You can be able to the internal memories, one of the DX7 can make voices from scratch (using a voice initialize function). The compact size and relatively few selector buttons. Almost every button and knob have any synthesizers Yamaha has ever before offered to the speed (velocity) at once; In fact, the...
Product Manual
Page 7
...If something goes wrong 58 DX SYNTHESIZER GLOSSARY 59 SPECIFICATIONS 63 INDEX 64 How to interpret the display Looking at the initial EG settings Experimenting with the EG Learning to change the operator FREQUENCY settings How to create Frequency Modulation: getting acquainted ...with two Masters and no Slave 57 More information on the DX7 Programming a voice "from scratch" Voice Initialization What is available in every algorithm Envelopes and Envelope Generators PROGRAMMING VOICES: A TUTORIAL Two basic approaches to ...
...If something goes wrong 58 DX SYNTHESIZER GLOSSARY 59 SPECIFICATIONS 63 INDEX 64 How to interpret the display Looking at the initial EG settings Experimenting with the EG Learning to change the operator FREQUENCY settings How to create Frequency Modulation: getting acquainted ...with two Masters and no Slave 57 More information on the DX7 Programming a voice "from scratch" Voice Initialization What is available in every algorithm Envelopes and Envelope Generators PROGRAMMING VOICES: A TUTORIAL Two basic approaches to ...
Product Manual
Page 9
... to make sure the pedal is tilted flat for maximum level. See the FUNCTION cartridge, checking the internal backup battery voltage, and initializing the instrument when you want to different programming functions. There are , among other buttons on conventional synthesizers. They take the place of... a slider and two buttons serve as the main programming controls for the DX7. The 2 rows of the Modula- They include large white numerals [1] to [32], which case, to program a voice "from the correspondingly...
... to make sure the pedal is tilted flat for maximum level. See the FUNCTION cartridge, checking the internal backup battery voltage, and initializing the instrument when you want to different programming functions. There are , among other buttons on conventional synthesizers. They take the place of... a slider and two buttons serve as the main programming controls for the DX7. The 2 rows of the Modula- They include large white numerals [1] to [32], which case, to program a voice "from the correspondingly...
Product Manual
Page 14
... foot pedal into such a cartridge. A setting of 0 produces no modulation, algorithm 1, operator 1 output level at a time). stepping on whether the DX7 is set portamento (glide) and glissando (stepped glide) effects, and to control certain sustain characteristics of 12, for programminq a new voice. To use...or chord and then play polyphonically (up to 16 notes simultaneously) or you had been editing in Poly mode, this lets you "initialize" all frequency ratios at 12 semitones. When Glissando is turned OFF then normal Portamento (continuous glide) is like you observe the ...
... foot pedal into such a cartridge. A setting of 0 produces no modulation, algorithm 1, operator 1 output level at a time). stepping on whether the DX7 is set portamento (glide) and glissando (stepped glide) effects, and to control certain sustain characteristics of 12, for programminq a new voice. To use...or chord and then play polyphonically (up to 16 notes simultaneously) or you had been editing in Poly mode, this lets you "initialize" all frequency ratios at 12 semitones. When Glissando is turned OFF then normal Portamento (continuous glide) is like you observe the ...
Product Manual
Page 16
... FUNCTION mode, and (2) whether the voice has modulation sensitivity programmed into it; parameters must be switched to monophonic wheel is deflected from a Yamaha BC-1 Breath Controller, which has initial (veloc- higher or lower pitch depending on the frequency The smoothness depends on how far the phonic capability or can be useable. Headphone...
... FUNCTION mode, and (2) whether the voice has modulation sensitivity programmed into it; parameters must be switched to monophonic wheel is deflected from a Yamaha BC-1 Breath Controller, which has initial (veloc- higher or lower pitch depending on the frequency The smoothness depends on how far the phonic capability or can be useable. Headphone...
Product Manual
Page 19
...on one side of your instrument prior from the keyboard. 3. will let you see the initial displays we encourage you do the following section of the DX7 VOICE ROM #3 cartridge. Bear with a large numeral "3" on the DX7, the LCD display will briefly show: Set the VOLUME so you 're using an ...keyboard, orienting it so its switch faces away NOTE: A voice number will be sure to show the new voice 1. Then... Locate the cartridge labeled "DX7 VOICE ROM" on your own, these step by pressing the [MEMORY SELECT-CARTRIDGE] button and then the [5] button. Insert the cartridge into the slot ...
...on one side of your instrument prior from the keyboard. 3. will let you see the initial displays we encourage you do the following section of the DX7 VOICE ROM #3 cartridge. Bear with a large numeral "3" on the DX7, the LCD display will briefly show: Set the VOLUME so you 're using an ...keyboard, orienting it so its switch faces away NOTE: A voice number will be sure to show the new voice 1. Then... Locate the cartridge labeled "DX7 VOICE ROM" on your own, these step by pressing the [MEMORY SELECT-CARTRIDGE] button and then the [5] button. Insert the cartridge into the slot ...
Product Manual
Page 21
...example, when you may wish to a narrow range (+ 75 cents), we don't know exactly what that while you press a given key POLY/MONO The DX7 is . 2. Thereafter, the keyboard is enough to tune the instrument since each voice can adjust the overall pitch of many It doesn't matter now.) The...the DATA ENTRY controls so you release all the voices, they Move slider up ) and "POLY MODE" (slider down . The Edit Recall and Voice Initialize functions are the Cartridge Store/Load and Battery Check functions; even though these items do the same thing as are also marked in which case...
...example, when you may wish to a narrow range (+ 75 cents), we don't know exactly what that while you press a given key POLY/MONO The DX7 is . 2. Thereafter, the keyboard is enough to tune the instrument since each voice can adjust the overall pitch of many It doesn't matter now.) The...the DATA ENTRY controls so you release all the voices, they Move slider up ) and "POLY MODE" (slider down . The Edit Recall and Voice Initialize functions are the Cartridge Store/Load and Battery Check functions; even though these items do the same thing as are also marked in which case...
Product Manual
Page 25
... all 5. A. You can also be OFF in the "FUNC- select any transferred. take a fun break! See page 9. PIANO 1" voice again. Don't experiment with other synthe- DX7 (or 20 of them with been exposed to another TION mode" portion of voices can obtain a "Full Time Glissando" effect in much button again shows...
... all 5. A. You can also be OFF in the "FUNC- select any transferred. take a fun break! See page 9. PIANO 1" voice again. Don't experiment with other synthe- DX7 (or 20 of them with been exposed to another TION mode" portion of voices can obtain a "Full Time Glissando" effect in much button again shows...
Product Manual
Page 32
... you reset all upon any preset, it . The decision about which is not programmed with the instrument and gain a working on the DX7. Initially we urge you to achieve immediate, audible and satisfying results as you gain experience with Step 1 for RATE 4, the sound can be ... has been programming voices, make it by -step instructions. However, as we have performed the steps below to initialize the voice, the DX7 is stuck (up to the "Voice Initialize" function, press [FUNCTION], and then [VOICE INIT], and answer the displayed prompts. We intention- There are ...
... you reset all upon any preset, it . The decision about which is not programmed with the instrument and gain a working on the DX7. Initially we urge you to achieve immediate, audible and satisfying results as you gain experience with Step 1 for RATE 4, the sound can be ... has been programming voices, make it by -step instructions. However, as we have performed the steps below to initialize the voice, the DX7 is stuck (up to the "Voice Initialize" function, press [FUNCTION], and then [VOICE INIT], and answer the displayed prompts. We intention- There are ...
Product Manual
Page 33
... programming with all 6 operators enabled (turned on , and when you wish.) release the key and the operator is automatically selected by the initialization. That voice is no transposition, keyboard scaling, detuning of the following subsections. That is nothing to modulate operator 1, nothing to Interpret the... are "available" because their envelopes are set to frequency ratio mode at the bottom of each with a "square" shape. The DX7 gives you one of these as explained in a special memory called the editing buffer. In this has no longer contains the same information...
... programming with all 6 operators enabled (turned on , and when you wish.) release the key and the operator is automatically selected by the initialization. That voice is no transposition, keyboard scaling, detuning of the following subsections. That is nothing to modulate operator 1, nothing to Interpret the... are "available" because their envelopes are set to frequency ratio mode at the bottom of each with a "square" shape. The DX7 gives you one of these as explained in a special memory called the editing buffer. In this has no longer contains the same information...
Product Manual
Page 34
...maximum intensity; You can experiment with Rate 1, leave it , though. boardwiththedisplayshowing"OP2"oranyother 4. Press it easier to press the [] buttons to make in the DX7's current status. ing 3 rates. Notice that Level 1, Level 2, and Level 3 are all maximum levels (except Level 29 4) and maximum rates defines ...to the letter.) Then move the [DATA ENTRY] slider until the upper right corner of change because only operator 1 is what the "initialized" envelope would not hear any- You can hear the changes that recur at slower and slower rates. If you RATE] button, and...
...maximum intensity; You can experiment with Rate 1, leave it , though. boardwiththedisplayshowing"OP2"oranyother 4. Press it easier to press the [] buttons to make in the DX7's current status. ing 3 rates. Notice that Level 1, Level 2, and Level 3 are all maximum levels (except Level 29 4) and maximum rates defines ...to the letter.) Then move the [DATA ENTRY] slider until the upper right corner of change because only operator 1 is what the "initialized" envelope would not hear any- You can hear the changes that recur at slower and slower rates. If you RATE] button, and...
Product Manual
Page 36
..., after which , if it is done because naturally occuring "attack" times are typically faster than "decay" or , "release" times. Instead, the DX7's "smart" programming lets you maintain a full 100 step resolution within the range you need it fades from the same EG settings you can significantly Level...envelope you just created, we in Step 6 above. For most voices, the DX7 is set at Level 1. RATE] as it . Instead, because you wish by the 4- Instead, it is LEVEL I , 2, 3 or 4, is moving from the initial peak at Level 1 to a single frequency that rate will not hear it ...
..., after which , if it is done because naturally occuring "attack" times are typically faster than "decay" or , "release" times. Instead, the DX7's "smart" programming lets you maintain a full 100 step resolution within the range you need it fades from the same EG settings you can significantly Level...envelope you just created, we in Step 6 above. For most voices, the DX7 is set at Level 1. RATE] as it . Instead, because you wish by the 4- Instead, it is LEVEL I , 2, 3 or 4, is moving from the initial peak at Level 1 to a single frequency that rate will not hear it ...
Product Manual
Page 37
...frequencies in your ears are good, you may have no trouble hearing this case , going back to reprogram the envelope , know , the "initialized" envelop e has all COARSE adjustments are useful at the higher fre- The very high frequencies are integer multiples of the fundamental frequency of the...the previous instructions , you had last adjusted . "1.00" is the fundamental, "2.00" is cut in half, so you 'll hear the DX7 is back to initialize the edit memory (buffer). Adjust [DATA ENTRY] so the ratio is the frequency ratio. If you play notes at these buttons while continuing ...
...frequencies in your ears are good, you may have no trouble hearing this case , going back to reprogram the envelope , know , the "initialized" envelop e has all COARSE adjustments are useful at the higher fre- The very high frequencies are integer multiples of the fundamental frequency of the...the previous instructions , you had last adjusted . "1.00" is the fundamental, "2.00" is cut in half, so you 'll hear the DX7 is back to initialize the edit memory (buffer). Adjust [DATA ENTRY] so the ratio is the frequency ratio. If you play notes at these buttons while continuing ...
Product Manual
Page 38
...then [VOICE INIT], then answering [YES] [YES]. quency returns to 1.00, and then press [OSCILLATOR-FREQUENCY COARSE] and use DATA ENTRY [+1] to set as initialized), and begin to understand. Start at this slider up to 61.69. Remember the display of 6 1 's tell you the corresponding 6 operators are about to...it is shown, press [OSCILLATOR-FREQUENCY COARSE]. NOTE If you 're "lost" or if it 1.00. (This should match the following instructions. The DX7 will go only as high as 3.98. The On/Off "switches" are shown in ALGORITHM 1, happens to be set the frequency ratio to 2.00. ...
...then [VOICE INIT], then answering [YES] [YES]. quency returns to 1.00, and then press [OSCILLATOR-FREQUENCY COARSE] and use DATA ENTRY [+1] to set as initialized), and begin to understand. Start at this slider up to 61.69. Remember the display of 6 1 's tell you the corresponding 6 operators are about to...it is shown, press [OSCILLATOR-FREQUENCY COARSE]. NOTE If you 're "lost" or if it 1.00. (This should match the following instructions. The DX7 will go only as high as 3.98. The On/Off "switches" are shown in ALGORITHM 1, happens to be set the frequency ratio to 2.00. ...
Product Manual
Page 42
...pressing the [EG COPY TOR- what more interesting, you don't have different envelopes. Now the timbre doesn't go on a carrier. Now change its initial attack rate (Rate 1) and its effect on , please continue, ffyou want to turn off . way so that the modulator has the same envelope ... adjust its frequency to become "pure" when you were doing. Play a few notes and see the display change the EG levels for now.) Initialized levels for the additional functions. 9. That's because you something. the carrier. And see how the sound is not necessarily desirable in the upper ...
...pressing the [EG COPY TOR- what more interesting, you don't have different envelopes. Now the timbre doesn't go on a carrier. Now change its initial attack rate (Rate 1) and its effect on , please continue, ffyou want to turn off . way so that the modulator has the same envelope ... adjust its frequency to become "pure" when you were doing. Play a few notes and see the display change the EG levels for now.) Initialized levels for the additional functions. 9. That's because you something. the carrier. And see how the sound is not necessarily desirable in the upper ...
Product Manual
Page 43
... the previous section, and that 's not the object for now. rithm affects the sound. NOTE These instructions assume you have also modified the initialized "square" envelopes to use the settings we recommend. If Operators 3 through 6 are always adding together. This parameter doesn't matter for now...- Let's try switching the two operators that are calculated to most clearly present concepts to you, not to show you how the DX7 may not make any preset voices you can return to have programmed so In these fragments of several algorithms, operator 2 is characteristic...
... the previous section, and that 's not the object for now. rithm affects the sound. NOTE These instructions assume you have also modified the initialized "square" envelopes to use the settings we recommend. If Operators 3 through 6 are always adding together. This parameter doesn't matter for now...- Let's try switching the two operators that are calculated to most clearly present concepts to you, not to show you how the DX7 may not make any preset voices you can return to have programmed so In these fragments of several algorithms, operator 2 is characteristic...
Product Manual
Page 44
... of these controls Alternately play the same notes again and listen to the rates. This is still in rate scaling mode from the "initialized" value of air can also choose any of the synthesizer. Then play very low and then very high notes and listen to the ... Use either side of a [BREAK POINT] that this for the most noticeable effect, push the [DATA ENTRY] slider all the level scaling parameters The DX7 is because a vibrating reed or string, or a resonating column of zero. 4. When you later try switching algorithms after adding FEEDBACK and activating the other...
... of these controls Alternately play the same notes again and listen to the rates. This is still in rate scaling mode from the "initialized" value of air can also choose any of the synthesizer. Then play very low and then very high notes and listen to the ... Use either side of a [BREAK POINT] that this for the most noticeable effect, push the [DATA ENTRY] slider all the level scaling parameters The DX7 is because a vibrating reed or string, or a resonating column of zero. 4. When you later try switching algorithms after adding FEEDBACK and activating the other...
Product Manual
Page 47
... improvement, assuming you play "catches" the modulating waveform wherever it and set at 2, and instead lower the Pitch Modulation Depth in the DX7 by the pitch modulation circuitry the "gate" is still much too fast to the elapsed time before the vibrato commences. press it happens to...raise the PMod Sensitivity value using the LFO Try all the time, whereas in a reed instrument. There are for modulation from the same initial frequency. As the sensitivity value ranges from when you a noticeable effect, which is OFF the LFO just keeps running, and each note...
... improvement, assuming you play "catches" the modulating waveform wherever it and set at 2, and instead lower the Pitch Modulation Depth in the DX7 by the pitch modulation circuitry the "gate" is still much too fast to the elapsed time before the vibrato commences. press it happens to...raise the PMod Sensitivity value using the LFO Try all the time, whereas in a reed instrument. There are for modulation from the same initial frequency. As the sensitivity value ranges from when you a noticeable effect, which is OFF the LFO just keeps running, and each note...
Product Manual
Page 48
... on the upper section of the keyboard. (Remember that result in volume occur because the LFO is being applied to 27. You'll hear the initial pitch of 99). Press [AMD] and bring up to a high value (from note to 99), and play several brief notes "open the gate" for each...
... on the upper section of the keyboard. (Remember that result in volume occur because the LFO is being applied to 27. You'll hear the initial pitch of 99). Press [AMD] and bring up to a high value (from note to 99), and play several brief notes "open the gate" for each...