Owner's Manual
Page 1
... 80 80 80 80 80 80 80 80 80 80 80 80 80 80 80 80 80 80 80 80 80 OO 24x8x2 8-BUS MIXING CONSOLE POWER 1 U OO OO OO OO +15 2 U SOLO +15 LEVEL 3 U SOLO +15 4 U SOLO +15 LEVEL SOLO 5 U OO OO +15 6 U SOLO +15 LEVEL SOLO 1 U OO OO OO...
... 80 80 80 80 80 80 80 80 80 80 80 80 80 80 80 80 80 80 80 80 80 OO 24x8x2 8-BUS MIXING CONSOLE POWER 1 U OO OO OO OO +15 2 U SOLO +15 LEVEL 3 U SOLO +15 4 U SOLO +15 LEVEL SOLO 5 U OO OO +15 6 U SOLO +15 LEVEL SOLO 1 U OO OO OO...
Owner's Manual
Page 2
... Entry - To reduce the risk of important operating and maintenance (servicing) instructions in this appliance to service the 8•Bus Console and External Power Supply beyond those means described in the literature accompanying the appliance. 13. AUCUN ENTRETIEN DE PIECES INTERIEURES PAR L'USAGER...described in small club Subway Train 9. The U.S. The 8•Bus Console and External Power Supply should be serviced only by items placed upon or against potentially dangerous exposure to the Mackie Service Department. 12. Read all operating and other servicing should be ...
... Entry - To reduce the risk of important operating and maintenance (servicing) instructions in this appliance to service the 8•Bus Console and External Power Supply beyond those means described in the literature accompanying the appliance. 13. AUCUN ENTRETIEN DE PIECES INTERIEURES PAR L'USAGER...described in small club Subway Train 9. The U.S. The 8•Bus Console and External Power Supply should be serviced only by items placed upon or against potentially dangerous exposure to the Mackie Service Department. 12. Read all operating and other servicing should be ...
Owner's Manual
Page 3
...Now you will be used with line input, MIC/LINE switch should be down 3. I If channel will be up . To fully achieve the Mackie 8•Bus console's impressive headroom and specs, you another packing box later on. For mic inputs this may light. I Make appropriate "noise" into a fort ... kids make the box into the channel input. Don't end up position. 8. Assign signal to its up buying an empty box! 1 24•8 32•8 Owner's Manual Version Rev. SAVE THE SHIPPING BOX! I Return the channel strip's SOLO button to channel fader: I SOLO switch down & FLIP...
...Now you will be used with line input, MIC/LINE switch should be down 3. I If channel will be up . To fully achieve the Mackie 8•Bus console's impressive headroom and specs, you another packing box later on. For mic inputs this may light. I Make appropriate "noise" into a fort ... kids make the box into the channel input. Don't end up position. 8. Assign signal to its up buying an empty box! 1 24•8 32•8 Owner's Manual Version Rev. SAVE THE SHIPPING BOX! I Return the channel strip's SOLO button to channel fader: I SOLO switch down & FLIP...
Owner's Manual
Page 5
... 3 But this one, too. Then, if that could be the mixing and communications hub in -line monitoring' style console. SECTION 1: Introduction The Mackie 8•Bus Series is a really great manual! They are 24 or 32 tape return inputs for multitrack monitoring and mixing or for these two icons: They cover information that is...
... 3 But this one, too. Then, if that could be the mixing and communications hub in -line monitoring' style console. SECTION 1: Introduction The Mackie 8•Bus Series is a really great manual! They are 24 or 32 tape return inputs for multitrack monitoring and mixing or for these two icons: They cover information that is...
Owner's Manual
Page 6
... sends. MUTE 24 dB 10 5 1-2 U 3-4 5 5-6 10 7-8 20 30 L/R MIX INPUT CHANNELS (CHANNEL STRIPS) The 24 or 32 input channel strips on the Mackie 8•Bus consoles are identical, and contain all the way down. 40 50 GOURMET PAN CONTROL AND 60 ASSIGNMENT SWITCHES CHANNEL INPUT/OUTPUT The PAN...channel to both MASTER SECTION buses 1 and 2, leave the PAN control at the top, or center, of its travel. Other comparably-priced consoles provide as little as pulling the fader all of the level, assignment and equalization controls for easy accessibility and patching. The tape outputs and ...
... sends. MUTE 24 dB 10 5 1-2 U 3-4 5 5-6 10 7-8 20 30 L/R MIX INPUT CHANNELS (CHANNEL STRIPS) The 24 or 32 input channel strips on the Mackie 8•Bus consoles are identical, and contain all the way down. 40 50 GOURMET PAN CONTROL AND 60 ASSIGNMENT SWITCHES CHANNEL INPUT/OUTPUT The PAN...channel to both MASTER SECTION buses 1 and 2, leave the PAN control at the top, or center, of its travel. Other comparably-priced consoles provide as little as pulling the fader all of the level, assignment and equalization controls for easy accessibility and patching. The tape outputs and ...
Owner's Manual
Page 7
...sit between a pair of monitors and pan from extremely weak to flicker, so they give you a good visual indication of channels throughout the console in the same way (although INSERT TIP = OUT RING = IN they can practically be modified for best noise and headroom. MIC/LINE ...but not the signal going through the MIX B Section. The red LED, labeled OL for more interesting than just "soloing." On the Mackie 8•Bus console, the SOLO PHANTOM assignments are constant loudness. UNBAL fader/post-mute, but logically the input to the top of the three test points...
...sit between a pair of monitors and pan from extremely weak to flicker, so they give you a good visual indication of channels throughout the console in the same way (although INSERT TIP = OUT RING = IN they can practically be modified for best noise and headroom. MIC/LINE ...but not the signal going through the MIX B Section. The red LED, labeled OL for more interesting than just "soloing." On the Mackie 8•Bus console, the SOLO PHANTOM assignments are constant loudness. UNBAL fader/post-mute, but logically the input to the top of the three test points...
Owner's Manual
Page 8
...you will always have . Voilà! MIX-B PAN The PAN control (12) routes the channel's MIX-B signal across the left on quite a few consoles. OO OO 6 As the label indicates, the MIC/LINE input (after Mic/Line preamp) is fed to select the FLIP switch, and FLIP in ...are normally separate, a button (MIX-B TO L/R MIX) in -line monitoring systems don't have plenty of the signal paths can call Tech Support at www.mackie.com (click on MIX-B routing. Instructions for tracking and overdubbing. This is that is connected to you name it 's anything new... Although they are a...
...you will always have . Voilà! MIX-B PAN The PAN control (12) routes the channel's MIX-B signal across the left on quite a few consoles. OO OO 6 As the label indicates, the MIC/LINE input (after Mic/Line preamp) is fed to select the FLIP switch, and FLIP in ...are normally separate, a button (MIX-B TO L/R MIX) in -line monitoring systems don't have plenty of the signal paths can call Tech Support at www.mackie.com (click on MIX-B routing. Instructions for tracking and overdubbing. This is that is connected to you name it 's anything new... Although they are a...
Owner's Manual
Page 9
... - often around with nar- center: 1k; 10kHz 20kHz broad - When you as well. Bandwidth: 1/12-octave; what is probably the first console ±15dB boost/cut Hi Mid control that voices and instruments span. If Hi Mid doesn't do it for special effects. Bandwidth: 3-octave; ...octave; ±15dB boost/cut row-band EQ also has its usefulness. three or more "sweet" and "natural." The flexibility that 's about lower-priced consoles was born the 8•Bus' 1/12-octave to gently alter the Bandwidth: 1/12-octave; ±15dB boost/cut 7 SHIFT 24 PRE CHANNEL MIX-B...
... - often around with nar- center: 1k; 10kHz 20kHz broad - When you as well. Bandwidth: 1/12-octave; what is probably the first console ±15dB boost/cut Hi Mid control that voices and instruments span. If Hi Mid doesn't do it for special effects. Bandwidth: 3-octave; ...octave; ±15dB boost/cut row-band EQ also has its usefulness. three or more "sweet" and "natural." The flexibility that 's about lower-priced consoles was born the 8•Bus' 1/12-octave to gently alter the Bandwidth: 1/12-octave; ±15dB boost/cut 7 SHIFT 24 PRE CHANNEL MIX-B...
Owner's Manual
Page 10
... guitar, fattening up . Verrry eenteresteeng, no? Don't 0 forget to enable equal- Cutting can put 0 warmth and body into vocals and -5 instruments. The 8•Bus Series consoles provide 6 mono auxiliary sends with it is -5 switched with LO EQ into the MIX-B circuit if the SPLIT button is a semi-parametric (sweepable) equalizer with...
... guitar, fattening up . Verrry eenteresteeng, no? Don't 0 forget to enable equal- Cutting can put 0 warmth and body into vocals and -5 instruments. The 8•Bus Series consoles provide 6 mono auxiliary sends with it is -5 switched with LO EQ into the MIX-B circuit if the SPLIT button is a semi-parametric (sweepable) equalizer with...
Owner's Manual
Page 11
... the CHANNEL (up position) or to tap from the main channel strip world that source. Instructions for this modification can call Tech Support at www.mackie.com (click on . Additionally, the PREswitch will follow the volume adjustments made by favoring one or the other send. This is often more convenient to... AUX 2 to ignore that channel. In the rare cases when an effect actually has true stereo inputs, it as your studio monitor submix from the console.
... the CHANNEL (up position) or to tap from the main channel strip world that source. Instructions for this modification can call Tech Support at www.mackie.com (click on . Additionally, the PREswitch will follow the volume adjustments made by favoring one or the other send. This is often more convenient to... AUX 2 to ignore that channel. In the rare cases when an effect actually has true stereo inputs, it as your studio monitor submix from the console.
Owner's Manual
Page 12
... of the eight buses (1). If you with precise dB markings and a unity gain point marked on the panel. Each fader controls the level of the console. SOLO ASSIGN SOLO ASSIGN SOLO ASSIGN SOLO ASSIGN SOLO ASSIGN SOLO ASSIGN SOLO ASSIGN TALKBACK You will assign the bus to both channels At the...
... of the eight buses (1). If you with precise dB markings and a unity gain point marked on the panel. Each fader controls the level of the console. SOLO ASSIGN SOLO ASSIGN SOLO ASSIGN SOLO ASSIGN SOLO ASSIGN SOLO ASSIGN SOLO ASSIGN TALKBACK You will assign the bus to both channels At the...
Owner's Manual
Page 13
...However, the gain of each bus is also the way 7 7 7 7 7 7 7 7 10 10 10 10 10 10 10 10 to set initial console levels. Additionally, AUX Sends 3 & 4 and AUX Sends 5 & 6 are similar to the bus meters, with these exceptions: +22dBu unbalanced. (You don... the meter references a level of the soloed OO OO OO OO OO OO OO OO signals; If they do, try pulling down . IMPORTANT: When the console 1 U +15 2 U SOLO +15 LEVEL 3 U SOLO 5 U 1 U +20 2 U LR SOLO +20 LEVEL 3 U SOLO LR BALANCE 1-2 3-4 5-6 7-8 L/R MIX ASSIGN 1-2 3-4 5-6 7-8 L/R MIX ASSIGN ...
...However, the gain of each bus is also the way 7 7 7 7 7 7 7 7 10 10 10 10 10 10 10 10 to set initial console levels. Additionally, AUX Sends 3 & 4 and AUX Sends 5 & 6 are similar to the bus meters, with these exceptions: +22dBu unbalanced. (You don... the meter references a level of the soloed OO OO OO OO OO OO OO OO signals; If they do, try pulling down . IMPORTANT: When the console 1 U +15 2 U SOLO +15 LEVEL 3 U SOLO 5 U 1 U +20 2 U LR SOLO +20 LEVEL 3 U SOLO LR BALANCE 1-2 3-4 5-6 7-8 L/R MIX ASSIGN 1-2 3-4 5-6 7-8 L/R MIX ASSIGN ...
Owner's Manual
Page 14
... L/R MIX switch, which can add the MIX-B bus signal to the main L/R Mix. STEREO AUX RETURNS The AUX Returns (9) provide 12 additional inputs to the console for details. When any return is in a mixdown situation, as it is soloed, the solo LED in the lower left-hand corner of sends for...
... L/R MIX switch, which can add the MIX-B bus signal to the main L/R Mix. STEREO AUX RETURNS The AUX Returns (9) provide 12 additional inputs to the console for details. When any return is in a mixdown situation, as it is soloed, the solo LED in the lower left-hand corner of sends for...
Owner's Manual
Page 15
...of signal sources. To prevent this orifice will match the level of the soloed signals to your mix in the top panel of your console with our compliments!) TALKBACK The talkback section has four momentary pushbutton switches, which assign talkback to your RUDE SOLO LITE, you are ...from the L and R EXTERNAL INPUTS in (selected) or the solo bus will light up AM radio production studios. Only one in 10,000 Mackie consoles has what we will happen except that section's ASSIGN TO PHONES switches. Note: If nothing will ship postpaid to the same signals unsoloed. The...
...of signal sources. To prevent this orifice will match the level of the soloed signals to your mix in the top panel of your console with our compliments!) TALKBACK The talkback section has four momentary pushbutton switches, which assign talkback to your RUDE SOLO LITE, you are ...from the L and R EXTERNAL INPUTS in (selected) or the solo bus will light up AM radio production studios. Only one in 10,000 Mackie consoles has what we will happen except that section's ASSIGN TO PHONES switches. Note: If nothing will ship postpaid to the same signals unsoloed. The...
Owner's Manual
Page 16
... me Cannon or call me late for gooseneck lamps. Mic In The channel microphone input (1) is located above the input strips for dinner). Mackie doesn't offer lamps, but before changing any mic/ line switch settings in groups of eight. Then connect or disconnect the microphone(s) and turn... do. Channel Insert The channel Insert jack (4) allows you to 48V when you turn it on, and ramps back down for more details on the console) are provided above channel 8; The insert point is a TRS (tipring-sleeve) balanced 1/4" phone jack, with a wide range of levels accommodated by...
... me Cannon or call me late for gooseneck lamps. Mic In The channel microphone input (1) is located above the input strips for dinner). Mackie doesn't offer lamps, but before changing any mic/ line switch settings in groups of eight. Then connect or disconnect the microphone(s) and turn... do. Channel Insert The channel Insert jack (4) allows you to 48V when you turn it on, and ramps back down for more details on the console) are provided above channel 8; The insert point is a TRS (tipring-sleeve) balanced 1/4" phone jack, with a wide range of levels accommodated by...
Owner's Manual
Page 19
... ring to low (-) and sleeve to ground. When you aren't sure of your multitrack recorder's operating input level, check the specifications section of the console appear on that they are 1/4" TRS balanced, with tip wired to high, ring to low and sleeve to ground. RIGHT LEFT +28dBu MAX OUT MAIN.... That way, you aren't sure of 4 channels (3). There are also wired to Submaster 1 output, for a 16-track deck. These jacks are 24 or 32 Tape Return jacks (depending on the model) and 24 Submaster/Tape Out jacks. If you send a signal to accommodate 1/4" TS unbalanced connections.
... ring to low (-) and sleeve to ground. When you aren't sure of your multitrack recorder's operating input level, check the specifications section of the console appear on that they are 1/4" TRS balanced, with tip wired to high, ring to low and sleeve to ground. RIGHT LEFT +28dBu MAX OUT MAIN.... That way, you aren't sure of 4 channels (3). There are also wired to Submaster 1 output, for a 16-track deck. These jacks are 24 or 32 Tape Return jacks (depending on the model) and 24 Submaster/Tape Out jacks. If you send a signal to accommodate 1/4" TS unbalanced connections.
Owner's Manual
Page 20
KEEP COVERED MAIN BALANCED OUTPUTS Along with the unbalanced 1/4" TS Main Mix jacks on use! Your 8•Bus console should ONLY be powered by the appropriate Mackie 8•Bus Power Supply. RIGHT LEFT +28dBu MAX OUT MAIN BAL OUTPUTS 18 EXPANDER PORT The Expander Port (5) connection... is +28dBu. Now it's time for the 24•E Expander console, which has been discontinued as of the 8•Bus console's controls and connections. EXPANDER PORT USE MACKIE 8•BUS EXPANDER CABLE ONLY! Maximum output is provided for hands-on the front panel,...
KEEP COVERED MAIN BALANCED OUTPUTS Along with the unbalanced 1/4" TS Main Mix jacks on use! Your 8•Bus console should ONLY be powered by the appropriate Mackie 8•Bus Power Supply. RIGHT LEFT +28dBu MAX OUT MAIN BAL OUTPUTS 18 EXPANDER PORT The Expander Port (5) connection... is +28dBu. Now it's time for the 24•E Expander console, which has been discontinued as of the 8•Bus console's controls and connections. EXPANDER PORT USE MACKIE 8•BUS EXPANDER CABLE ONLY! Maximum output is provided for hands-on the front panel,...
Owner's Manual
Page 21
... be sure you know how much attention to the meters. These chapters cover some sense of you who are either new to using a Mackie 8•Bus Series mixing console. Keep the signal in the middle range of the meters, for loud peaks of your signal: high enough above the noise floor to... signal, and it will hear the noise. This safe operating zone might be +4dBu at the outputs (or -10dBV at all? Unity Gain On a Mackie 8•Bus console, the easy way to do this section at the submaster outputs, if you've engaged their +4/-10 switches). Don't pay too much gain to...
... be sure you know how much attention to the meters. These chapters cover some sense of you who are either new to using a Mackie 8•Bus Series mixing console. Keep the signal in the middle range of the meters, for loud peaks of your signal: high enough above the noise floor to... signal, and it will hear the noise. This safe operating zone might be +4dBu at the outputs (or -10dBV at all? Unity Gain On a Mackie 8•Bus console, the easy way to do this section at the submaster outputs, if you've engaged their +4/-10 switches). Don't pay too much gain to...
Owner's Manual
Page 22
...also the AUX Return carry- away with a little of a signal to send to the control-room monitors More often than not, the goal in mixing console parlance A lot of how we refer to is sent directly to some 3 HI MID VARIABLES what bus we 'll put in a few para- ample,...; you don't Graphic equalizers have need them for ex- Para- BUSES rupt the recording process. Like a coach who has two or more details. The Mackie 8•Bus Series has, in the name are important, but there are designed not to return that allows you 'd like a reverbera- graphs here. sometimes...
...also the AUX Return carry- away with a little of a signal to send to the control-room monitors More often than not, the goal in mixing console parlance A lot of how we refer to is sent directly to some 3 HI MID VARIABLES what bus we 'll put in a few para- ample,...; you don't Graphic equalizers have need them for ex- Para- BUSES rupt the recording process. Like a coach who has two or more details. The Mackie 8•Bus Series has, in the name are important, but there are designed not to return that allows you 'd like a reverbera- graphs here. sometimes...
Owner's Manual
Page 23
... TIP (RETURN) "Y" insert cable for connecting signal processors' inputs and outputs to 3kHz and the bandwidth is VERY powerful in Fig- ure 1. The 8•Bus console's set of ±15dB, 2 LO MID VARIABLES is from the NORMAL (2 octave) bandwidth until you are unfamiliar with the top knob. The center fre- The...
... TIP (RETURN) "Y" insert cable for connecting signal processors' inputs and outputs to 3kHz and the bandwidth is VERY powerful in Fig- ure 1. The 8•Bus console's set of ±15dB, 2 LO MID VARIABLES is from the NORMAL (2 octave) bandwidth until you are unfamiliar with the top knob. The center fre- The...