Spec Sheet
Page 1
... all of Mackie Designs' mixers, the 1642-VLZ PRO is designed for churches, clubs, schools, conference centers, boardrooms, trade shows, presentations Keyboards, drum machines and DJ mixing Multitrack studio, field recording A/V presentations, video post-production, CD authoring, multimedia Live broadcast remotes, ENG, ad production Built like a tank, the 1642-VLZ PRO... without trouble. stereo line inputs True 4-bus design Inserts and Direct Outs on Channels 9/10, 11/12, 13/14, and 15/16. 75Hz, 18dB/oct. Introduction The 1642-VLZ PRO is perfect for keeping out dust and other contaminants.
... all of Mackie Designs' mixers, the 1642-VLZ PRO is designed for churches, clubs, schools, conference centers, boardrooms, trade shows, presentations Keyboards, drum machines and DJ mixing Multitrack studio, field recording A/V presentations, video post-production, CD authoring, multimedia Live broadcast remotes, ENG, ad production Built like a tank, the 1642-VLZ PRO... without trouble. stereo line inputs True 4-bus design Inserts and Direct Outs on Channels 9/10, 11/12, 13/14, and 15/16. 75Hz, 18dB/oct. Introduction The 1642-VLZ PRO is perfect for keeping out dust and other contaminants.
Spec Sheet
Page 2
...: Low Shelving: Low Cut Filter: ±15db @ 12kHz ±15dB, sweep 100Hz-8kHz ±15db @ 80Hz 18dB/octave, -3dB @ 75Hz EQ Channel 9-16 High Shelving: High Mid Peaking: Low Mid Peaking Low Shelving: ±15db @ 12kHz ±15dB, @ 3kHz ±15dB, @ 800Hz ±15db @ 80Hz... 2 Power Consumption Physical Weight Dimensions 120VA.C., 50/60Hz, 50 watts 18.2 lbs. (8.3kg) 5.45" x 16.63" x 17.28" (138mm x 422mm x 439mm ) 16.63" (422mm) 5.45" (138mm) 17.28" (439 mm) 5.45" (138mm) 17.28" (439 mm) Specifications footnotes: 1) 20Hz-20kHz bandwidth, ...
...: Low Shelving: Low Cut Filter: ±15db @ 12kHz ±15dB, sweep 100Hz-8kHz ±15db @ 80Hz 18dB/octave, -3dB @ 75Hz EQ Channel 9-16 High Shelving: High Mid Peaking: Low Mid Peaking Low Shelving: ±15db @ 12kHz ±15dB, @ 3kHz ±15dB, @ 800Hz ±15db @ 80Hz... 2 Power Consumption Physical Weight Dimensions 120VA.C., 50/60Hz, 50 watts 18.2 lbs. (8.3kg) 5.45" x 16.63" x 17.28" (138mm x 422mm x 439mm ) 16.63" (422mm) 5.45" (138mm) 17.28" (439 mm) 5.45" (138mm) 17.28" (439 mm) Specifications footnotes: 1) 20Hz-20kHz bandwidth, ...
Spec Sheet
Page 6
... only) MIC TRIM 2 1 3 75Hz HPF LOW CUT LINE IN L LINE IN R STEREO INPUT CHANNEL (1 OF 4) -20 (FLICKER) SOLO (GLOW) STEREO TRIM (Chs 13/14 & 15/16 only) OL (FLICKER) MUTE (GLOW) LO MID MID HI 80 800 3K 12K LO MID MID HI 80 800 3K 12K 4-BAND STEREO EQ AUX...
... only) MIC TRIM 2 1 3 75Hz HPF LOW CUT LINE IN L LINE IN R STEREO INPUT CHANNEL (1 OF 4) -20 (FLICKER) SOLO (GLOW) STEREO TRIM (Chs 13/14 & 15/16 only) OL (FLICKER) MUTE (GLOW) LO MID MID HI 80 800 3K 12K LO MID MID HI 80 800 3K 12K 4-BAND STEREO EQ AUX...
Spec Sheet
Page 7
...from -10dBV to +4dBu; 4 Aux Send outputs using an unbalanced 1/4" TRS phone jack (tip=left, ring=right, sleeve=ground). 4A. CHANNELS 13/14 & 15/16 (two channel strips): Each channel strip shall include a stereo pair of RCA-type Tape inputs and outputs; and 1 stereo pair of Tape In jacks, using... stereo line and/or mono microphone signals (Channels 9/10 & 11/12) and two stereo channels accomodating stereo line inputs (Channels 13/14 &15/16); using unbalanced RCA-type phono jacks (labeled TAPE OUT), accepting nominal levels from -60dBu to +4dBu; GENERAL CONFIGURATION. CHANNELS...
...from -10dBV to +4dBu; 4 Aux Send outputs using an unbalanced 1/4" TRS phone jack (tip=left, ring=right, sleeve=ground). 4A. CHANNELS 13/14 & 15/16 (two channel strips): Each channel strip shall include a stereo pair of RCA-type Tape inputs and outputs; and 1 stereo pair of Tape In jacks, using... stereo line and/or mono microphone signals (Channels 9/10 & 11/12) and two stereo channels accomodating stereo line inputs (Channels 13/14 &15/16); using unbalanced RCA-type phono jacks (labeled TAPE OUT), accepting nominal levels from -60dBu to +4dBu; GENERAL CONFIGURATION. CHANNELS...
Spec Sheet
Page 8
...Distortion (THD), 1k@+14dBu, 0.0007%; All other outputs, 120Ω. The mixer shall be , in Desktop Mode, 5.45" (138mm) in height, 16.63" (442mm) in width and 17.9" (455mm) in some respect from its published description, but will always equal or exceed the original design specifications unless... specifications. a Solo switch with points at the Control Room output shall be indicated as a routine expression of the mixer shall be a Mackie Designs 1642-VLZ PRO. VLZ, VLZ PRO and XDR are introduced into proposals 16220 Wood-Red Rd NE, Woodinville, WA, 98072 ph 425.487.4333...
...Distortion (THD), 1k@+14dBu, 0.0007%; All other outputs, 120Ω. The mixer shall be , in Desktop Mode, 5.45" (138mm) in height, 16.63" (442mm) in width and 17.9" (455mm) in some respect from its published description, but will always equal or exceed the original design specifications unless... specifications. a Solo switch with points at the Control Room output shall be indicated as a routine expression of the mixer shall be a Mackie Designs 1642-VLZ PRO. VLZ, VLZ PRO and XDR are introduced into proposals 16220 Wood-Red Rd NE, Woodinville, WA, 98072 ph 425.487.4333...
Owners Manual
Page 1
... U EQ HI 12k -15 +15 U HI MID 2.5k -15 +15 U LOW MID 400Hz -15 +15 U LOW 80Hz -15 +15 BAL LINE GAIN AUX MASTERS U 15 U 16 1 1 -20 +20 +10 U 2 U AUX 1 2 +10 +15 U 1 3 2 SOLO +15 PRE U 2 4 SOLO 3 48V PWR +15 U STEREO RETURNS U U TO LR +20 U TO AUX 1 +15 U TO...SOLO LEFT LEFT LEFT LEFT L R 1 MUTE L R 2 MUTE L R 3 MUTE L R 4 MUTE L R 5 MUTE L R 6 MUTE L R 7 MUTE L R 8 MUTE L R 9-10 MUTE L R 11-12 MUTE L R 13-14 MUTE L R 15-16 MUTE dB OL dB OL dB OL dB OL dB OL dB OL dB OL dB OL dB OL dB OL dB OL dB OL...
... U EQ HI 12k -15 +15 U HI MID 2.5k -15 +15 U LOW MID 400Hz -15 +15 U LOW 80Hz -15 +15 BAL LINE GAIN AUX MASTERS U 15 U 16 1 1 -20 +20 +10 U 2 U AUX 1 2 +10 +15 U 1 3 2 SOLO +15 PRE U 2 4 SOLO 3 48V PWR +15 U STEREO RETURNS U U TO LR +20 U TO AUX 1 +15 U TO...SOLO LEFT LEFT LEFT LEFT L R 1 MUTE L R 2 MUTE L R 3 MUTE L R 4 MUTE L R 5 MUTE L R 6 MUTE L R 7 MUTE L R 8 MUTE L R 9-10 MUTE L R 11-12 MUTE L R 13-14 MUTE L R 15-16 MUTE dB OL dB OL dB OL dB OL dB OL dB OL dB OL dB OL dB OL dB OL dB OL dB OL...
Owners Manual
Page 2
... resources. This apparatus does not exceed the Class A/Class B (whichever is recommended that interference will contribute to avoid injury from being walked on the apparatus. 16. To ensure against harmful interference in accordance with EEE. Do not use caution when moving the cart/apparatus combination to the effective usage of uninsulated...
... resources. This apparatus does not exceed the Class A/Class B (whichever is recommended that interference will contribute to avoid injury from being walked on the apparatus. 16. To ensure against harmful interference in accordance with EEE. Do not use caution when moving the cart/apparatus combination to the effective usage of uninsulated...
Owners Manual
Page 3
... (LEVEL 19 41. LEVEL SET LED 20 46. TO AUX 1 AND TO AUX 2 22 53. All Rights Reserved. INSERT 9 5. MONO OUT 12 16. FUSE 13 20. METERS 20 METERS VS. Are your serial number here for future reference (i.e., insurance claims, tech support, return authorization, make dad proud, ...SUBS (FOR RETURN 3)....... 22 54. 1-2/3-4 (FOR RETURN 3 22 55. ASSIGN (1-2, 3-4, L/R 14 27. PAN 15 STEREO SOURCES 15 CONSTANT LOUDNESS 16 32. 3-BAND MID-SWEEP EQ 16 33. 4-BAND FIXED-FREQUENCY EQ 17 34. CR/PH ONLY (FOR RETURN 4 23 56. POWER LED 13 22. SW0973 Rev. Do all the...
... (LEVEL 19 41. LEVEL SET LED 20 46. TO AUX 1 AND TO AUX 2 22 53. All Rights Reserved. INSERT 9 5. MONO OUT 12 16. FUSE 13 20. METERS 20 METERS VS. Are your serial number here for future reference (i.e., insurance claims, tech support, return authorization, make dad proud, ...SUBS (FOR RETURN 3)....... 22 54. 1-2/3-4 (FOR RETURN 3 22 55. ASSIGN (1-2, 3-4, L/R 14 27. PAN 15 STEREO SOURCES 15 CONSTANT LOUDNESS 16 32. 3-BAND MID-SWEEP EQ 16 33. 4-BAND FIXED-FREQUENCY EQ 17 34. CR/PH ONLY (FOR RETURN 4 23 56. POWER LED 13 22. SW0973 Rev. Do all the...
Owners Manual
Page 4
... feedback • Rack-mountable design using optional rack ear kit • Multi-voltage power supply for worldwide use Introduction The 16-channel 1642VLZ4 delivers the proven performance of features and practical tips. Need help you to mixer choice for any application that...that is truly "Built-Like-A-Tank" with a ridiculously rugged solid-steel chasis that demands flexibility and professional performance. 1642VLZ4 Features • 16-channel mixer featuring our signature high-headroom, low-noise design • 10 boutique-quality Onyx mic preamps • Ultra-wide 60 ...
... feedback • Rack-mountable design using optional rack ear kit • Multi-voltage power supply for worldwide use Introduction The 16-channel 1642VLZ4 delivers the proven performance of features and practical tips. Need help you to mixer choice for any application that...that is truly "Built-Like-A-Tank" with a ridiculously rugged solid-steel chasis that demands flexibility and professional performance. 1642VLZ4 Features • 16-channel mixer featuring our signature high-headroom, low-noise design • 10 boutique-quality Onyx mic preamps • Ultra-wide 60 ...
Owners Manual
Page 6
... possibilities geared for recording. Digital reverb and delay processors are connected to the control room outputs to listen to the eight inputs of channels 15-16. A pair of MR8mk3 studio monitors are connected to aux sends 1 and 2, with a vocal compressor connected to post-level. A stereo compressor and stereo graphic EQ are...
... possibilities geared for recording. Digital reverb and delay processors are connected to the control room outputs to listen to the eight inputs of channels 15-16. A pair of MR8mk3 studio monitors are connected to aux sends 1 and 2, with a vocal compressor connected to post-level. A stereo compressor and stereo graphic EQ are...
Owners Manual
Page 7
It's an easy way to get a stereo recording of channels 15-16. A bass guitar is connected to the line input of channel 15, while a synth is connected to the stereo line inputs of the live show for ...
It's an easy way to get a stereo recording of channels 15-16. A bass guitar is connected to the line input of channel 15, while a synth is connected to the stereo line inputs of the live show for ...
Owners Manual
Page 8
...;controlled by it anyway. They also let you can use with mic [1] and line [2] inputs, featuring our Onyx mic preamps. Channels 13-14 and 15-16 are See Appendix B for your sound: PA system, DAW, etc. 1642VLZ4 Patchbay Description 1 2 4 3 At the risk of stating the obvious, this section are on...
...;controlled by it anyway. They also let you can use with mic [1] and line [2] inputs, featuring our Onyx mic preamps. Channels 13-14 and 15-16 are See Appendix B for your sound: PA system, DAW, etc. 1642VLZ4 Patchbay Description 1 2 4 3 At the risk of stating the obvious, this section are on...
Owners Manual
Page 9
... with the mic preamps, and can use these inputs for certain it is safe to +4 dBu, as they are for channels 13-14 and 15-16 only adjust the line-level inputs, as there is on page 5. See the connector section on page 27 showing three ways to describe them.) If...
... with the mic preamps, and can use these inputs for certain it is safe to +4 dBu, as they are for channels 13-14 and 15-16 only adjust the line-level inputs, as there is on page 5. See the connector section on page 27 showing three ways to describe them.) If...
Owners Manual
Page 10
... 1. You listen to the monitor channels (3-12) and they 're patched from the very end of the effects processors to 13/14 (EFX A) and 15/16 (EFX B), you get four jacks to constantly repatch your multitrack - post-gain [3], post-EQ [32], post-low cut [34], post-fader [25], and post-mute...
... 1. You listen to the monitor channels (3-12) and they 're patched from the very end of the effects processors to 13/14 (EFX A) and 15/16 (EFX B), you get four jacks to constantly repatch your multitrack - post-gain [3], post-EQ [32], post-low cut [34], post-fader [25], and post-mute...
Owners Manual
Page 12
... are usually patched to drive balanced inputs, connect 1/4" TRS (Tip-Ring-Sleeve) phone plugs like this : Tip = Positive (+ or hot) Ring = Negative (- 1642VLZ4 12 17 16 18 19 20 22 14 15 14 13 12. Use these outputs to the inputs of mixes. Leave the switch out to connect to...
... are usually patched to drive balanced inputs, connect 1/4" TRS (Tip-Ring-Sleeve) phone plugs like this : Tip = Positive (+ or hot) Ring = Negative (- 1642VLZ4 12 17 16 18 19 20 22 14 15 14 13 12. Use these outputs to the inputs of mixes. Leave the switch out to connect to...
Owners Manual
Page 13
... are this LED (light-emitting diode), located in case you have 6 dB of this slide switch is very wrong. This is perfectly normal. Owner's Manual 16. Mono Level If Mr. Mono's main mono mix is set . Just the thing for sending mono signals to the same voltage as the local AC...
... are this LED (light-emitting diode), located in case you have 6 dB of this slide switch is very wrong. This is perfectly normal. Owner's Manual 16. Mono Level If Mr. Mono's main mono mix is set . Just the thing for sending mono signals to the same voltage as the local AC...
Owners Manual
Page 15
..., or clip. You don't want that does two completely different things! That's pretty boring. Pan Pan adjusts the amount of clipping. Stereo Sources Use channels 9-16 to the source [42] mix, that channel's signal. Owner's Manual Level set somewhere in-between left and right, the signal will be divided between the...
..., or clip. You don't want that does two completely different things! That's pretty boring. Pan Pan adjusts the amount of clipping. Stereo Sources Use channels 9-16 to the source [42] mix, that channel's signal. Owner's Manual Level set somewhere in-between left and right, the signal will be divided between the...
Owners Manual
Page 16
... Hz to 8 kHz, sibilance or to set the mid fully up royally. Sounds silly, but If you never heard. reading 0 dB, it down to 8 kHz. 16 +15 +15 +10 +10 +5 +5 0 0 -5 -5 -10 -10 -15 -15 20Hz 100Hz 1kHz 10kHz 20kHz 20Hz 100Hz 1kHz 10kHz 20kHz 1642VLZ4 For example..., the 1642VLZ4's low EQ boosts bass frequencies below +5 0 80 Hz. This frequency 10kHz 20kHz The stereo channels (9-16) have a channel panned hard left (or right) and it sounds just terrible, then back the mid down about 4 dB on every channel, ...
... Hz to 8 kHz, sibilance or to set the mid fully up royally. Sounds silly, but If you never heard. reading 0 dB, it down to 8 kHz. 16 +15 +15 +10 +10 +5 +5 0 0 -5 -5 -10 -10 -15 -15 20Hz 100Hz 1kHz 10kHz 20kHz 20Hz 100Hz 1kHz 10kHz 20kHz 1642VLZ4 For example..., the 1642VLZ4's low EQ boosts bass frequencies below +5 0 80 Hz. This frequency 10kHz 20kHz The stereo channels (9-16) have a channel panned hard left (or right) and it sounds just terrible, then back the mid down about 4 dB on every channel, ...
Owners Manual
Page 17
... in the pre [35] mode, these mix levels can really benefit voices. The aux send outputs are you'll never need this on channels 13-16), often referred to follow the EQ [32], low cut can boost the low EQ without blowing your stage monitors. We have no thrown-in post...
... in the pre [35] mode, these mix levels can really benefit voices. The aux send outputs are you'll never need this on channels 13-16), often referred to follow the EQ [32], low cut can boost the low EQ without blowing your stage monitors. We have no thrown-in post...
Owners Manual
Page 28
1642VLZ4 Appendix C: Technical Information Specifications Main Mix Noise (20 Hz-20 kHz bandwidth, 1/4" Main out, channel gains @ unity gain, channel EQs flat, all channels assigned to Main Mix, odd channels panned left, even channels panned right.) Main Mix fader unity, channel faders down: -86.5 dBu (90 dB Signal to Noise Ratio, ref +4 dBu) Main Mix fader unity, channel faders @ unity: -86 dBu Total Harmonic Distortion (THD) (1 kHz 35 dB gain, 20 Hz-20 kHz bandwidth) Mic in to insert out:
1642VLZ4 Appendix C: Technical Information Specifications Main Mix Noise (20 Hz-20 kHz bandwidth, 1/4" Main out, channel gains @ unity gain, channel EQs flat, all channels assigned to Main Mix, odd channels panned left, even channels panned right.) Main Mix fader unity, channel faders down: -86.5 dBu (90 dB Signal to Noise Ratio, ref +4 dBu) Main Mix fader unity, channel faders @ unity: -86 dBu Total Harmonic Distortion (THD) (1 kHz 35 dB gain, 20 Hz-20 kHz bandwidth) Mic in to insert out: