Specifications Sheet
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Perfectly complements studio-grade condenser mics s Perfectly matches your studio, live and hard disk recording set-up s Ultra-flexible Preamp Modeling allows you to quickly optimize your recordings s You can choose between 16 preamp voicings designed ... 2 floor rumble s +48 V phantom power, phase reverse switch and 20 dB pad for all microphone, instrument and line-level sources. MIC200 TUBE ULTRAGAIN High-End Vacuum Tube Preamplifier with BEHRINGER's sophisticated output limiter-prevents the output signal from being distorted s Dedicated low cut filter eliminates unwanted noise, e.g.
Perfectly complements studio-grade condenser mics s Perfectly matches your studio, live and hard disk recording set-up s Ultra-flexible Preamp Modeling allows you to quickly optimize your recordings s You can choose between 16 preamp voicings designed ... 2 floor rumble s +48 V phantom power, phase reverse switch and 20 dB pad for all microphone, instrument and line-level sources. MIC200 TUBE ULTRAGAIN High-End Vacuum Tube Preamplifier with BEHRINGER's sophisticated output limiter-prevents the output signal from being distorted s Dedicated low cut filter eliminates unwanted noise, e.g.
Specifications Sheet
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input level Audio outputs Connectors Type Impedance Max. output level System specifications Frequency response Function controls Gain Output Preamp mode control Function switches 20 dB pad +48 V Low Cut Phase reverse Indicators Input level Power-LED Power supply Mains voltage Mains supply Physical Dimensions Weight SPECIFICATIONS Balanced/unbalanced Transformerless, DC-decoupled input approx. 2 kΩ +7 dBu / 20 dB with pad Balanced/unbalanced Transformerless, DC-decoupled input approx. 1 MΩ +16 dBu / 20 dB with pad XLR and 1/4" TRS connector bal./unbal. XLR input Connector ...
input level Audio outputs Connectors Type Impedance Max. output level System specifications Frequency response Function controls Gain Output Preamp mode control Function switches 20 dB pad +48 V Low Cut Phase reverse Indicators Input level Power-LED Power supply Mains voltage Mains supply Physical Dimensions Weight SPECIFICATIONS Balanced/unbalanced Transformerless, DC-decoupled input approx. 2 kΩ +7 dBu / 20 dB with pad Balanced/unbalanced Transformerless, DC-decoupled input approx. 1 MΩ +16 dBu / 20 dB with pad XLR and 1/4" TRS connector bal./unbal. XLR input Connector ...
Quick Start Guide
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...power supply. Dynamic microphones the MIC200. Phantom power supply is not recommended. are : WARM, WARM/LIMITER, gain setting to avoid distortion. Generally speaking, lowering the signal level in specific (3) If your electric guitar, for Full Manual Check Out behringer.com for example. With the... be used to +10 dB. The more (switch pressed). If the control is turned to the right, setting depends on all . 40 TUBE ULTRAGAIN MIC200 TUBE ULTRAGAIN MIC200 Controls (EN) Controls (1) The GAIN control allows you to reduce the are made, slowly start raising the...
...power supply. Dynamic microphones the MIC200. Phantom power supply is not recommended. are : WARM, WARM/LIMITER, gain setting to avoid distortion. Generally speaking, lowering the signal level in specific (3) If your electric guitar, for Full Manual Check Out behringer.com for example. With the... be used to +10 dB. The more (switch pressed). If the control is turned to the right, setting depends on all . 40 TUBE ULTRAGAIN MIC200 TUBE ULTRAGAIN MIC200 Controls (EN) Controls (1) The GAIN control allows you to reduce the are made, slowly start raising the...
Quick Start Guide
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.../unbalanced transformerless, DC-decoupled output approx. 700 Ω balanced / 350 Ω unbalanced approx. +26 dBu @ 100 kΩ 90 dB A-weighted @ -28 dBu input level 50 TUBE ULTRAGAIN MIC200 Specifications Audio Inputs XLR Input Connector Type Impedance Max. input level E.I.N.1 (20 Hz - 20 kHz) @ 0 Ω source resistance @ 150 Ω source resistance @ 600 Ω source...
.../unbalanced transformerless, DC-decoupled output approx. 700 Ω balanced / 350 Ω unbalanced approx. +26 dBu @ 100 kΩ 90 dB A-weighted @ -28 dBu input level 50 TUBE ULTRAGAIN MIC200 Specifications Audio Inputs XLR Input Connector Type Impedance Max. input level E.I.N.1 (20 Hz - 20 kHz) @ 0 Ω source resistance @ 150 Ω source resistance @ 600 Ω source...
Manual
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... equipment. 1.1 The design concept The heart of preamp settings you can select. The sound will be warm, detailed and brilliant. Introduction With the MIC200, you know the recording problem that is equipped with our BEHRINGER tube technology, the operational amplifiers 4580 and a sophisticated circuit topology, the TUBE ULTRAGAIN yields excellent noise and distortion properties. Thanks to...
... equipment. 1.1 The design concept The heart of preamp settings you can select. The sound will be warm, detailed and brilliant. Introduction With the MIC200, you know the recording problem that is equipped with our BEHRINGER tube technology, the operational amplifiers 4580 and a sophisticated circuit topology, the TUBE ULTRAGAIN yields excellent noise and distortion properties. Thanks to...
Manual
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.... This function is , the clip LED warns you to reduce the gain setting to avoid distortion. (5) This +48 V switch activates the phantom power supply for the XLR input. No matter what your application is available for operating condenser microphones. 13 TUBE ULTRAGAIN MIC200 User Manual 2.1 User interface (1) The GAIN control allows you to control...
.... This function is , the clip LED warns you to reduce the gain setting to avoid distortion. (5) This +48 V switch activates the phantom power supply for the XLR input. No matter what your application is available for operating condenser microphones. 13 TUBE ULTRAGAIN MIC200 User Manual 2.1 User interface (1) The GAIN control allows you to control...
Manual
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... LIMITER and NEUTRAL: WARM (moving clockwise, starting at 12 o'clock): Use these settings when working with high volumes or with sounds with frequent signal peaks, and if directly recording an instrument with a mic (e. 14 TUBE ULTRAGAIN MIC200 User Manual (8) The OUTPUT control governs the output level within a range from -∞...is no output signal at all types • E-GTR: Electric guitar • VOCAL: Speech and vocals • VALVE: Warm, analog tube sound WARM + LIMITER (moving clockwise, starting at 9 o'clock): These settings make sense if you a wide selection of all .
... LIMITER and NEUTRAL: WARM (moving clockwise, starting at 12 o'clock): Use these settings when working with high volumes or with sounds with frequent signal peaks, and if directly recording an instrument with a mic (e. 14 TUBE ULTRAGAIN MIC200 User Manual (8) The OUTPUT control governs the output level within a range from -∞...is no output signal at all types • E-GTR: Electric guitar • VOCAL: Speech and vocals • VALVE: Warm, analog tube sound WARM + LIMITER (moving clockwise, starting at 9 o'clock): These settings make sense if you a wide selection of all .
Manual
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... that work best for your sound configuration. 15 TUBE ULTRAGAIN MIC200 User Manual LIMITER (moving clockwise, starting at 3 o'clock): Select these settings if you wish to use the limiter function without tube sound. • NEUTRAL: Neutral sound setting • VOCAL: Optimized setting for speech and vocals • GUITAR: Optimized setting for guitars and guitar amps • BASS: Optimized...
... that work best for your sound configuration. 15 TUBE ULTRAGAIN MIC200 User Manual LIMITER (moving clockwise, starting at 3 o'clock): Select these settings if you wish to use the limiter function without tube sound. • NEUTRAL: Neutral sound setting • VOCAL: Optimized setting for speech and vocals • GUITAR: Optimized setting for guitars and guitar amps • BASS: Optimized...
Manual
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Wiring Examples You'll be surprised how flexibly you can set up your MIC200. XLR-input XLR-output Microphone input INPUT OUTPUT Fig. 3.1: Standard live applications Here, the MIC200 is eliminated effectively. 17 TUBE ULTRAGAIN MIC200 User Manual 3. Thus, the sound gains in live application Thanks to the limiter setting for vocals (VOCAL), distortion is wired before the mixer's channel input. The following chapter describes some typical wiring examples. 3.1 Enhancing vocals and instruments in warmth and transparency.
Wiring Examples You'll be surprised how flexibly you can set up your MIC200. XLR-input XLR-output Microphone input INPUT OUTPUT Fig. 3.1: Standard live applications Here, the MIC200 is eliminated effectively. 17 TUBE ULTRAGAIN MIC200 User Manual 3. Thus, the sound gains in live application Thanks to the limiter setting for vocals (VOCAL), distortion is wired before the mixer's channel input. The following chapter describes some typical wiring examples. 3.1 Enhancing vocals and instruments in warmth and transparency.
Manual
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23 TUBE ULTRAGAIN MIC200 User Manual System Data Signal-to-noise ratio Frequency Response Mic input Line input Function Controls GAIN OUTPUT Preamp mode control Function Switches 20 dB PAD +48 V LOW CUT PHASE REVERSE Indicators Input Level Power LED 90 dB A-weighted @ -28 dBu input level
23 TUBE ULTRAGAIN MIC200 User Manual System Data Signal-to-noise ratio Frequency Response Mic input Line input Function Controls GAIN OUTPUT Preamp mode control Function Switches 20 dB PAD +48 V LOW CUT PHASE REVERSE Indicators Input Level Power LED 90 dB A-weighted @ -28 dBu input level