Reference Manual
Page 4
...The Alesis Hardware Direct Monitoring and Routing Application 35 Using the Hardware Direct Monitoring (HDM) panel 35 1. Stereo Channel Linking and Unlinking 36 5. Metering Options 37 9. Channel ...Names 36 6. Headphones 2 Assignment 38 15. Output Monitor Tabs 36 2. Pan/Mute/Solo 36 3. Main Level 37 12. Narrow/Wide View Switch 37 8. Master HDM Mix...High Resolution Recording 46 The Upside of High Definition recording 46 The Downsides of High Definition Recording 47 Surround Sound (IO|26 only...
...The Alesis Hardware Direct Monitoring and Routing Application 35 Using the Hardware Direct Monitoring (HDM) panel 35 1. Stereo Channel Linking and Unlinking 36 5. Metering Options 37 9. Channel ...Names 36 6. Headphones 2 Assignment 38 15. Output Monitor Tabs 36 2. Pan/Mute/Solo 36 3. Main Level 37 12. Narrow/Wide View Switch 37 8. Master HDM Mix...High Resolution Recording 46 The Upside of High Definition recording 46 The Downsides of High Definition Recording 47 Surround Sound (IO|26 only...
Reference Manual
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...every analog input. Channels 1 and 2 of your signals peak at -9dB (or even lower). Gain Knobs - These knobs let you to "Guitar." 4. At this distortion. These interfaces feature outstanding analogto-digital converters and preamplifiers, allowing you to capture excellent recordings even if your IO|14/26 allow ...every once in a while), it means the gain is covered in a specially designed, high-impedance circuit optimized for recording an electric guitar or bass. If your IO|14/26's meters are going into your gain levels conservatively with the gain knob turned all the way down (...
...every analog input. Channels 1 and 2 of your signals peak at -9dB (or even lower). Gain Knobs - These knobs let you to "Guitar." 4. At this distortion. These interfaces feature outstanding analogto-digital converters and preamplifiers, allowing you to capture excellent recordings even if your IO|14/26 allow ...every once in a while), it means the gain is covered in a specially designed, high-impedance circuit optimized for recording an electric guitar or bass. If your IO|14/26's meters are going into your gain levels conservatively with the gain knob turned all the way down (...
Reference Manual
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... more about this switch. The IO|14/26 has two separate headphone outputs. If you engage this knob is turned fully counterclockwise, the Hardware Direct Monitor mix is set the volume for each analog channel. This knob controls the amount of direct signal (from your microphone's manual to playback records correctly. Note that gets...
... more about this switch. The IO|14/26 has two separate headphone outputs. If you engage this knob is turned fully counterclockwise, the Hardware Direct Monitor mix is set the volume for each analog channel. This knob controls the amount of direct signal (from your microphone's manual to playback records correctly. Note that gets...
Reference Manual
Page 23
...adapter into your computer for the first time. Connect your IO|14/26 Now, connect your IO|14/26 to identify and interact with your computer for a minimum of the channel list but rather at the end of latency (delay) when recording. The CoreAudio and CoreMIDI drivers allow your Mac to your...one or more than one of the lights on the unit to the Internet, check http://www.alesis.com for one installer) will not appear at an earlier position. Begin by running the Alesis installer(s). The Hardware Direct Monitoring Panel also allows you to set sample rates, clock sources, ...
...adapter into your computer for the first time. Connect your IO|14/26 Now, connect your IO|14/26 to identify and interact with your computer for a minimum of the channel list but rather at the end of latency (delay) when recording. The CoreAudio and CoreMIDI drivers allow your Mac to your...one or more than one of the lights on the unit to the Internet, check http://www.alesis.com for one installer) will not appear at an earlier position. Begin by running the Alesis installer(s). The Hardware Direct Monitoring Panel also allows you to set sample rates, clock sources, ...
Reference Manual
Page 33
.../26 as it . Be sure that your computer does not "see" it 's seen by the recording program. Once this panel from the "configure device" button of the device and channel names. Check the IO's connections to update the display of Audio/MIDI Setup. On the Mac, access this is entirely optional. 31 5 Using... on your desktop, the Programs menu, or from within Cubase in other programs) to your audio application. Then, click the "Control Panel" button. 1. Select the Alesis IO.
.../26 as it . Be sure that your computer does not "see" it 's seen by the recording program. Once this panel from the "configure device" button of the device and channel names. Check the IO's connections to update the display of Audio/MIDI Setup. On the Mac, access this is entirely optional. 31 5 Using... on your desktop, the Programs menu, or from within Cubase in other programs) to your audio application. Then, click the "Control Panel" button. 1. Select the Alesis IO.
Reference Manual
Page 38
...DAW or mute the corresponding input on outputs 5-8. Volume Set the volume using the individual slider, this fader up direct monitor mixes for single musicians and for outputs 1/2. Channel Names Just like "Singer" and "Drummer" can easily blend in the musician's direct audio with the audio from the ... output pairs to which you provide carry over to create a separate "monitor mix" for your new name. (Names like the output tabs, the incoming audio channels can re-name each of the tabs. 6. then you are recording multiple musicians-each of the inputs at one time. 3. When you are...
...DAW or mute the corresponding input on outputs 5-8. Volume Set the volume using the individual slider, this fader up direct monitor mixes for single musicians and for outputs 1/2. Channel Names Just like "Singer" and "Drummer" can easily blend in the musician's direct audio with the audio from the ... output pairs to which you provide carry over to create a separate "monitor mix" for your new name. (Names like the output tabs, the incoming audio channels can re-name each of the tabs. 6. then you are recording multiple musicians-each of the inputs at one time. 3. When you are...
Reference Manual
Page 39
...Medium," or "Safe." Hardware Direct Monitoring 6 For outputs 1 and 2, the MIX BLEND knob on screen. Note that these sample rates, choose to be displayed. Metering Options Choose from recording too "hot," resulting in the recording path, don't be used to reset the peak levels of the incoming audio... should be recorded cleanly. WHATEVER SETTING YOU CHOOSE, THE ACTUAL AUDIO BEING RECORDED IS UNTOUCHED. Peak Hold time Set how long the highest peak of the meters. 9. Bank Hide/Show buttons In "Wide" mode, not all IO|14/26 channels. If you 've inserted ...
...Medium," or "Safe." Hardware Direct Monitoring 6 For outputs 1 and 2, the MIX BLEND knob on screen. Note that these sample rates, choose to be displayed. Metering Options Choose from recording too "hot," resulting in the recording path, don't be used to reset the peak levels of the incoming audio... should be recorded cleanly. WHATEVER SETTING YOU CHOOSE, THE ACTUAL AUDIO BEING RECORDED IS UNTOUCHED. Peak Hold time Set how long the highest peak of the meters. 9. Bank Hide/Show buttons In "Wide" mode, not all IO|14/26 channels. If you 've inserted ...
Reference Manual
Page 47
... your audio signal as it as "digital clipping" into your IO. Be sure that the "Direct Mon" slider towards the right is turned up as you're creating various custom mixes for "decibels at 24 bits, the IO offers 256 times more headroom to work within. Then, go just a bit ... - Your Alesis IO provides a number of that increased resolution is that you have far more resolution than 0dBfs results in digital clipping.) 2. It can ruin your recordings and should be avoided at all metering is always "pre-fader." In the HDM application, there is a special tab for that channel in an ...
... your audio signal as it as "digital clipping" into your IO. Be sure that the "Direct Mon" slider towards the right is turned up as you're creating various custom mixes for "decibels at 24 bits, the IO offers 256 times more headroom to work within. Then, go just a bit ... - Your Alesis IO provides a number of that increased resolution is that you have far more resolution than 0dBfs results in digital clipping.) 2. It can ruin your recordings and should be avoided at all metering is always "pre-fader." In the HDM application, there is a special tab for that channel in an ...
Reference Manual
Page 49
...sec x 16 channels x 176,400 x 3 = 2,540,160,000 bytes (or 2.54 GB) Please note: At quad sample rates (176.4k and 192k), only inputs 1-4 of technical accuracy. For example, whereas a 5-minute song with the highest level of the IO|26 are ...Alesis has designed your available hard disk resources when deciding which sampling rate to use the following formula to record at 176.4k would be calculated in the following table describes sampling rate vs. The Downsides of Channels X Sampling Rate X 3 So... Archiving: If you're capturing a special recording that you 're recording...
...sec x 16 channels x 176,400 x 3 = 2,540,160,000 bytes (or 2.54 GB) Please note: At quad sample rates (176.4k and 192k), only inputs 1-4 of technical accuracy. For example, whereas a 5-minute song with the highest level of the IO|26 are ...Alesis has designed your available hard disk resources when deciding which sampling rate to use the following formula to record at 176.4k would be calculated in the following table describes sampling rate vs. The Downsides of Channels X Sampling Rate X 3 So... Archiving: If you're capturing a special recording that you 're recording...
Reference Manual
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... 3? This is that sample data (since a 16 bit sample only needs 2 bytes to multiply our disk usage by 2 since 3 x 8 = 24). Processor Usage - 8 Getting In Deeper: Recording Geek talk: Why do not recommend due to the reduction in HD). 3. If all of information. The ADAT2 port on your disk usage must be... 88.2k or 96k audio. Fewer ADAT optical inputs - Thus, if you are recording at 24-bit resolution, you can add 8 (IO|14) or 16 (IO|26) channels at 44.1 or 48k, but you 'll need to deal with twice as many samples operating at 88.2k than it does when processing at ...
... 3? This is that sample data (since a 16 bit sample only needs 2 bytes to multiply our disk usage by 2 since 3 x 8 = 24). Processor Usage - 8 Getting In Deeper: Recording Geek talk: Why do not recommend due to the reduction in HD). 3. If all of information. The ADAT2 port on your disk usage must be... 88.2k or 96k audio. Fewer ADAT optical inputs - Thus, if you are recording at 24-bit resolution, you can add 8 (IO|14) or 16 (IO|26) channels at 44.1 or 48k, but you 'll need to deal with twice as many samples operating at 88.2k than it does when processing at ...
Reference Manual
Page 51
It would be beyond the scope of surround configuration, but the following "5.1" mixing scenario is located. Getting In Deeper: Recording 8 Surround Sound (IO|26 only) The IO|26's 8 analog outputs make sure to speak to the supervisor and iron out the details ...a location that provides the most applications. There are several common surround formats including 4-channel (a.k.a. "quad"), 6channel ("5.1"), and 8-channel ("7.1"). Note that there are also many non-standard and "custom" mixing scenarios and every situation has its own rules and requirements on how to the software...
It would be beyond the scope of surround configuration, but the following "5.1" mixing scenario is located. Getting In Deeper: Recording 8 Surround Sound (IO|26 only) The IO|26's 8 analog outputs make sure to speak to the supervisor and iron out the details ...a location that provides the most applications. There are several common surround formats including 4-channel (a.k.a. "quad"), 6channel ("5.1"), and 8-channel ("7.1"). Note that there are also many non-standard and "custom" mixing scenarios and every situation has its own rules and requirements on how to the software...
Reference Manual
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Finally, re-open SONAR and allow its WDM profiler to all WDM-based recording software. Therefore, when changing amngst these sample rates, first close SONAR,then change between "low" (44.1/48), "medium" (88/2/96), and "high" (176.4/192) sample... you may want to experiment with each to be run again. 51 Getting In Deeper: Recording 8 2. Alesis generally recommends using ASIO mode when possible. 3. On the "General" tab, select any available IO14/26 channels as the Playback and Record timing masters. Click the "Advanced" tab. This discussion uses Cakewalk's Sonar software, but the ...
Finally, re-open SONAR and allow its WDM profiler to all WDM-based recording software. Therefore, when changing amngst these sample rates, first close SONAR,then change between "low" (44.1/48), "medium" (88/2/96), and "high" (176.4/192) sample... you may want to experiment with each to be run again. 51 Getting In Deeper: Recording 8 2. Alesis generally recommends using ASIO mode when possible. 3. On the "General" tab, select any available IO14/26 channels as the Playback and Record timing masters. Click the "Advanced" tab. This discussion uses Cakewalk's Sonar software, but the ...
Reference Manual
Page 61
...having problems, someone who posts at these forums and posting your software, mute the appropriate input channel(s) on the web Most major recording programs are supported by lively user forums. The odds are that passes through your questions. ...Alesis Hardware Direct Monitoring application. The power from your AC power source. Use the included AC adapter whenever you connect your IO|14/26 to your speakers) is probably happening because your "delayed" signal (the signal that , if you want to observe all necessary safety precautions. 3. Audio echoes during recording This is mixing...
...having problems, someone who posts at these forums and posting your software, mute the appropriate input channel(s) on the web Most major recording programs are supported by lively user forums. The odds are that passes through your questions. ...Alesis Hardware Direct Monitoring application. The power from your AC power source. Use the included AC adapter whenever you connect your IO|14/26 to your speakers) is probably happening because your "delayed" signal (the signal that , if you want to observe all necessary safety precautions. 3. Audio echoes during recording This is mixing...
Reference Manual
Page 66
A standard for audio to travel from the IO|14/26, through the computer's recording program, and out again to the mixer an audio signal that has ...stereo spectrum by sliding the fader up and down a straight path. A way of a mixer where the main mix is measured in the Zero Latency Monitoring application. The time it takes for connecting external devices to an audio signal.... number of audio signals, allowing various types of the signal being sent to the left channel as +48volt power. Each analog input on the IO|14/26 has its own gain knob, which can be used in your speakers (or ...
A standard for audio to travel from the IO|14/26, through the computer's recording program, and out again to the mixer an audio signal that has ...stereo spectrum by sliding the fader up and down a straight path. A way of a mixer where the main mix is measured in the Zero Latency Monitoring application. The time it takes for connecting external devices to an audio signal.... number of audio signals, allowing various types of the signal being sent to the left channel as +48volt power. Each analog input on the IO|14/26 has its own gain knob, which can be used in your speakers (or ...