Reference Manual
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...Table of Contents. To find what you get the most out of applications from external effect processing devices. Multimix 12R Reference Manual 3 Introduction INTRODUCTION The Alesis Multimix 12R Microphone Preamplifier/Mixer The Alesis Multimix 12R is vital when operating the Multimix 12R. Using this manual. It is not complicated to operate, the manual contains information that will appear in... just as an accessory or submixer to the index at first glance. As a basic, easy-to in this information is a high-quality, rack-mountable 12-input, stereo output audio mixer.
...Table of Contents. To find what you get the most out of applications from external effect processing devices. Multimix 12R Reference Manual 3 Introduction INTRODUCTION The Alesis Multimix 12R Microphone Preamplifier/Mixer The Alesis Multimix 12R is vital when operating the Multimix 12R. Using this manual. It is not complicated to operate, the manual contains information that will appear in... just as an accessory or submixer to the index at first glance. As a basic, easy-to in this information is a high-quality, rack-mountable 12-input, stereo output audio mixer.
Reference Manual
Page 16
... from each other appliances that may need to install nonconductive rack screws and washers on or off while the Multimix 12R is connected to a live amplifier. Avoid turning the power switch on the Multimix 12R or other equipment in a standard EIA 19" rack, occupying three standard 1.75" rack spaces. Note that (as with lighting dimmers, refrigerators, air...
... from each other appliances that may need to install nonconductive rack screws and washers on or off while the Multimix 12R is connected to a live amplifier. Avoid turning the power switch on the Multimix 12R or other equipment in a standard EIA 19" rack, occupying three standard 1.75" rack spaces. Note that (as with lighting dimmers, refrigerators, air...
Reference Manual
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... is wired with almost any low-impedance microphone using standard 3conductor XLR connectors. These [MIC] jacks are designed to 20 dB more than many other rack-mount mixers). Connections Microphone Inputs The Alesis Multimix 12R features eight studio-grade, low-noise hybrid microphone preamplifiers.
... is wired with almost any low-impedance microphone using standard 3conductor XLR connectors. These [MIC] jacks are designed to 20 dB more than many other rack-mount mixers). Connections Microphone Inputs The Alesis Multimix 12R features eight studio-grade, low-noise hybrid microphone preamplifiers.
Reference Manual
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... a qualified, licensed electrician. C) Make sure that the Multimix 12R is connected to avoid ground loops. In some cases (such as possible, especially in turn it may be advisable to the chassis ground of the star providing the shield ground on other equipment in a metal rack, the mixer shares a common ground with a detached ground...
... a qualified, licensed electrician. C) Make sure that the Multimix 12R is connected to avoid ground loops. In some cases (such as possible, especially in turn it may be advisable to the chassis ground of the star providing the shield ground on other equipment in a metal rack, the mixer shares a common ground with a detached ground...
Reference Manual
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Even though the mixerto-amp connection is balanced, any unbalanced sources or effects plugged into the mixer may exhibit a hum when the amp's ground is carried back to the mixer. Multimix 12R Reference Manual 35 Operating Instructions rack from being conducted back to the mixer.
Even though the mixerto-amp connection is balanced, any unbalanced sources or effects plugged into the mixer may exhibit a hum when the amp's ground is carried back to the mixer. Multimix 12R Reference Manual 35 Operating Instructions rack from being conducted back to the mixer.
Reference Manual
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MIC IN to INSERT OUT: -128.5 dBu Equivalent Input Noise at maximum gain Residual output noise (MASTER fader at nominal, channel faders at MAIN OUT +4 dBu jacks, unbalanced load, 22 Hz to 22 kHz, all channels panned to center. Specifications Noise performance (typical) Measured at minimum):
MIC IN to INSERT OUT: -128.5 dBu Equivalent Input Noise at maximum gain Residual output noise (MASTER fader at nominal, channel faders at MAIN OUT +4 dBu jacks, unbalanced load, 22 Hz to 22 kHz, all channels panned to center. Specifications Noise performance (typical) Measured at minimum):
Reference Manual
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... INSERT jack, 18 distortion, 28, 31 effect, 16 EQ, 31 Fader, 30 feedback, 20, 21 gain, 30 ground loop, 35 isolating from rack, 8 grounding, 6, 7 guitars, 12 Headphone, 20, 25 headroom, 13, 34, 48 HIGH, 41 Impedance, 10, 48 INSERT cables, 22 ...20 PEAK, 28, 34 Phantom power, 13 PHONES, 25 PHONES/MONITOR, 14, 34 phonograph, 15 post-fader, 32 pre-fader, 17 rack, 8, 36 reverbb, 16 Service, 45 shield, 36 Specifications, 47 stage monitor, 20 STEREO AUX RETURN, 16, 32 STEREO LINE channels as..., 22, 28, 29, 30, 39 TRS, 17, 20 Unity gain, 30 wet/dry, 17, 32 XLR, 10, 13 Multimix 12R Reference Manual 51
... INSERT jack, 18 distortion, 28, 31 effect, 16 EQ, 31 Fader, 30 feedback, 20, 21 gain, 30 ground loop, 35 isolating from rack, 8 grounding, 6, 7 guitars, 12 Headphone, 20, 25 headroom, 13, 34, 48 HIGH, 41 Impedance, 10, 48 INSERT cables, 22 ...20 PEAK, 28, 34 Phantom power, 13 PHONES, 25 PHONES/MONITOR, 14, 34 phonograph, 15 post-fader, 32 pre-fader, 17 rack, 8, 36 reverbb, 16 Service, 45 shield, 36 Specifications, 47 stage monitor, 20 STEREO AUX RETURN, 16, 32 STEREO LINE channels as..., 22, 28, 29, 30, 39 TRS, 17, 20 Unity gain, 30 wet/dry, 17, 32 XLR, 10, 13 Multimix 12R Reference Manual 51