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... the low note limit for example, the sound from a layer to G8 range of the display. This makes it possible to create a range of split keyboard effects using the performance layers. 5: NOTE LIMIT [PERFORMANCE] → [EDIT] → [MENU] → 1:Layer → [ENTER/YES] → [ENTER/YES] → →... It is also possible to "middle C" on , a lower-case letter if the voice is muted, and a dash if the voice is on a keyboard. the octave immediately above middle C. Voices that each voice: a capital letter if the voice is off are indicated by "---" on either side of each ...
... the low note limit for example, the sound from a layer to G8 range of the display. This makes it possible to create a range of split keyboard effects using the performance layers. 5: NOTE LIMIT [PERFORMANCE] → [EDIT] → [MENU] → 1:Layer → [ENTER/YES] → [ENTER/YES] → →... It is also possible to "middle C" on , a lower-case letter if the voice is muted, and a dash if the voice is on a keyboard. the octave immediately above middle C. Voices that each voice: a capital letter if the voice is off are indicated by "---" on either side of each ...
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G8 Controls: [CS2], [CS4], [CS6], [CS8], [-1] [+1], Dial, [SHIFT]+keyboard Individually sets the high note limit for more details. See the "Lo" parameter, above, for each active layer (the highest note that each layer will produce). It is also possible to set the high note limits of the A, B, C, and D layer voices, respectively. Use the [CS2], [CS4], [CS6], and [CS8] sliders to press the desired note on the keyboard while holding the [SHIFT] key. Hi (High note limit) Range: C-2 ... PERFORMANCE EDIT MODE / 1:Layer 19
G8 Controls: [CS2], [CS4], [CS6], [CS8], [-1] [+1], Dial, [SHIFT]+keyboard Individually sets the high note limit for more details. See the "Lo" parameter, above, for each active layer (the highest note that each layer will produce). It is also possible to set the high note limits of the A, B, C, and D layer voices, respectively. Use the [CS2], [CS4], [CS6], and [CS8] sliders to press the desired note on the keyboard while holding the [SHIFT] key. Hi (High note limit) Range: C-2 ... PERFORMANCE EDIT MODE / 1:Layer 19
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... sound by playing softly, and a horn sound by "---" on soft and loud notes. The characters "ABCD" to play any note on the keyboard (or external MIDI controller) produces a "velocity" value that completely different sounds are produced on the display. 20 PERFORMANCE EDIT MODE / 1:Layer ... limit) Range: 1 ... 127 Controls: [CS1], [CS3], [CS5], [CS7], [-1] [+1], Dial, [SHIFT]+keyboard Sets the lowest velocity value for example, set up to produce sound only when the keyboard is shown in conjunction with the High Velocity Limit parameter described below 60 are received, so that tells...
... sound by playing softly, and a horn sound by "---" on soft and loud notes. The characters "ABCD" to play any note on the keyboard (or external MIDI controller) produces a "velocity" value that completely different sounds are produced on the display. 20 PERFORMANCE EDIT MODE / 1:Layer ... limit) Range: 1 ... 127 Controls: [CS1], [CS3], [CS5], [CS7], [-1] [+1], Dial, [SHIFT]+keyboard Sets the lowest velocity value for example, set up to produce sound only when the keyboard is shown in conjunction with the High Velocity Limit parameter described below 60 are received, so that tells...
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See the "Lo" parameter, above, for a range of the A, B, C, and D layer voices, respectively. PERFORMANCE EDIT MODE / 1:Layer 21 Use the [CS2], [CS4], [CS6], and [CS8] sliders to play any note on the keyboard at the desired velocity while holding the [SHIFT] key. It is also possible to set the high velocity limits of velocity values over which each active layer will produce output. Hi (High velocity limit) Range: 1 ... 127 Controls: [CS2], [CS4], [CS6], [CS8], [-1] [+1], Dial, [SHIFT]+keyboard Sets the highest velocity value for more details.
See the "Lo" parameter, above, for a range of the A, B, C, and D layer voices, respectively. PERFORMANCE EDIT MODE / 1:Layer 21 Use the [CS2], [CS4], [CS6], and [CS8] sliders to play any note on the keyboard at the desired velocity while holding the [SHIFT] key. It is also possible to set the high velocity limits of velocity values over which each active layer will produce output. Hi (High velocity limit) Range: 1 ... 127 Controls: [CS2], [CS4], [CS6], [CS8], [-1] [+1], Dial, [SHIFT]+keyboard Sets the highest velocity value for more details.
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...) are applied to the layer being edited (i.e. Hold the [F1] function key ("ALL") while editing any of the following parameters to change its value by keyboard aftertouch response, the modulation wheel, and the foot controller. the layer selected via PROGRAM keys [1] through [4] (LAYER SELECT A, B, C, and D) to select the layer to be...
...) are applied to the layer being edited (i.e. Hold the [F1] function key ("ALL") while editing any of the following parameters to change its value by keyboard aftertouch response, the modulation wheel, and the foot controller. the layer selected via PROGRAM keys [1] through [4] (LAYER SELECT A, B, C, and D) to select the layer to be...
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G8 Controls: [CS7], [-1] [+1], Dial Sets the frequency (note) at which the selected layer will be played when the "fix" mode is turned off). FixNote (Oscillator fix note number) Range: C-2 ... The C-2 to "middle C" on ("---" is displayed in place of this parameter covers a full 10-1/2 octaves. "C3" corresponds to G8 range of the note when the "fix" mode is turned on a keyboard. 34 PERFORMANCE EDIT MODE / QUICK EDIT
G8 Controls: [CS7], [-1] [+1], Dial Sets the frequency (note) at which the selected layer will be played when the "fix" mode is turned off). FixNote (Oscillator fix note number) Range: C-2 ... The C-2 to "middle C" on ("---" is displayed in place of this parameter covers a full 10-1/2 octaves. "C3" corresponds to G8 range of the note when the "fix" mode is turned on a keyboard. 34 PERFORMANCE EDIT MODE / QUICK EDIT
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... effect is shown between parentheses on the display. 38 PERFORMANCE EDIT MODE / EFFECT EDIT Controls: [CS4]/[CS5], [-1] [+1], Dial Determines to which of the SY85 effect stages the output from the current layer is represented by "-" on the upper line of the display. Switch 1a, 1b/2a, 2b Range: See... text below. If a "dual" or "cascade" type effect is also possible to control the effect send level via keyboard dynamics and key scaling. The [-1] and [+1] keys can be edited. It is selected, then both stages "a" and "b" can then be selected is sent....
... effect is shown between parentheses on the display. 38 PERFORMANCE EDIT MODE / EFFECT EDIT Controls: [CS4]/[CS5], [-1] [+1], Dial Determines to which of the SY85 effect stages the output from the current layer is represented by "-" on the upper line of the display. Switch 1a, 1b/2a, 2b Range: See... text below. If a "dual" or "cascade" type effect is also possible to control the effect send level via keyboard dynamics and key scaling. The [-1] and [+1] keys can be edited. It is selected, then both stages "a" and "b" can then be selected is sent....
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keyboard dynamics). a lower low-note send level and higher high-note send level. Send (Send level) Range: 0 ... 127 Controls: [CS6], [-1] [+1], Dial This parameter adjusts the amount ... levels in response to higher velocity values - Minus ("-") settings produce the opposite effect - A setting of the voice. The maximum setting of the final effect sound. keyboard range). i.e. Minus "-" settings produce the opposite effect: lower send level in response to higher velocity. A setting of "+0" results in no effect, leaving only the "dry...
keyboard dynamics). a lower low-note send level and higher high-note send level. Send (Send level) Range: 0 ... 127 Controls: [CS6], [-1] [+1], Dial This parameter adjusts the amount ... levels in response to higher velocity values - Minus ("-") settings produce the opposite effect - A setting of the voice. The maximum setting of the final effect sound. keyboard range). i.e. Minus "-" settings produce the opposite effect: lower send level in response to higher velocity. A setting of "+0" results in no effect, leaving only the "dry...
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..." 122: "Velocity" 123: "KeyScale" 124: "LFO " 46 PERFORMANCE EDIT MODE / EFFECT EDIT Additional settings include "AfterTch" for keyboard aftertouch control, "Velocity" for keyboard velocity control, "KeyScale" for key scaling control, and "LFO" for example, would be set to the selected effect parameters, so that... they can be controlled from the SY85 controllers (modulation wheel, foot controller, etc) or an external MIDI...
..." 122: "Velocity" 123: "KeyScale" 124: "LFO " 46 PERFORMANCE EDIT MODE / EFFECT EDIT Additional settings include "AfterTch" for keyboard aftertouch control, "Velocity" for keyboard velocity control, "KeyScale" for key scaling control, and "LFO" for example, would be set to the selected effect parameters, so that... they can be controlled from the SY85 controllers (modulation wheel, foot controller, etc) or an external MIDI...
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...lowest setting (-63) shifts the pitch down by the same amount. Use the [INTERNAL 1], [INTERNAL 2], and [CARD] keys to select the memory area from a keyboard or other controller. you play on page 310. C63 Controls: [CS1], [-1] [+1], Dial Selects the wave (AWM waveform) to be used in particular - A ...controllable from which the voice will be based. including the number of the AWM wave (or waves) used in the Appendix, on the keyboard or other type of the voice being edited - sound effects in the current voice. The Note parameter described below can not be loaded ...
...lowest setting (-63) shifts the pitch down by the same amount. Use the [INTERNAL 1], [INTERNAL 2], and [CARD] keys to select the memory area from a keyboard or other controller. you play on page 310. C63 Controls: [CS1], [-1] [+1], Dial Selects the wave (AWM waveform) to be used in particular - A ...controllable from which the voice will be based. including the number of the AWM wave (or waves) used in the Appendix, on the keyboard or other type of the voice being edited - sound effects in the current voice. The Note parameter described below can not be loaded ...
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..., -64 ... +63 Controls: [CS6], [-1] [+1], Dial When the "fix" mode is set to each time a note is turned "on a keyboard. In this parameters sets the frequency (note) at which the pitch of the entire keyboard up by one octave; VOICE EDIT MODE / 1:Oscillator 59 "C3" corresponds to individually tune the current voice. a "note...
..., -64 ... +63 Controls: [CS6], [-1] [+1], Dial When the "fix" mode is set to each time a note is turned "on a keyboard. In this parameters sets the frequency (note) at which the pitch of the entire keyboard up by one octave; VOICE EDIT MODE / 1:Oscillator 59 "C3" corresponds to individually tune the current voice. a "note...
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...```F4```+0```+0```+0```+0 F1 F2 F3 F4 F5 F6 F7 F8 CS1 CS2 CS3 CS4 CS5 CS6 CS7 CS8 Point 1 ... 4 Range: C-2 ... To use the keyboard for each of four "breakpoints" set at any notes between the breakpoints. 62 VOICE EDIT MODE / 2:Amplitude EG Offset 1 ... 4 Range: -127 ... matter what value is chosen, the EG level will never exceed its left. G8 Controls: [CS1] ... [CS4], [-1] [+1], Dial, [SHIFT] + Keyboard Allows four separate amplitude envelope generator level-scaling breakpoints to be set at appropriate keys. 2: LEVEL SCALING [VOICE] → [EDIT] → [MENU]...
...```F4```+0```+0```+0```+0 F1 F2 F3 F4 F5 F6 F7 F8 CS1 CS2 CS3 CS4 CS5 CS6 CS7 CS8 Point 1 ... 4 Range: C-2 ... To use the keyboard for each of four "breakpoints" set at any notes between the breakpoints. 62 VOICE EDIT MODE / 2:Amplitude EG Offset 1 ... 4 Range: -127 ... matter what value is chosen, the EG level will never exceed its left. G8 Controls: [CS1] ... [CS4], [-1] [+1], Dial, [SHIFT] + Keyboard Allows four separate amplitude envelope generator level-scaling breakpoints to be set at appropriate keys. 2: LEVEL SCALING [VOICE] → [EDIT] → [MENU]...
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...CS2], [-1] [+1], Dial Determines how the output level of the amplitude envelope generator. The greater the value the greater the change in keyboard velocity and range. Plus ("+") settings produce a longer overall envelope time for the low notes and a shorter envelope time for the... across the pitch range. AtkRateVel (Attack rate velocity sensitivity) Range: -7 ... +7 Controls: [CS4], [-1] [+1], Dial Determines how key velocity (keyboard dynamics) affect the attack time of the current voice changes in response to velocity changes. RateScaling Range: -7 ... +7 Controls: [CS7], [-1] ...
...CS2], [-1] [+1], Dial Determines how the output level of the amplitude envelope generator. The greater the value the greater the change in keyboard velocity and range. Plus ("+") settings produce a longer overall envelope time for the low notes and a shorter envelope time for the... across the pitch range. AtkRateVel (Attack rate velocity sensitivity) Range: -7 ... +7 Controls: [CS4], [-1] [+1], Dial Determines how key velocity (keyboard dynamics) affect the attack time of the current voice changes in response to velocity changes. RateScaling Range: -7 ... +7 Controls: [CS7], [-1] ...
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... → [MENU] → 2:Cutoff Scaling → [ENTER/YES] Cutoff scaling produces natural timbre variations across the range of the keyboard by allowing different filter cutoff frequency "offset" values to be applied to each of four "breakpoints" set at any notes between the breakpoints.... the [SHIFT] key. VOICE EDIT MODE / 3:Filter 69 G8 Controls: [CS1] ... [CS4], [-1] [+1], Dial, [SHIFT] + Keyboard Allows four separate cutoff envelope generator level-scaling breakpoints to adjacent breakpoints, the cutoff frequency varies smoothly between C-2 and G8 for breakpoint entry, simply...
... → [MENU] → 2:Cutoff Scaling → [ENTER/YES] Cutoff scaling produces natural timbre variations across the range of the keyboard by allowing different filter cutoff frequency "offset" values to be applied to each of four "breakpoints" set at any notes between the breakpoints.... the [SHIFT] key. VOICE EDIT MODE / 3:Filter 69 G8 Controls: [CS1] ... [CS4], [-1] [+1], Dial, [SHIFT] + Keyboard Allows four separate cutoff envelope generator level-scaling breakpoints to adjacent breakpoints, the cutoff frequency varies smoothly between C-2 and G8 for breakpoint entry, simply...
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keyboard range). R4, RR1, RR2 (Rates 1 ... 4, Release rates 1 & 2) Range: 0 ... 63 Controls: [CS3] ... [CS8], [-1] [+1], Dial These parameters work in the same way as determined by the cutoff ...
keyboard range). R4, RR1, RR2 (Rates 1 ... 4, Release rates 1 & 2) Range: 0 ... 63 Controls: [CS3] ... [CS8], [-1] [+1], Dial These parameters work in the same way as determined by the cutoff ...
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...setting of the filter EG envelope. AtkRateVel (Attack rate velocity sensitivity) Range: -63 ... +63 Controls: [CS8], [-1] [+1], Dial Determines how key velocity (keyboard dynamics) affect the attack portion of "+0" results in response to key velocity. 4: FILTER SENSITIVITY [VOICE] → [EDIT] → [MENU] →...Type (Velocity sensitivity type) Range: EG_attack, EG_shift Controls: [CS4], [-1] [+1], Dial Determines whether changes in key velocity (keyboard dynamics) affect the attack level of "+63" produces the maximum level variation in response to velocity changes. Plus "+" ...
...setting of the filter EG envelope. AtkRateVel (Attack rate velocity sensitivity) Range: -63 ... +63 Controls: [CS8], [-1] [+1], Dial Determines how key velocity (keyboard dynamics) affect the attack portion of "+0" results in response to key velocity. 4: FILTER SENSITIVITY [VOICE] → [EDIT] → [MENU] →...Type (Velocity sensitivity type) Range: EG_attack, EG_shift Controls: [CS4], [-1] [+1], Dial Determines whether changes in key velocity (keyboard dynamics) affect the attack level of "+63" produces the maximum level variation in response to velocity changes. Plus "+" ...
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... (Pitch EG rate velocity sensitivity) Range: -7 ... +7 Controls: [CS6], [-1] [+1], Dial Determines how the overall envelope length of the pitch envelope generator is affected by variations in keyboard velocity. Plus ("+") values produce a deeper pitch envelope in response to higher velocity, while minus ("-") values produce a shallower pitch envelope in pitch envelope depth. 2: RANGE, SENSITIVITY...
... (Pitch EG rate velocity sensitivity) Range: -7 ... +7 Controls: [CS6], [-1] [+1], Dial Determines how the overall envelope length of the pitch envelope generator is affected by variations in keyboard velocity. Plus ("+") values produce a deeper pitch envelope in response to higher velocity, while minus ("-") values produce a shallower pitch envelope in pitch envelope depth. 2: RANGE, SENSITIVITY...
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... Sets the speed of "127" produces maximum modulation. "up , squ, sin, S/H Controls: [CS2], [-1] [+1], Dial Determines the waveform of the SY85's main LFO (Low Frequency Oscillator). A "0" setting produces no modulation while a setting of the LFO. "tri" = Triangle. "0" is to be ...= Square. "sin" = Sine. The main LFO controls amplitude, pitch, frequency, and filter cutoff modulation applied via the modulation wheel, the foot controller, and keyboard aftertouch response. 1: LFO [VOICE] → [EDIT] → [MENU] → 5:LFO → [ENTER/YES] → [ENTER/YES] →...
... Sets the speed of "127" produces maximum modulation. "up , squ, sin, S/H Controls: [CS2], [-1] [+1], Dial Determines the waveform of the SY85's main LFO (Low Frequency Oscillator). A "0" setting produces no modulation while a setting of the LFO. "tri" = Triangle. "0" is to be ...= Square. "sin" = Sine. The main LFO controls amplitude, pitch, frequency, and filter cutoff modulation applied via the modulation wheel, the foot controller, and keyboard aftertouch response. 1: LFO [VOICE] → [EDIT] → [MENU] → 5:LFO → [ENTER/YES] → [ENTER/YES] →...
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... 2:LFO Speed Sensitivity → [ENTER/YES] The speed of the SY85 LFO can produce more natural, musical effects. i.e. Velocity Range: -7 ... +7 Controls: [CS6], [-1] [+1], Dial Determines how the LFO speed changes in keyboard velocity and range. Plus "+" settings produce higher LFO speed when higher notes... on the keyboard are played. The maximum setting of random speed change. Such variations can be varied ...
... 2:LFO Speed Sensitivity → [ENTER/YES] The speed of the SY85 LFO can produce more natural, musical effects. i.e. Velocity Range: -7 ... +7 Controls: [CS6], [-1] [+1], Dial Determines how the LFO speed changes in keyboard velocity and range. Plus "+" settings produce higher LFO speed when higher notes... on the keyboard are played. The maximum setting of random speed change. Such variations can be varied ...
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... depth) Range: 0 ... 127 Controls: [CS3], [-1] [+1], Dial Sets the maximum depth of modulation effects to be controlled via keyboard aftertouch response. A setting of "0" allows no amplitude modulation, while a setting of 127 results in maximum amplitude modulation. A setting... → [MENU] → 4:AT Depth → [ENTER/YES] For truly "intimate" modulation control, the SY85 allows a number of amplitude modulation (tremolo effects) applied via keyboard aftertouch. The parameters in maximum amplitude modulation depth. Pmod (Pitch modulation depth) Range: 0 ... 127 Controls: [CS4...
... depth) Range: 0 ... 127 Controls: [CS3], [-1] [+1], Dial Sets the maximum depth of modulation effects to be controlled via keyboard aftertouch response. A setting of "0" allows no amplitude modulation, while a setting of 127 results in maximum amplitude modulation. A setting... → [MENU] → 4:AT Depth → [ENTER/YES] For truly "intimate" modulation control, the SY85 allows a number of amplitude modulation (tremolo effects) applied via keyboard aftertouch. The parameters in maximum amplitude modulation depth. Pmod (Pitch modulation depth) Range: 0 ... 127 Controls: [CS4...
