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... corresponding function key ([F7], for example (this is sometimes called into play to access secondary functions. Such exceptions are not available. s Selecting & Editing Parameters Most SY85 edit screens contain several parameters that can also be edited by first moving the cursor to the required parameter by using either the data entry...
... corresponding function key ([F7], for example (this is sometimes called into play to access secondary functions. Such exceptions are not available. s Selecting & Editing Parameters Most SY85 edit screens contain several parameters that can also be edited by first moving the cursor to the required parameter by using either the data entry...
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... panning to the left " and "R" representing "right." Voices that are turned off . As you change the pan value the vertical bar will be produced by "---" on , a lower-case letter if the voice is muted, and a dash if the voice is shown in the ... on the display. "0" positions the sound of the selected layer in the upper right corner of the stereo sound field with "L" representing "left , and positive values represent panning to the right. The upper line of the display also shows a graphic representation of the display. LAYER`Pan`L¯¯Æ¯¯...
... panning to the left " and "R" representing "right." Voices that are turned off . As you change the pan value the vertical bar will be produced by "---" on , a lower-case letter if the voice is muted, and a dash if the voice is shown in the ... on the display. "0" positions the sound of the selected layer in the upper right corner of the stereo sound field with "L" representing "left , and positive values represent panning to the right. The upper line of the display also shows a graphic representation of the display. LAYER`Pan`L¯¯Æ¯¯...
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...the voice is muted, and a dash if the voice is played at the desired velocity while holding the [SHIFT] key. The range of MIDI velocity values is played. This would cause that tells the tone generator how hard the note has been played. thus the 1 ... 127 range of the A, B,...completely different sounds are produced on the display. 20 PERFORMANCE EDIT MODE / 1:Layer You could then be set to produce output only when velocity values below , makes it possible to produce a range of "velocity switching" effects in which different layers of a performance combination are set the low...
...the voice is muted, and a dash if the voice is played at the desired velocity while holding the [SHIFT] key. The range of MIDI velocity values is played. This would cause that tells the tone generator how hard the note has been played. thus the 1 ... 127 range of the A, B,...completely different sounds are produced on the display. 20 PERFORMANCE EDIT MODE / 1:Layer You could then be set to produce output only when velocity values below , makes it possible to produce a range of "velocity switching" effects in which different layers of a performance combination are set the low...
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Hi (High velocity limit) Range: 1 ... 127 Controls: [CS2], [CS4], [CS6], [CS8], [-1] [+1], Dial, [SHIFT]+keyboard Sets the highest velocity value for more details. See the "Lo" parameter, above, for a range of the A, B, C, and D layer voices, respectively. It is also possible to set the high velocity limits of velocity values over which each active layer will produce output. PERFORMANCE EDIT MODE / 1:Layer 21 Use the [CS2], [CS4], [CS6], and [CS8] sliders to play any note on the keyboard at the desired velocity while holding the [SHIFT] key.
Hi (High velocity limit) Range: 1 ... 127 Controls: [CS2], [CS4], [CS6], [CS8], [-1] [+1], Dial, [SHIFT]+keyboard Sets the highest velocity value for more details. See the "Lo" parameter, above, for a range of the A, B, C, and D layer voices, respectively. It is also possible to set the high velocity limits of velocity values over which each active layer will produce output. PERFORMANCE EDIT MODE / 1:Layer 21 Use the [CS2], [CS4], [CS6], and [CS8] sliders to play any note on the keyboard at the desired velocity while holding the [SHIFT] key.
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...be edited. R4 (Decay 2 rate) Range: -63 ... +63 Controls: [CS5], [-1] [+1], Dial Modifies the "R4" parameter of the following parameters to change its value by the same amount for all layers simultaneously. PERFORMANCE EDIT MODE / QUICK EDIT 27 The actual amplitude EG of the voices are not affected, these... "offset" values are only effective in the performance mode. No matter how much offset is applied, the minimum and maximum EG decay rates cannot be exceeded....
...be edited. R4 (Decay 2 rate) Range: -63 ... +63 Controls: [CS5], [-1] [+1], Dial Modifies the "R4" parameter of the following parameters to change its value by the same amount for all layers simultaneously. PERFORMANCE EDIT MODE / QUICK EDIT 27 The actual amplitude EG of the voices are not affected, these... "offset" values are only effective in the performance mode. No matter how much offset is applied, the minimum and maximum EG decay rates cannot be exceeded....
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... a faster release rate while minus (-) values produce a slower release rate. Plus "+" settings increase sensitivity while minus "-" settings reduce sensitivity. Vel (Velocity sensitivity) Range: -14 ... +14 Controls: [CS7], [-1] [+1], Dial Modifies the amplitude ... rates cannot be exceeded. 28 PERFORMANCE EDIT MODE / QUICK EDIT see page 63). No matter how much offset is applied, the minimum and maximum velocity values cannot be exceeded. RR (Release rate) Range: -63 ... +63 Controls: [CS6], [-1] [+1], Dial Modifies the "RR" parameter of the voice amplitude EG...
... a faster release rate while minus (-) values produce a slower release rate. Plus "+" settings increase sensitivity while minus "-" settings reduce sensitivity. Vel (Velocity sensitivity) Range: -14 ... +14 Controls: [CS7], [-1] [+1], Dial Modifies the amplitude ... rates cannot be exceeded. 28 PERFORMANCE EDIT MODE / QUICK EDIT see page 63). No matter how much offset is applied, the minimum and maximum velocity values cannot be exceeded. RR (Release rate) Range: -63 ... +63 Controls: [CS6], [-1] [+1], Dial Modifies the "RR" parameter of the voice amplitude EG...
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... Modifies the speed of the LFO (this corresponds to the "Pmod", "Amod", and "Fmod" parameters of the voices assigned to each layer to change its value by the same amount for all layers simultaneously. Depth (LFO depth) Range: -99 ... +99 Controls: [CS4], [-1] [+1], Dial Modifies the amplitude, pitch, and ... [4] (LAYER SELECT A, B, C, and D) to select the layer to some degree. No matter how much offset is applied, the minimum and maximum LFO depth values cannot be edited. see page 78 and 79). No matter how much offset is applied, the minimum and maximum LFO speeds cannot be modified to...
... Modifies the speed of the LFO (this corresponds to the "Pmod", "Amod", and "Fmod" parameters of the voices assigned to each layer to change its value by the same amount for all layers simultaneously. Depth (LFO depth) Range: -99 ... +99 Controls: [CS4], [-1] [+1], Dial Modifies the amplitude, pitch, and ... [4] (LAYER SELECT A, B, C, and D) to select the layer to some degree. No matter how much offset is applied, the minimum and maximum LFO depth values cannot be edited. see page 78 and 79). No matter how much offset is applied, the minimum and maximum LFO speeds cannot be modified to...
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... be exceeded. 30 PERFORMANCE EDIT MODE / QUICK EDIT This parameter cannot be used if the filter is applied, the minimum and maximum velocity values cannot be used if the filter is set to "Thru". Coff (Filter cutoff frequency) Range: -127 ... +127 Controls: [CS6], [-1]... [+1], Dial Modifies the filter cutoff frequency (this case "----" appears in place of the parameter value. see page 65). see page 68). No matter how much offset is not set to "LPF". In this corresponds to the filter "Resonance" parameter...
... be exceeded. 30 PERFORMANCE EDIT MODE / QUICK EDIT This parameter cannot be used if the filter is applied, the minimum and maximum velocity values cannot be used if the filter is set to "Thru". Coff (Filter cutoff frequency) Range: -127 ... +127 Controls: [CS6], [-1]... [+1], Dial Modifies the filter cutoff frequency (this case "----" appears in place of the parameter value. see page 65). see page 68). No matter how much offset is not set to "LPF". In this corresponds to the filter "Resonance" parameter...
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... key ("ALL") while editing any of the following parameters to turn modulation wheel control off for the layer being edited. Select "off" to change its value by keyboard aftertouch response, the modulation wheel, and the foot controller.
... key ("ALL") while editing any of the following parameters to turn modulation wheel control off for the layer being edited. Select "off" to change its value by keyboard aftertouch response, the modulation wheel, and the foot controller.
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... CS7 CS8 Use PROGRAM keys [1] through [4] (LAYER SELECT A, B, C, and D) to select the layer to be produced by setting some layers to respond to change its value by the same amount for the selected layer. Interesting effects can be edited.
... CS7 CS8 Use PROGRAM keys [1] through [4] (LAYER SELECT A, B, C, and D) to select the layer to be produced by setting some layers to respond to change its value by the same amount for the selected layer. Interesting effects can be edited.
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...1 processor, and [CS4] does the same for the EFFECT 2 processor. PERFORMANCE EDIT MODE / QUICK EDIT 35 See page 254 for more details on the SY85 effect system. Wet Balance 1/2 Range: 0 ... 100 Controls: [CS7]/[CS8], [-1] [+1], Dial [CS7] controls the balance between the direct no-effect sound and... the effect sound of effect parameters see page 274. See page 254 for more details on the SY85 effect system. The higher the value the deeper the effect. 5: EFFECT TYPE [PERFORMANCE] → [QUICK EDIT] → [MENU] → 5:Effect Type → ...
...1 processor, and [CS4] does the same for the EFFECT 2 processor. PERFORMANCE EDIT MODE / QUICK EDIT 35 See page 254 for more details on the SY85 effect system. Wet Balance 1/2 Range: 0 ... 100 Controls: [CS7]/[CS8], [-1] [+1], Dial [CS7] controls the balance between the direct no-effect sound and... the effect sound of effect parameters see page 274. See page 254 for more details on the SY85 effect system. The higher the value the deeper the effect. 5: EFFECT TYPE [PERFORMANCE] → [QUICK EDIT] → [MENU] → 5:Effect Type → ...
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keyboard dynamics). Plus "+" settings produce higher send levels in response to higher velocity values - i.e. Plus ("+") settings produce a higher send level for the low notes and a lower send level for the selected layer to be varied across the pitch range. ...
keyboard dynamics). Plus "+" settings produce higher send levels in response to higher velocity values - i.e. Plus ("+") settings produce a higher send level for the low notes and a lower send level for the selected layer to be varied across the pitch range. ...
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... an inverse "c" will cause the other to the direct, dry sound of the voice and the effect sound is always 100(%). Higher "Dry" values produce more effect sound in relation to change so that their total is a delicate thing. 5: WET:DRY BALANCE [PERFORMANCE] → [EFFECT ... will appear to balance the effect ("wet") and direct ("dry") signals delivered via the EFFECT 1 and EFFECT 2 processors, respectively. Higher "Wet" values produce more direct, dry sound in this screen provide precise balance control. Out1 Dry/Out2 Dry Range: 0 ... 100 Controls: [CS4]/[CS8], [-1] ...
... an inverse "c" will cause the other to the direct, dry sound of the voice and the effect sound is always 100(%). Higher "Dry" values produce more effect sound in relation to change so that their total is a delicate thing. 5: WET:DRY BALANCE [PERFORMANCE] → [EFFECT ... will appear to balance the effect ("wet") and direct ("dry") signals delivered via the EFFECT 1 and EFFECT 2 processors, respectively. Higher "Wet" values produce more direct, dry sound in this screen provide precise balance control. Out1 Dry/Out2 Dry Range: 0 ... 100 Controls: [CS4]/[CS8], [-1] ...
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...that of the EFFECT 2 processor with the "serial" effect mode is selected ("off" or "para"), "---" appears on the overall SY85 effect system. The higher the value the greater mix level. If a controller is assigned to the right of the parameter. PERFORMANCE EDIT MODE / EFFECT EDIT 43 ...], [CS8], [-1] [+1], Dial These parameters mix the dry signal sent to the section beginning on page 254 for details on the display in place of the value. 6: SEND & EFFECT 2 MIX LEVEL [PERFORMANCE] → [EFFECT EDIT] → [MENU] → 6:Mix Level → [ENTER/YES] These parameters ...
...that of the EFFECT 2 processor with the "serial" effect mode is selected ("off" or "para"), "---" appears on the overall SY85 effect system. The higher the value the greater mix level. If a controller is assigned to the right of the parameter. PERFORMANCE EDIT MODE / EFFECT EDIT 43 ...], [CS8], [-1] [+1], Dial These parameters mix the dry signal sent to the section beginning on page 254 for details on the display in place of the value. 6: SEND & EFFECT 2 MIX LEVEL [PERFORMANCE] → [EFFECT EDIT] → [MENU] → 6:Mix Level → [ENTER/YES] These parameters ...
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... effect are different, but the name of the selected parameter will be controlled by the [CS1] and [CS2] sliders, the minimum and maximum parameter values, and assign MIDI control numbers to the same parameters for "effect 1 parameter 1" through "effect 1 parameter 8". 9: CONTROL PARAMETERS [PERFORMANCE] →... [EFFECT EDIT] → [MENU] → 9:Control Parameter → [ENTER/YES] The SY85 [CS1] and [CS2] sliders can not be assigned to the sliders are to be shown between the parentheses on selected effects.
... effect are different, but the name of the selected parameter will be controlled by the [CS1] and [CS2] sliders, the minimum and maximum parameter values, and assign MIDI control numbers to the same parameters for "effect 1 parameter 1" through "effect 1 parameter 8". 9: CONTROL PARAMETERS [PERFORMANCE] →... [EFFECT EDIT] → [MENU] → 9:Control Parameter → [ENTER/YES] The SY85 [CS1] and [CS2] sliders can not be assigned to the sliders are to be shown between the parentheses on selected effects.
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... can be set the assigned parameter to the right of the parameter. MIDI control change numbers 000 through 120 can be controlled from the SY85 controllers (modulation wheel, foot controller, etc) or an external MIDI device that the highest slider position will appear to about 102). " ... [CS6], [-1] [+1], Dial This parameter allows MIDI control change numbers are already defined, while others are not assigned to about 80% of its highest value. A setting of "80" means that is capable of 0 to control via the [CS1] and [CS2] sliders. Additional settings include "AfterTch" for...
... can be set the assigned parameter to the right of the parameter. MIDI control change numbers 000 through 120 can be controlled from the SY85 controllers (modulation wheel, foot controller, etc) or an external MIDI device that the highest slider position will appear to about 102). " ... [CS6], [-1] [+1], Dial This parameter allows MIDI control change numbers are already defined, while others are not assigned to about 80% of its highest value. A setting of "80" means that is capable of 0 to control via the [CS1] and [CS2] sliders. Additional settings include "AfterTch" for...
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... "on page 75 is provided by the MASTER TUNE function available in which the selected wave will be played. When this parameter is set to a value other ensembles in the UTILITY mode. VOICE EDIT MODE / 1:Oscillator 59 a "note shift" function). When the "norm" mode is selected, this parameter is used to...
... "on page 75 is provided by the MASTER TUNE function available in which the selected wave will be played. When this parameter is set to a value other ensembles in the UTILITY mode. VOICE EDIT MODE / 1:Oscillator 59 a "note shift" function). When the "norm" mode is selected, this parameter is used to...
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... Dial, [SHIFT] + Keyboard Allows four separate amplitude envelope generator level-scaling breakpoints to be set at appropriate keys. When different offset values are applied to adjacent breakpoints, the level varies smoothly between C-2 and G8 for each of four "breakpoints" set at any notes between... ... 4 Range: -127 ... +127 Controls: [CS5] ... [CS8], [-1] [+1], Dial Sets the amount of level offset for the selected element. Negative values reduce the level, and positive values increase the level at which you want to set the breakpoint while holding the [SHIFT] key. No matter what...
... Dial, [SHIFT] + Keyboard Allows four separate amplitude envelope generator level-scaling breakpoints to be set at appropriate keys. When different offset values are applied to adjacent breakpoints, the level varies smoothly between C-2 and G8 for each of four "breakpoints" set at any notes between... ... 4 Range: -127 ... +127 Controls: [CS5] ... [CS8], [-1] [+1], Dial Sets the amount of level offset for the selected element. Negative values reduce the level, and positive values increase the level at which you want to set the breakpoint while holding the [SHIFT] key. No matter what...
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... sensitivity) Range: -7 ... +7 Controls: [CS2], [-1] [+1], Dial Determines how the output level of "+0" results in response to higher velocity values - Plus "+" settings produce higher output level in envelope length. i.e. A setting of the current voice changes in no envelope length variation. The greater the... value the greater the change in response to velocity changes (e.g. short low notes and long high notes. A setting of the amplitude envelope...
... sensitivity) Range: -7 ... +7 Controls: [CS2], [-1] [+1], Dial Determines how the output level of "+0" results in response to higher velocity values - Plus "+" settings produce higher output level in envelope length. i.e. A setting of the current voice changes in no envelope length variation. The greater the... value the greater the change in response to velocity changes (e.g. short low notes and long high notes. A setting of the amplitude envelope...
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... a lower cutoff frequency and higher values produce a higher cutoff frequency. The illustrations here are not available. FILTER`Cutoff`Freq.`Type`Band`Reso`CTRL Hz)`---`THRU``---```--``LFO` F1 F2 F3 F4 F5 ..., CUTOFF FREQUENCY [VOICE] → [EDIT] → [MENU] → 3:Filter → [ENTER/YES] → [ENTER/YES] → → [MENU] → 1:Cutoff Frequency → [ENTER/YES] The SY85 features a sophisticated digital filter system that can produce a virtually unlimited range of time-based timbre variations.
... a lower cutoff frequency and higher values produce a higher cutoff frequency. The illustrations here are not available. FILTER`Cutoff`Freq.`Type`Band`Reso`CTRL Hz)`---`THRU``---```--``LFO` F1 F2 F3 F4 F5 ..., CUTOFF FREQUENCY [VOICE] → [EDIT] → [MENU] → 3:Filter → [ENTER/YES] → [ENTER/YES] → → [MENU] → 1:Cutoff Frequency → [ENTER/YES] The SY85 features a sophisticated digital filter system that can produce a virtually unlimited range of time-based timbre variations.