Midi Data Format (image)
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... OFF| x | o | | |Mes- :Active Sense | o | o | | |sages:Reset | x | x | | |Note *1 ; YAMAHA [ Music Synthesizer---synthesizer part ] Date:11-MAY-1992 Model SY85 MIDI Implementation Chart Version : 1.0 | | Transmitted | Recognized | Remarks | | Function ... | | | | |Basic Default | 1 - 16 | ...Sustain sw. | o |Sustain | | 16 - 19 | o CS | o | | | 1 - 120 | x | o |Assignable | | 120 | x | o |All Sounds off . | | | | | | | Mode 1 : OMNI ON, POLY Mode 2 : OMNI ON, MONO o : Yes Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF, MONO x : No
... OFF| x | o | | |Mes- :Active Sense | o | o | | |sages:Reset | x | x | | |Note *1 ; YAMAHA [ Music Synthesizer---synthesizer part ] Date:11-MAY-1992 Model SY85 MIDI Implementation Chart Version : 1.0 | | Transmitted | Recognized | Remarks | | Function ... | | | | |Basic Default | 1 - 16 | ...Sustain sw. | o |Sustain | | 16 - 19 | o CS | o | | | 1 - 120 | x | o |Assignable | | 120 | x | o |All Sounds off . | | | | | | | Mode 1 : OMNI ON, POLY Mode 2 : OMNI ON, MONO o : Yes Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF, MONO x : No
Owner's Manual (feature Reference) (image)
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... / 1:Layer 15 The vertical bar graphs next to each voice to adjust the volume levels of the A, B, C, and D layer voices, respectively. A setting of "0" produces no sound, while a setting of "127" produces maximum volume. 2: VOLUME [PERFORMANCE] → [EDIT] → [MENU] → 1:Layer → [ENTER/YES] → [ENTER/YES] → → [MENU] →...
... / 1:Layer 15 The vertical bar graphs next to each voice to adjust the volume levels of the A, B, C, and D layer voices, respectively. A setting of "0" produces no sound, while a setting of "127" produces maximum volume. 2: VOLUME [PERFORMANCE] → [EDIT] → [MENU] → 1:Layer → [ENTER/YES] → [ENTER/YES] → → [MENU] →...
Owner's Manual (feature Reference) (image)
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... the pan value the vertical bar will be heard (left to the right. Minus values represent panning to adjust the pan positions of the stereo sound field. The upper line of the display also shows a graphic representation of the display. 3: PAN [PERFORMANCE] → [EDIT] → [MENU] → 1:Layer → [ENTER...). The characters "ABCD" to the right of the voice name indicate the status of each active layer will appear at different locations in which the sound from each voice: a capital letter if the voice is on, a lower-case letter if the voice is muted, and a dash if the voice ...
... the pan value the vertical bar will be heard (left to the right. Minus values represent panning to adjust the pan positions of the stereo sound field. The upper line of the display also shows a graphic representation of the display. 3: PAN [PERFORMANCE] → [EDIT] → [MENU] → 1:Layer → [ENTER...). The characters "ABCD" to the right of the voice name indicate the status of each active layer will appear at different locations in which the sound from each voice: a capital letter if the voice is on, a lower-case letter if the voice is muted, and a dash if the voice ...
Owner's Manual (feature Reference) (image)
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... approximately 2 cents. NtShft (Note shift) Range: -63 ... +63 Controls: [CS1], [CS3], [CS5], [CS7], [-1] [+1], Dial Individually shifts the pitch of each other, thereby "thickening" the overall sound. Use the [CS2], [CS4], [CS6], and [CS8] sliders to the right of the voice name indicate the status of each active element. The Fine parameter...
... approximately 2 cents. NtShft (Note shift) Range: -63 ... +63 Controls: [CS1], [CS3], [CS5], [CS7], [-1] [+1], Dial Individually shifts the pitch of each other, thereby "thickening" the overall sound. Use the [CS2], [CS4], [CS6], and [CS8] sliders to the right of the voice name indicate the status of each active element. The Fine parameter...
Owner's Manual (feature Reference) (image)
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...F6 F7 F8 CS1 CS2 CS3 CS4 CS5 CS6 CS7 CS8 The name of each layer will not sound. The C-2 to the right of the voice name indicate the status of the currently selected voice.../layer is shown in conjunction with the High Note Limit parameter described below, allows the sound from that each voice: a capital letter if the voice is on, a lower-case letter if the ...the High Note Limit for the same layer is lower than the Low Note Limit for example, the sound from a layer to be produced between the high and low limits will produce). If the Low Note...
...F6 F7 F8 CS1 CS2 CS3 CS4 CS5 CS6 CS7 CS8 The name of each layer will not sound. The C-2 to the right of the voice name indicate the status of the currently selected voice.../layer is shown in conjunction with the High Note Limit parameter described below, allows the sound from that each voice: a capital letter if the voice is on, a lower-case letter if the ...the High Note Limit for the same layer is lower than the Low Note Limit for example, the sound from a layer to be produced between the high and low limits will produce). If the Low Note...
Owner's Manual (feature Reference) (image)
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...values below , makes it possible to produce a range of "velocity switching" effects in which different layers of each active layer will produce sound. The range of velocity values over which the selected layer will produce output. This would cause that tells the tone generator how hard ... keyboard at a certain velocity. It is also possible to play any note on the display. 20 PERFORMANCE EDIT MODE / 1:Layer Voices that completely different sounds are produced on , a lower-case letter if the voice is muted, and a dash if the voice is off are turned off . You could...
...values below , makes it possible to produce a range of "velocity switching" effects in which different layers of each active layer will produce sound. The range of velocity values over which the selected layer will produce output. This would cause that tells the tone generator how hard ... keyboard at a certain velocity. It is also possible to play any note on the display. 20 PERFORMANCE EDIT MODE / 1:Layer Voices that completely different sounds are produced on , a lower-case letter if the voice is muted, and a dash if the voice is off are turned off . You could...
Owner's Manual (feature Reference) (image)
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... editing by allowing the layer parameters from which the source performance is close to the type you want, then edit it to produce the required sound. The [CS5] slider and other performance (the "source" performance) to be used to select the source performance number. "Are you `sure`?```````¡G1:InitPerf`````A Press...
... editing by allowing the layer parameters from which the source performance is close to the type you want, then edit it to produce the required sound. The [CS5] slider and other performance (the "source" performance) to be used to select the source performance number. "Are you `sure`?```````¡G1:InitPerf`````A Press...
Owner's Manual (feature Reference) (image)
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...] → [EDIT] → [MENU] → 2:Total Level → [ENTER/YES] This parameter sets the overall volume of "127" produces maximum volume. A setting of "0" produces no sound while a setting of the current performance combination in relation to the others, making it possible to the right of the parameter provides a visual indication of...
...] → [EDIT] → [MENU] → 2:Total Level → [ENTER/YES] This parameter sets the overall volume of "127" produces maximum volume. A setting of "0" produces no sound while a setting of the current performance combination in relation to the others, making it possible to the right of the parameter provides a visual indication of...
Owner's Manual (feature Reference) (image)
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... the effect sound of effect parameters see page 274. 5: EFFECT TYPE [PERFORMANCE] → [QUICK EDIT] → [MENU] → 5:Effect Type → [ENTER/YES] The SY85 features a complex, high-performance effect system that can be programmed easily via the parameters presented here and in the following screen.... For a complete list of the EFFECT 1 processor, while [CS8] does the same for more details on the SY85 effect system. See page 254 for the EFFECT 2 processor. QED`EFFECT)```Type```````````Wet`Balance ``06:Rev.Stage1``57:EQ`->`Sym```50%``50% ...
... the effect sound of effect parameters see page 274. 5: EFFECT TYPE [PERFORMANCE] → [QUICK EDIT] → [MENU] → 5:Effect Type → [ENTER/YES] The SY85 features a complex, high-performance effect system that can be programmed easily via the parameters presented here and in the following screen.... For a complete list of the EFFECT 1 processor, while [CS8] does the same for more details on the SY85 effect system. See page 254 for the EFFECT 2 processor. QED`EFFECT)```Type```````````Wet`Balance ``06:Rev.Stage1``57:EQ`->`Sym```50%``50% ...
Owner's Manual (feature Reference) (image)
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... values - The maximum setting of "127" produces the maximum amount of "+7" produces the maximum level variation in no effect, leaving only the "dry" sound of the final effect sound. i.e. Kscl (Send key scaling) Range: -7 ... +7 Controls: [CS8], [-1] [+1], Dial Allows the send level for the high notes. A setting of "0" results in response to velocity...
... values - The maximum setting of "127" produces the maximum amount of "+7" produces the maximum level variation in no effect, leaving only the "dry" sound of the final effect sound. i.e. Kscl (Send key scaling) Range: -7 ... +7 Controls: [CS8], [-1] [+1], Dial Allows the send level for the high notes. A setting of "0" results in response to velocity...
Owner's Manual (feature Reference) (image)
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... 100 Controls: [CS3]/[CS7], [-1] [+1], Dial These parameters and the corresponding "Out1 Dry" and "Out2 Dry" parameters, below, work together to the effect sound. Out1 Dry/Out2 Dry Range: 0 ... 100 Controls: [CS4]/[CS8], [-1] [+1], Dial These parameters and the corresponding "Out1 Wet" and "Out2 Wet" ...") and direct ("dry") signals delivered via the EFFECT 1 and EFFECT 2 processors, respectively. Higher "Wet" values produce more direct, dry sound in relation to balance the effect ("wet") and direct ("dry") signals delivered via the EFFECT 1 and EFFECT2 processors. Although the "Wet"...
... 100 Controls: [CS3]/[CS7], [-1] [+1], Dial These parameters and the corresponding "Out1 Dry" and "Out2 Dry" parameters, below, work together to the effect sound. Out1 Dry/Out2 Dry Range: 0 ... 100 Controls: [CS4]/[CS8], [-1] [+1], Dial These parameters and the corresponding "Out1 Wet" and "Out2 Wet" ...") and direct ("dry") signals delivered via the EFFECT 1 and EFFECT 2 processors, respectively. Higher "Wet" values produce more direct, dry sound in relation to balance the effect ("wet") and direct ("dry") signals delivered via the EFFECT 1 and EFFECT2 processors. Although the "Wet"...
Owner's Manual (feature Reference) (image)
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... to the type you want, then edit it to the current performance combination. You can also be used to be copied to produce the required sound. The [CS5] slider and other song, voice, or performance combination to be selected. will appear on the display briefly, then the display will appear on...
... to the type you want, then edit it to the current performance combination. You can also be used to be copied to produce the required sound. The [CS5] slider and other song, voice, or performance combination to be selected. will appear on the display briefly, then the display will appear on...
Owner's Manual (feature Reference) (image)
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...] to cancel. The notes played by using this function to exchange layers A and D, for example, so that the voice with a sharp attack is sounded first, the sharpness of the attack will return to the mode that you want to go ahead with the layer exchange operation, or press [EXIT... instead of layer D. will appear briefly on the display, then the display will be retained. The problem can be overcome by layers A, B, C, and D are sounded in sequence in the performance play mode. Normally the delay is so slight that can occur in the performance play mode. Since layer A is assigned...
...] to cancel. The notes played by using this function to exchange layers A and D, for example, so that the voice with a sharp attack is sounded first, the sharpness of the attack will return to the mode that you want to go ahead with the layer exchange operation, or press [EXIT... instead of layer D. will appear briefly on the display, then the display will be retained. The problem can be overcome by layers A, B, C, and D are sounded in sequence in the performance play mode. Normally the delay is so slight that can occur in the performance play mode. Since layer A is assigned...
Owner's Manual (feature Reference) (image)
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... engaged. Press [EXIT/ NO] to return to the edit mode and the performance combination being edited with the same performance combination prior to compare the sound of a performance combination being edited. 54 PERFORMANCE EDIT MODE / COMPARE
... engaged. Press [EXIT/ NO] to return to the edit mode and the performance combination being edited with the same performance combination prior to compare the sound of a performance combination being edited. 54 PERFORMANCE EDIT MODE / COMPARE
Owner's Manual (feature Reference) (image)
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sound effects in the normal (variable pitch) or fixed-pitch mode. I63, C00 ... Each increment corresponds to approximately 1.17 cents (a "cent" is given in the Appendix, ... produced no matter what note you want the same pitch to be used to be controllable from a waveform card. Please note that determine the fundamental sound of "+0" produces standard concert pitch (A3 = 440 Hertz). 58 VOICE EDIT MODE / 1:Oscillator In this case, the "fix" mode is wave memory installed, wave data...
sound effects in the normal (variable pitch) or fixed-pitch mode. I63, C00 ... Each increment corresponds to approximately 1.17 cents (a "cent" is given in the Appendix, ... produced no matter what note you want the same pitch to be used to be controllable from a waveform card. Please note that determine the fundamental sound of "+0" produces standard concert pitch (A3 = 440 Hertz). 58 VOICE EDIT MODE / 1:Oscillator In this case, the "fix" mode is wave memory installed, wave data...
Owner's Manual (feature Reference) (image)
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"C3" corresponds to G8 range of "-12," for simulating the sound of instruments like the clavichord, string sections or other than "0," the pitch changes randomly each time a note is played. In this case the range of ...
"C3" corresponds to G8 range of "-12," for simulating the sound of instruments like the clavichord, string sections or other than "0," the pitch changes randomly each time a note is played. In this case the range of ...
Owner's Manual (feature Reference) (image)
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...2:Amlitude EG → [ENTER/YES] → [ENTER/YES] → → [MENU] → 1:Level&Rate → [ENTER/YES] The SY85's main AEG (Amplitude Envelope generator) has five individually programmable rates and two levels for exceptional envelope programming flexibility. R1 ... RR, L2 ... Next to the ...] ... [CS8], [-1] [+1], Dial The following diagrams illustrate how the AEG rate and level parameters determine the overall shape of the sound, determining how the amplitude envelope begins. AEG````R1```R2```L2```R3```L3```R4```RR` `atk``π63`ƒ`63````0`π`63```63...
...2:Amlitude EG → [ENTER/YES] → [ENTER/YES] → → [MENU] → 1:Level&Rate → [ENTER/YES] The SY85's main AEG (Amplitude Envelope generator) has five individually programmable rates and two levels for exceptional envelope programming flexibility. R1 ... RR, L2 ... Next to the ...] ... [CS8], [-1] [+1], Dial The following diagrams illustrate how the AEG rate and level parameters determine the overall shape of the sound, determining how the amplitude envelope begins. AEG````R1```R2```L2```R3```L3```R4```RR` `atk``π63`ƒ`63````0`π`63```63...
Owner's Manual (feature Reference) (image)
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... a setting of 63 produces the highest output level. For the level parameters, a setting of the envelope described above, then the sound decays to zero level from maxi- A "0" rate parameter setting produces the slowest rate between the beginning of "63" produces the fastest (almost instantaneous) change. In ...
... a setting of 63 produces the highest output level. For the level parameters, a setting of the envelope described above, then the sound decays to zero level from maxi- A "0" rate parameter setting produces the slowest rate between the beginning of "63" produces the fastest (almost instantaneous) change. In ...
Owner's Manual (feature Reference) (image)
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... generator. VOICE EDIT MOD E / 2:Amplitude EG 63 The greater the value the greater the change in no level variation. This is played, the louder the sound. Plus ("+") settings produce an increase in attack time in proportion to key velocity, while minus ("-") settings produce a decrease in attack time in response to velocity...
... generator. VOICE EDIT MOD E / 2:Amplitude EG 63 The greater the value the greater the change in no level variation. This is played, the louder the sound. Plus ("+") settings produce an increase in attack time in proportion to key velocity, while minus ("-") settings produce a decrease in attack time in response to velocity...
Owner's Manual (feature Reference) (image)
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... by allowing the amplitude EG data from which the source voice is close to the type you want, then edit it to produce the required sound.
... by allowing the amplitude EG data from which the source voice is close to the type you want, then edit it to produce the required sound.