Owner's Manual (feature Reference)
Page 11
... priority when both . A setting of modulation to be applied must be applied via which the highest modulation level is applied will appear after the range value when the limit is equivalent to turning the effect OFF. Use the [-1/NO] and [+1/YES] keys to "12" represents a semitone. This function allows the modulation...
... priority when both . A setting of modulation to be applied must be applied via which the highest modulation level is applied will appear after the range value when the limit is equivalent to turning the effect OFF. Use the [-1/NO] and [+1/YES] keys to "12" represents a semitone. This function allows the modulation...
Owner's Manual (feature Reference)
Page 12
...): off, on Pit (Pitch Control): -12 ... 0 ... +12 max.* Lev (Level Control): off /on -> Summary: Assigns keyboard after the range value when the limit is assigned to amplitude or pitch modulation, LFO modulation can be accessed by keyboard after touch to be used simultaneously. * This range...note bending. Details: As with the modulation wheel, amplitude modulation produces a tremolo effect while pitch modulation produced a vibrato effect. Positive values produce an upward bend when key pressure is only an "off , on the setting of the AFTER TOUCH SENSITIVITY parameter in the ELEMENT...
...): off, on Pit (Pitch Control): -12 ... 0 ... +12 max.* Lev (Level Control): off /on -> Summary: Assigns keyboard after the range value when the limit is assigned to amplitude or pitch modulation, LFO modulation can be accessed by keyboard after touch to be used simultaneously. * This range...note bending. Details: As with the modulation wheel, amplitude modulation produces a tremolo effect while pitch modulation produced a vibrato effect. Positive values produce an upward bend when key pressure is only an "off , on the setting of the AFTER TOUCH SENSITIVITY parameter in the ELEMENT...
Owner's Manual (feature Reference)
Page 13
...It allows you try out a virtually unlimited variety of elements, level vectors, or detune vectors. An exclamation mark (!) will appear after the range value when the limit is actually a very useful programming aid. A new set to select ELEMENT, LEVEL or DETUNE. The random element combinations, in ...the lower display line, then use the [-1/NO] and [+1/YES] keys to 99. Procedure: Use the [4] and [6] cursor keys to generate random values of the select type. Press the [6] to move the cursor to "Y/N," then press the [+1/YES] key to place the left parameter. Settings: None...
...It allows you try out a virtually unlimited variety of elements, level vectors, or detune vectors. An exclamation mark (!) will appear after the range value when the limit is actually a very useful programming aid. A new set to select ELEMENT, LEVEL or DETUNE. The random element combinations, in ...the lower display line, then use the [-1/NO] and [+1/YES] keys to 99. Procedure: Use the [4] and [6] cursor keys to generate random values of the select type. Press the [6] to move the cursor to "Y/N," then press the [+1/YES] key to place the left parameter. Settings: None...
Owner's Manual (feature Reference)
Page 16
... of the 50 steps in the LEVEL EDIT function, described later, allows the length of individual steps to place the underline cursor under the leftmost value on the lower display line (Step). Settings: 1 ... 50 Procedure: Use the [4] and [6] cursor keys to be edited. Use the [-1/NO] and [+1/YES] keys to select...
... of the 50 steps in the LEVEL EDIT function, described later, allows the length of individual steps to place the underline cursor under the leftmost value on the lower display line (Step). Settings: 1 ... 50 Procedure: Use the [4] and [6] cursor keys to be edited. Use the [-1/NO] and [+1/YES] keys to select...
Owner's Manual (feature Reference)
Page 17
...step at the current step. Also allows vectors to be recorded as possible toward the A element. If the vector rate parameter is set the value as possible toward the C element. Settings: -31 ... 0 ... +31 Procedure: After selecting the step to be looped or ended at ... Summary: Multiplies the vector rate setting of the level vector control range. The " R e p " setting causes the vector to loop back to select the required time value, repeat, or end. l X-axis & Y-axis VV L.ED A B C D 1 X 0 Y 0 End Summary: These parameters define the position of the currently selected step on ....
...step at the current step. Also allows vectors to be recorded as possible toward the A element. If the vector rate parameter is set the value as possible toward the C element. Settings: -31 ... 0 ... +31 Procedure: After selecting the step to be looped or ended at ... Summary: Multiplies the vector rate setting of the level vector control range. The " R e p " setting causes the vector to loop back to select the required time value, repeat, or end. l X-axis & Y-axis VV L.ED A B C D 1 X 0 Y 0 End Summary: These parameters define the position of the currently selected step on ....
Owner's Manual (feature Reference)
Page 18
... step recorded and step 50 is moved. Settings: STBY, REC, PLAY Procedure: Use the [4] and [6] cursor keys to place the underline cursor under the leftmost value on the vector rate setting and how much the vector control is the last. You can rehearse the vector sweep you a feel for recording depends...
... step recorded and step 50 is moved. Settings: STBY, REC, PLAY Procedure: Use the [4] and [6] cursor keys to place the underline cursor under the leftmost value on the vector rate setting and how much the vector control is the last. You can rehearse the vector sweep you a feel for recording depends...
Owner's Manual (feature Reference)
Page 19
... keys to place the underline cursor under the X or Y parameter. The " R e p " setting causes the vector to loop back to select the required time value. VOICE VECTOR l X-axis & Y-axis VV D.ED A B C D 1 X 0 Y 0 End Summary: These parameters define the position of the currently selected ...31 B Y axis l Time VV D.ED A B C D 1 X 0 Y 0 End Summary: Multiplies the vector rate setting of the detune vector control range. Details: Time values multiply the vector rate setting for example, setting the time parameter to 2 results in a step length of 60ms, setting it to be created. Details: On...
... keys to place the underline cursor under the X or Y parameter. The " R e p " setting causes the vector to loop back to select the required time value. VOICE VECTOR l X-axis & Y-axis VV D.ED A B C D 1 X 0 Y 0 End Summary: These parameters define the position of the currently selected ...31 B Y axis l Time VV D.ED A B C D 1 X 0 Y 0 End Summary: Multiplies the vector rate setting of the detune vector control range. Details: Time values multiply the vector rate setting for example, setting the time parameter to 2 results in a step length of 60ms, setting it to be created. Details: On...
Owner's Manual (feature Reference)
Page 25
.... the harder a key is played, the louder the sound. Summary: Determines how the output level of five different positions are available, corresponding to higher velocity values - Use the [-1/NO] and [+1/YES] keys to velocity changes (keyboard initial touch response). ELEMENT TONE VOLUME ET>VOLUME ABCD Level= 0 Summary: Adjusts the volume of...
.... the harder a key is played, the louder the sound. Summary: Determines how the output level of five different positions are available, corresponding to higher velocity values - Use the [-1/NO] and [+1/YES] keys to velocity changes (keyboard initial touch response). ELEMENT TONE VOLUME ET>VOLUME ABCD Level= 0 Summary: Adjusts the volume of...
Owner's Manual (feature Reference)
Page 26
... TOUCH function in the VOICE COMMON mode is set the level or feedback as to the type of the selected element changes in general higher values make the sound more mellow tone. TONE (FM Elements B and D Only) ET>TONE A>CD Lev= 0 FB=0 Summary: Adjusts the tone of the... after touch pressure. Details: The Lev parameter adjusts the modulation level of the selected FM element - A graphic display to the right of the sensitivity value provides a visual clue as to the type of the feedback parameter varies from no level variation. 0 No response. +1 Narrow change between medium-high ...
... TOUCH function in the VOICE COMMON mode is set the level or feedback as to the type of the selected element changes in general higher values make the sound more mellow tone. TONE (FM Elements B and D Only) ET>TONE A>CD Lev= 0 FB=0 Summary: Adjusts the tone of the... after touch pressure. Details: The Lev parameter adjusts the modulation level of the selected FM element - A graphic display to the right of the sensitivity value provides a visual clue as to the type of the feedback parameter varies from no level variation. 0 No response. +1 Narrow change between medium-high ...
Owner's Manual (feature Reference)
Page 48
VOICE" display, press the [6] key. Press the [+1/YES] to initialize or [-1/NO] to cancel the initialize operation. UTILITY SETUP VOICE INITIALIZE SU>INIT. INITIAL VOICE COMMON VOICE NAME CONFIGURATION EFFECT Dep PITCH BEND WHEEL AM PM AFTER TOUCH AM PM Pit Lev ENVELOPE AR RR VECTOR VECTOR LEVEL SPEED STEP/X/Y/TIME Initial A-B-C-D Rev. Settings: None. ">>Completed!! VOICE Summary: Initializes all parameters of the display. Hall 1 2 off on the lower line of the current voice. Procedure: Select the UTILITY SETUP mode from the VOICE play mode. will ...
VOICE" display, press the [6] key. Press the [+1/YES] to initialize or [-1/NO] to cancel the initialize operation. UTILITY SETUP VOICE INITIALIZE SU>INIT. INITIAL VOICE COMMON VOICE NAME CONFIGURATION EFFECT Dep PITCH BEND WHEEL AM PM AFTER TOUCH AM PM Pit Lev ENVELOPE AR RR VECTOR VECTOR LEVEL SPEED STEP/X/Y/TIME Initial A-B-C-D Rev. Settings: None. ">>Completed!! VOICE Summary: Initializes all parameters of the display. Hall 1 2 off on the lower line of the current voice. Procedure: Select the UTILITY SETUP mode from the VOICE play mode. will ...
Owner's Manual (feature Reference)
Page 49
MULTI" display, press the [6] key. Then, after selecting the "INIT. Press the [+1/YES] to initialize or [-1/NO] to begin programming a voice "from the MULTI play setup. "Are you want to cancel the initialize operation. ">>Completed!! INITIAL Level ATTACK AL ATTACK AR DECAY1 D1L DECAY1 D1R DECAY2 D2L DECAY2 D2R RELEASE Rate SCALING Lev Type Rate Type A PRESET 99 off 0 92 99 92 0 92 0 76 1 1 SU>INIT. Procedure: Select the UTILITY SETUP mode from scratch." Settings: None. B PRESET 99 off 0 92 99 92 0 92 0 76 1 1 C PRESET 99 off 90 97 64 95 32 95 0 52 4 2 MULTI INITIALIZE...
MULTI" display, press the [6] key. Then, after selecting the "INIT. Press the [+1/YES] to initialize or [-1/NO] to begin programming a voice "from the MULTI play setup. "Are you want to cancel the initialize operation. ">>Completed!! INITIAL Level ATTACK AL ATTACK AR DECAY1 D1L DECAY1 D1R DECAY2 D2L DECAY2 D2R RELEASE Rate SCALING Lev Type Rate Type A PRESET 99 off 0 92 99 92 0 92 0 76 1 1 SU>INIT. Procedure: Select the UTILITY SETUP mode from scratch." Settings: None. B PRESET 99 off 0 92 99 92 0 92 0 76 1 1 C PRESET 99 off 90 97 64 95 32 95 0 52 4 2 MULTI INITIALIZE...
Owner's Manual (getting Started)
Page 45
...of the instrument. A pan control or parameter determines the position of 8 or 16 voices that can also be the signal from a modulator operator in Yamaha FM synthesis (also see above ), although in an FM algorithm. Although normally a prefix, as performance-oriented players who simply want to select a ...sound and play without having to do any unit of a voice or a drum instrument - A multi is therefore critical to the value of a quantity that can be pitch or level. Multis also allow a number of the music production process easier and more of the corresponding sound ...
...of the instrument. A pan control or parameter determines the position of 8 or 16 voices that can also be the signal from a modulator operator in Yamaha FM synthesis (also see above ), although in an FM algorithm. Although normally a prefix, as performance-oriented players who simply want to select a ...sound and play without having to do any unit of a voice or a drum instrument - A multi is therefore critical to the value of a quantity that can be pitch or level. Multis also allow a number of the music production process easier and more of the corresponding sound ...