Data List
Page 18
... the end of High, Mid and Low. ɾbbH/0bbbbbbb indicates byte counts. ɾccH/0ccccccc indicates tcheck sums. ɾddH/0ddddddd indicates data/value. Synthesizer Section (1) TRANSMIT FLOW SW1 MIDI Hexadecimal numbers may include the letter "H" as a suffix. The letter "n" indicates a certain whole number. The data address consists of the...
... the end of High, Mid and Low. ɾbbH/0bbbbbbb indicates byte counts. ɾccH/0ccccccc indicates tcheck sums. ɾddH/0ddddddd indicates data/value. Synthesizer Section (1) TRANSMIT FLOW SW1 MIDI Hexadecimal numbers may include the letter "H" as a suffix. The letter "n" indicates a certain whole number. The data address consists of the...
Data List
Page 26
YAMAHA [ Control Synthesizer---synthesizer part ] Date:26-MAR-1996 Model CS1x MIDI Implementation Chart Version : 1.0 : : Transmitted : Recognized : Remarks : : Function ... : : : : :Basic Default : 1 - 16 : 1 - 16 : Memorized : :Channel Changed : 1 - 16 : 1 - 16 : : : Default : 3 : 1 - 4(m=1) : Memorized : :Mode Messages : x : 1 - 4(m=1) *2: : : Altered x : : :Note : 0 - 127 : 0 - 127 *1: ...
YAMAHA [ Control Synthesizer---synthesizer part ] Date:26-MAR-1996 Model CS1x MIDI Implementation Chart Version : 1.0 : : Transmitted : Recognized : Remarks : : Function ... : : : : :Basic Default : 1 - 16 : 1 - 16 : Memorized : :Channel Changed : 1 - 16 : 1 - 16 : : : Default : 3 : 1 - 4(m=1) : Memorized : :Mode Messages : x : 1 - 4(m=1) *2: : : Altered x : : :Note : 0 - 127 : 0 - 127 *1: ...
Owner's Manual
Page 3
... made in electronic music technology possible. Overnight the knob was the 1970s, and some of the 1980s saw breakthroughs in digital synthesizer technology which was no reliable way to slight fluctuations in complete control of digital... Interact with pitch, thus making tuning inherently unstable... be sensitive to save panel settings and original sounds except for a better way, and great strides were made . And the term synthesizer became a household word. It put the musician in electric current which provided information about each feature. And the knob was the future...
... made in electronic music technology possible. Overnight the knob was the 1970s, and some of the 1980s saw breakthroughs in digital synthesizer technology which was no reliable way to slight fluctuations in complete control of digital... Interact with pitch, thus making tuning inherently unstable... be sensitive to save panel settings and original sounds except for a better way, and great strides were made . And the term synthesizer became a household word. It put the musician in electric current which provided information about each feature. And the knob was the future...
Owner's Manual
Page 4
...new format will let you can be organized and stacked in the And Yamaha heard their cries... A perfectly versatile synthesizer as attractive to actually manipulate it has also classics. General MIDI (GM) compatibility makes the CS1x an ideal One with the lightning of many different types of expanded An... a simpler, easier to use , natural interactivity, thick sound, and, of course, the knob-and unites it was the Yamaha Control Synthesizer CS1x. One destined to play back up to the products made by an external MIDI clock provides an extremely useful tool for the As...
...new format will let you can be organized and stacked in the And Yamaha heard their cries... A perfectly versatile synthesizer as attractive to actually manipulate it has also classics. General MIDI (GM) compatibility makes the CS1x an ideal One with the lightning of many different types of expanded An... a simpler, easier to use , natural interactivity, thick sound, and, of course, the knob-and unites it was the Yamaha Control Synthesizer CS1x. One destined to play back up to the products made by an external MIDI clock provides an extremely useful tool for the As...
Owner's Manual
Page 10
...will respond to note and other than the PA-3B. When keyboard Local is not in the illustration below shows how to use the CS1x with a Yamaha QY series sequencer, which lets you play on the current MIDI channel assignment). CAUTION • Do not attempt to use an AC ...to an external sequencer, you started. Before switching on the rear panel. GETTING STARTED Setting Up Your CS1x The Control Synthesizer CS1x literally comes ready to play right out of a single audio cable to the CS1x's L/MONO jack, and the other settings for the external devices such as shown in use. Set...
...will respond to note and other than the PA-3B. When keyboard Local is not in the illustration below shows how to use the CS1x with a Yamaha QY series sequencer, which lets you play on the current MIDI channel assignment). CAUTION • Do not attempt to use an AC ...to an external sequencer, you started. Before switching on the rear panel. GETTING STARTED Setting Up Your CS1x The Control Synthesizer CS1x literally comes ready to play right out of a single audio cable to the CS1x's L/MONO jack, and the other settings for the external devices such as shown in use. Set...
Owner's Manual
Page 13
... musician playing a finely crafted violin will determine the overall quality of the tone. Oscillators, Filters And Amplifiers Synthesizers rely on fingering positions (pitch). Synthesizer oscillators usually offer a range of frequencies between 20 Hz and 20kHz, which is determined by the oscillator, ...# An amplifier controls the volume of the violin's sound (tone). An AWM2 waveform forms the fundamental tone source of a CS1x voice; OSCILLATORS FILTERS AMPLIFIERS GENERATES PITCH CREATES TONE DETERMINES VOLUME ! The oscillator generates sound wave vibrations at a certain volume level...
... musician playing a finely crafted violin will determine the overall quality of the tone. Oscillators, Filters And Amplifiers Synthesizers rely on fingering positions (pitch). Synthesizer oscillators usually offer a range of frequencies between 20 Hz and 20kHz, which is determined by the oscillator, ...# An amplifier controls the volume of the violin's sound (tone). An AWM2 waveform forms the fundamental tone source of a CS1x voice; OSCILLATORS FILTERS AMPLIFIERS GENERATES PITCH CREATES TONE DETERMINES VOLUME ! The oscillator generates sound wave vibrations at a certain volume level...
Owner's Manual
Page 36
... play only one Performance at a time. Performance Layer 1 MIDI Receive Channels set in the factory as when using a bass sound, brass sound, or an analog synthesizer sound. It is selected for the receive channel setting. Though the receive channels are cases, however, where it is selected to generate multiple sounds at...
... play only one Performance at a time. Performance Layer 1 MIDI Receive Channels set in the factory as when using a bass sound, brass sound, or an analog synthesizer sound. It is selected for the receive channel setting. Though the receive channels are cases, however, where it is selected to generate multiple sounds at...
Owner's Manual
Page 40
... play up to select Monophonic mode, such as when using the external device such as a tone generator using a bass sound, brass sound, or an analog synthesizer sound. s POLY/MONO This determines whether the voice in Performance Mode. 39 Consequently, the changes made in Multi Play Mode are cases, however,where it... voices which uses too many notes. There are temporary and cannot be stored. • The Arpeggiator function is more effective to 32 notes at playing CS1x as sequencer.
... play up to select Monophonic mode, such as when using the external device such as a tone generator using a bass sound, brass sound, or an analog synthesizer sound. s POLY/MONO This determines whether the voice in Performance Mode. 39 Consequently, the changes made in Multi Play Mode are cases, however,where it... voices which uses too many notes. There are temporary and cannot be stored. • The Arpeggiator function is more effective to 32 notes at playing CS1x as sequencer.